Recent Landscapes
As I continue
“painting in papers”
LITTER-ally KENTUCKY
Also available as
giclée prints
A Change of Seen
When I took paper and
paste outside
Les Cheneaux Series
Inspired by the
northern waters
Posts Tagged ‘landscape’
View my collage landscape galleries —
Monday, May 4th, 2026At Pleasant Hill
Tuesday, March 31st, 2026“The holistic quality of craft lies not only in engaging the whole person but also in harmonizing his understanding of himself in the world.”
— Peter Korn“Well I guess my advice would be: be patient. If you follow your gut and not the advertisements on the side of the bus, everything will turn out as nature intended.”
— Nick Offerman
Plenty of time on the east end of Shaker Village (during past outings) paid off in the studio recently. I decided to complete this one during the final week of my March Exertion. I intend to leave the rough, unfinished edges on this piece. When I was “painting in papers” on location, I could hear the sheep, but they never showed up in my view of their enclosure. Actually, I can still hear them (haha).
As the whole world is forced to swallow “large language models” that have run amok (which nobody really asked for), it is satisfying and gratitude inducing to make something authentic with my own hands at the historic setting of a culture revered for its artisanship.
At Pleasant Hill
collage en plein air by J A Dixon
found paper, gel transfers, tissue, tea bags
on vintage notebook cover, 12.5 x 6 inches
finished during my March Exertion, day 28
Hatched at a workshop: “The Joining”
Friday, March 27th, 2026 
The Joining
imaginary collage by J A Dixon
found papers, gel transfers, tissue, tea bags
on canvas, 8 x 10 inches
finished for my March Exertion / day 24
Last one for the 2025 collage archive
Wednesday, December 31st, 2025“If you’re doing a good job you should feel that it gets harder. If you think it’s getting easier, you ought to look out. I think it means you’re getting lazy.”
— Matthew Carter
My final collage of the calendar year might be a favorite for the whole cycle, even though the finish felt like a struggle. Although I spent a lot of time at this natural place before confronting my impression on the drawing board, bringing it around to a “finished look” transcended a plein air description. I don’t know why it’s hard for me to cross that line, but a fulfillment process often needs to maintain the upper hand. I can never easily bend paper to my will, but, if I ask nicely, it will cooperate to help me become an “agent” of the Creative Source.
Haven on the Knob
Marion County, Kentucky
collage landscape by J A Dixon
7.75 x 10.75 inches
private collection
The Les Cheneaux Series
Saturday, October 11th, 2025
Thanks for your interest in my “waterscapes.” Click on each thumbnail to view a larger image. Hover over thumbnails to view the availability of originals. Many of my previously sold artworks can be ordered as fine prints. Click here to scroll the original blog posts.
View the LITTER-ally KENTUCKY collection, too!
our living landscape . . .
Friday, January 31st, 2025“The landscapes that I choose to paint are tied by a common thread, a sense of nostalgia, a setting that at once is current, but also captures a sense of the (Sacramento) valley that hasn’t changed for many years. I believe that landscapes live in us.”
— Phil Gross
While away from the studio, with limited collage ingredients, I made a miniature copy of a splendid oil painting by Phil Gross. I’ll probably add a few finishing touches and then decide if it’s appropriate to sign it. This turned out to be a very different kind of exercise than any other paper landscape that I’ve done. My thanks to Rowland William Breidenbach for the opportunity to spend time with this landscape.
California Theme (after Phil Gross)
unfinished collage landscape by J A Dixon
10 x 8 inches
framed: 16.75 x 13.75 inches
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Collage in the U.P.
Monday, September 30th, 2024 
Spent a chunk of September “painting in papers” while in the Les Cheneaux Islands. This recent method of pasting collage ingredients over a crude charcoal sketch really started to grow on me.
Here is an interim stage of completion for “Up the Channel.” The water foreground needs to be finished and softened. The shoreline can benefit from a few more details. Please stand by for the final version!
Evolving creative intent with similar subjects
Friday, August 30th, 2024“The writing and playing of music is a matter of intent…. You can’t just throw a paint brush against the wall and call whatever happens art.”
— Duke Ellington
There are so many old farmhouses and barns in our Knobland region of Kentucky, and they always hold my rapt attention as I interpret them in found papers. It is necessary, however, for me to quiet my busy mind and discover a soul connection to a particular natural place and the evident stewardship of those who have cared for it. Then, and only then, can I apply an intent to coax my intuition in an expected direction and to handle paper and paste with creativity.
I am pleased with what I achieved on the top half of this small canvas. The foreground is now due for an efficient studio finish.
Check out my series of posts that have described a seven-year plein air adventure, “painting in papers.”
At Walnut Springs (unfinished)
collage en plein air by J A Dixon
on stretched canvas, 10 x 8 inches
Plein Air Artists of Central Kentucky
From Their Special Place
Wednesday, June 5th, 2024“We are part and parcel of the big plan of things. We are simply instruments recording in different measure our particular portion of the infinite. And what we absorb of it makes for character, and what we give forth, for expression.”
— Rockwell Kent
I returned to historic Caldwell Farm to coordinate an “Art Out” for the Plein Air Artists of Central Kentucky (PAACK). When I suitably had met my few obligations for the day, I went alone toward the heart of the acreage to locate a spot that the owners refer to as the “Special Place.” Along a well-tended pathway, near a quiet watershed, I set up my makeshift plein air collage rig. From that perspective, I sought to interpret in papers a far-off cluster of corn cribs and structures that once served as the focus of an innovative cattle-raising operation. Two different angles of this agricultural configuration previously had become part of my LITTER-ALLY KENTUCKY collection.
I found myself simplifying, simplifying. Paper demands it, of course, but also I had hoped to touch the essence of the early summer scene — a moody sky, the limited palette of buildings, plus an expanse of new corn, barely above the soil. Representational collage, if anything, must be about expression, not craft. What one is blessed to take away from contact with the fusion of nature, ingenuity, and intentional affection is left to individual receptivity. Being a so-called artist is not necessary to reap the potential benefits of experiencing rural beauty.
From Their Special Place
collage en plein air by J A Dixon
9 x 7.625 inches
private collection
Capturing an Arcadian Sky
Monday, March 25th, 2024“I have learned to expect nothing of the weather
but what it gives us.”
— Rockwell Kent
Last September at nearby Arcadia Farm, I fell under the spell of a horizon and stuck with the mood of early-morning clouds for the rest of the session. With the prevailing heat, other members of the PAACK may have been praying for more breeze, but I was grateful for hours of no wind. I wasn’t even using clothespins! I wanted to interpret the viewscape as that huge land grant might’ve looked to the original Shelby family in the 1700s. Although pleased with the result that I took home, I knew I wanted to make studio additions at the base of the artwork before declaring it ready for a signature. And so here we are, March of 2024. As I look ahead to a new season of taking collage outside, it made sense to finally complete the studio refinements on one of my favorite landscapes from 2023.
Arcadian Sky
collage en plein air by J A Dixon
11.375 x 7.875 inches
available to collectors
Dreaming of Wind Harbor
Tuesday, February 27th, 2024“Nothing happens unless first we dream.”
— Carl Sandburg
Today’s featured artwork is a studio collage landscape inspired by a dream and finished from imagination. I believe it was triggered by a combination of time spent outside observing earth, sky, and water, with the natural reservoir of so-called talent cultivated from childhood.
Dream-inspired images are rare creatures for me, but I grab one when it emerges. More often than not, my waking imagination falls short when trying to capture it. Over the years, I’ve had more success in that line coming up with graphic design concepts than I have with artistic impressions. It probably has something to do with how my subconscious responds to an explicit problem-solving setup, in contrast to more undefined visual images (which in my dreams tend to be preposterously complicated and nearly impossible to retain).
As happened when I shared this image elsewhere, I have often received the remark, “You’re so talented.” Many artists have heard this, too, and would relate to my mentioning it. I usually respond by saying something like this: talent alone goes stagnant early on if an individual doesn’t develop it with a life of effort and follow through. I appreciate what these people mean and their sincere intent to praise, 
but they usually don’t grasp the full picture. A refined trust in intuition is often mistaken for talent, but actual talent is a creation of the Universal Source. Artistic talent, intellectual talent, empathic talent, athletic talent — there is no difference, because we all get our start with some kind of talent as a divine inheritance. For some of us, it might’ve been more obvious (especially if we liked to show off for others). How many “talented” young athletes are age-group champions into later life? How many “talented” young musicians or dancers become professional performers with the respect of their peers? There you have it. Any talent can be lost without the effort and stick-to-it mindset that overcomes challenges and builds effective skills and attitudes. And make no mistake about it — such acquired discipline comes from God, too, so let’s give proper credit and keep working!
Wind Harbor
collage on canvas panel by J A Dixon
studio landscape from dream / imagination
14 x 11 inches
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