“Collage is a fantastic tool to modulate the strain of life and associated feelings.”
— Laurie Kanyer
This one was started some time ago, in response to the Paradise conflagration, but I had no determination to finish it until after a deadly storm front came through our region last Saturday.
If you can, please reach out to help.
Ticket to Trauma
collage catharsis by J A Dixon
8.25 x 10.625 inches
available for purchase
The national symbol of the eagle is so iconic I often forget that Benjamin Franklin was opposed to its adoption and favored the turkey. (Some things need no further elaboration.)
If You Turkeys Can Keep It
collage catharsis by J A Dixon
8 x 10 inches
available for purchase
Married Life Done Changed Him
collage catharsis by J A Dixon
8.5 x 11.5 inches
from my Series of Rock
available for purchase
To Us Any Day
collage miniature by J A Dixon
6.5 x 8.75 inches
from my Series of Rock
available for purchase
Makeshift Dissidents
collage on book cover by J A Dixon
6.0625 x 9.5625 inches
available for purchase
Reluctant Disobedience
collage catharsis by J A Dixon
10 x 12.375 inches
available for purchase
Flatulent Earth
collage catharsis by J A Dixon
5.5 x 8.5 inches
part of the disrupt climate disruption activity
Purchase this artwork.
“Anger is a very limiting emotion. There’s not much you can do with it. There’s no hope in it.”
— Wendell Berry
There was a time when the arts may have held the capacity to alter the world around us. From time to time, music probably has. Perhaps the dramatic arts, too. The oral and written arts of language certainly have, and they remain highly consequential, but the notion that those engaged in artistic “visual statements” can affect society is an illusion. The early 20th-century avant-garde believed they could, and maybe they did, to some extent, while the attention of a less distracted elite was seized. At any rate, this innovative class took what they had absorbed, rejected much of it, and cultivated the vocabulary of the modern art forms which influence the bulk of what artists do today. And almost all of what we do now has very little if any catalytic effect on evolving civilization — especially if it was overtly intended to do just that. But make no mistake about it, “message art” has been, is, and can be a significant catharsis for creative individuals. Rest assured that it will reinforce solidarity among people of like mind. It can also be relied upon to irritate many of the others.
Taboo Faction
collage catharsis by J A Dixon
8.125 x 11.5 inches
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“I never plotted anything out. I don’t believe in storyboarding. I think you have a very dull-looking movie. You have to take advantage of the moment. I’m the kind of person that loves what we call the fog of war. That when things are going, and opportunities present themselves, you use them, you know, and there’s a fluidity that occurs that way. Now, I’ll go to all the locations. I know what I’m going to shoot, and where I’m going to shoot it, but I’m always ready to change. I’m always ready to adapt to the situation as it develops, and I think that there’s a certain organic quality that occurs then.”
— John Milius
The incomparable Milius was obviously talking about his approach to crafting a film, but I find his description entirely appropriate when discussing the art of collage. There must be a balance of careful research, discernment, and preparation — to set in readiness the potential ingredients — combined with a difficult-to-articulate sense of walking into the studio with absolutely no idea what will happen next, or how one might adjust the wheel to a different point on the compass. He puts it into words as well as anyone. If current movies — or any art form based on visual montage — look more contrived than ever, all the clues we need to know why are in that quotation.
Aggravated Dissent
collage on pasteboard by J A Dixon
7.5 x 11.5 inches
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“I don’t think of all the misery, but of the beauty that still remains.”
— Anne Frank
It has been a distinct pleasure to perform in the company of some accomplished dramatic artists. I felt like a novice throughout our local production of The Diary of Anne Frank. There were times when the angst of my character, Mr. Kraler, spilled over into my off-stage being. So, naturally, I fell back on my own art and made a collage miniature as a creative catharsis. After a bit of sadness when the Secret Annex set was struck, I found myself eager to spend more time in the studio.
Mr. Kraler’s Distress
collage miniature by J A Dixon
8.25 x 9.375 inches
collection of the artist
Sunday: Nevada
collage miniature by J A Dixon
6 x 7.75 inches
Las Vegas Victims’ Fund