Archive for the 'Collage' Category

Still Life with Peony Tulips

Monday, October 11th, 2021

“We think of the things we own and use as defining us in some way, but that can only be true if we first describe the things. Describing is a remarkable human act. It connects our inner and outer experience: as we observe and record the material world, we respond and reflect. We enter the realm where the material world meets the imagination. That’s the fertile ground of art.”
– Sheldon Tapley
 

I created this artwork for The Object Seen: Contemporary Still Life, current exhibition at Art Center of the Bluegrass in Danville. The juror was Sheldon Tapley, masterful painter, draftsman, and Stodghill Professor of Art at Centre College. I received a 2nd-place ribbon and cash prize. The honor came as a surprise, since I don’t consider myself a practitioner or student of still life as an art form. I have, however, looked deeply at artwork made by Sheldon and those who are. The arms-length quality of modern still life has compelled my close scrutiny for many years. Given that influence, I brought to the genre what I’ve discovered by “painting with paper” from direct observation (the long sweep of art history hovering somewhere outside my conscious awareness, with its rich tradition of artists tackling visual cornacopias of objects and edible fare). I decided to interpret a tabletop group of objects from raw material, rather than assemble a conventional collage composition from found images.

Please view a video clip of the juror’s remarks about my artwork.

The peony tulip blossoms were created en plein air in a local flower garden. The small “still life within a still life” was commenced and partially finished from a setup of actual objects. I relied on photo reference for the rest. Ingredients include colored paper (printed and unprinted), wallpaper, ruined book parts, tissue, reclaimed tea bags, string, and a dried leaf, plus minimal use of walnut juice, burnt coffee, tinted paste, and marker-ink edging. Adhesives include wheat paste, acrylic matte medium, and white glue.

 

Still Life with Peony Tulips
collage on salvaged canvas
18 x 23.75 inches
available for purchase

•  Second Place Prize

Paint the town. (With paper!)

Saturday, July 3rd, 2021

“If everything seems under control, you’re just not going fast enough.”
— Mario Andretti
 

One week ago, I spent a windy Saturday in frantic competition with the clock, and managed to get an outdoor collage artwork framed and delivered for Lexington’s annual Paint the Town plein air event. At the opening reception that same evening, I was stunned to get a prompt sale and 2nd-place prize. It was one of the most exhilarating twelve hours I’ve experienced in quite a while.

Oh, the dubious lengths some of us will go to chase artistic intensity — even the temporary madness of extreme deadline pressure — all in the pursuit of rapt spontaneity. Heaven help me!

It doesn’t seem so long ago when I first took my collage obsession out of doors, and this kind of open challenge was a goal too absurd to contemplate. I had scouted the location and spent a couple days in preparation. By the time I’d registered a blank canvas, raced to my site and set up, one of the precious six hours had evaporated. I began to battle the breeze (nothing new there). Nor were the other 40 artists involved my foes. It was clear that the only towering opponent I faced was a daunting imperative to speed up my process. I’ve never pasted paper so fast in my life!

The judge said this about my piece: “I was very interested in the way this artist managed to create such an evocative landscape using collaged paper — and on a windy day! Places and buildings often hold so many memories and meanings, and the use of text on the siding of the buildings — with the words appearing in reverse, so they become texture and tone — adds another level of meaning.”

It’s gratifying, and profoundly reinforcing, to have a knowledgeable evaluator find significance in aspects that have evolved gradually to become a natural part of my plein air method. I appreciate her remarks, the organizing effort of all those with Arts Connect, the camaraderie of the participating artists, the buyers (Scott and Paul), the indispensable support of my dearest partner — and you, reader, for visiting here and for reading all of this!

Onward to the next challenge!

 

Off Upper
plein air collage on canvas by J A Dixon
12 x 12 inches

•  Second Place Prize / S O L D

Renewal

Friday, June 18th, 2021

This artwork was created for and accepted into BEGINNINGS/ENDINGS, a virtual exhibition organized by Kate Savage at Arts Connect in Lexington, Kentucky. It began with musings on the cyclic lives of trees as a resource. Searching my stash for collage ingredients prompted what I consider a spontaneous work of abstraction as much as an interpretation of the exhibition theme.
 
Renewal ~ collage on canvas J A Dixon

Renewal
collage on canvas by J A Dixon
12 x 12 x 1.25 inches
available for purchase

New Birth, New Growth, New Beginnings

Friday, May 28th, 2021

“Younger than we are,
      O children, and frailer,
Soon in the blue air they’ll be,
      Singer and sailor.”
 
  — Nest Eggs | A Child’s Garden of Verses,
      Robert Louis Stevenson, 1900
 

Today is the final day of “New Birth, New Growth, New Beginnings,” a juried exhibition celebrating spring at Art Center of the Bluegrass. My accepted artwork originated from a satisfying blend of subject, medium, and poetic reference.

The green space that surrounds my home studio has been a haven for multiple generations of robins. A surreptitious, close-up glimpse of their familiar nest eggs was the visual idea that dislodged any others I might have used to interpret the theme. Spring is my favorite time of year, as it is for many, and perhaps the finished piece captures how my imagination is charged with anticipation for nature’s annual season of renewal. There is also something about the chaotic order of a bird’s nest that ideally lends itself to collage ingredients. I wanted to include the textural patterns of printed text, along with actual organic substance — in this case, the inner membranes of hard-neck garlic stalks from the previous year’s harvest. The “patina” of salvaged wallpaper from a nearby historical tear-down provided areas of desired subtlety. Relying on reclaimed tea-bag material has gradually become an integral part of my technique, but I hadn’t put it to use before with such a linear quality. For zones that would benefit from deeper shadow, I added walnut juice to my typical polymer sealant and “smoothed” the eggshells ever so slightly with colored pencil and a milky tint (giving rise to the final description of “combined mediums”).

Human civilization has increasingly peeled itself from the balanced interdependence of the natural world. More of us are doing our best as individuals to fix that torn relationship. There are different ways to promote a necessary restoration. It’s important to discover as many as possible. I find myself taking more advantage of bringing art to nature and nature to art. I am thankful that my life conditions grant me creative opportunities to experience this healing process.

 

Soon in the Blue Air They’ll Be
collage with combined mediums on structured panel
J A Dixon, 20 x 25 inches

•  S O L D

Quarry

Monday, May 3rd, 2021

“Perpetual devotion to what a man calls his business is only to be sustained by perpetual neglect of many other things.”
— Robert Louis Stevenson
 

ROCK, PAPER, SCISSORS, the virtual exhibition organized by Kate Savage at Arts Connect, had its online event with artist commentary yesterday. As I prepared some remarks about my included artwork, I looked back to see what I’d written about it after its completion in 2019.

Nothing — that’s what I found.

With an emphasis on documenting my journey into making collage en plein air, I’ve apparently neglected to say as much about a corresponding investigation of studio-based landscape. Being a self-taught illustrator and fine artist, working from photographs has been a central part of the creative process — at least since my days as a “gopher” student in the 1970s, when I assisted veteran commercial artists compile reference scrap for tight-deadline assignments. In recent years, my work on location is informing how I do a collage painting indoors from a photo.

Quarry is a fitting example, created from a wonderful image by Jeff Hiles, an Ohio photographer who generously gave a green light to interpret his work in another medium. My piece also dovetails nicely with the theme of the show. More importantly, it demonstrates how I’m gradually learning to bring into the studio the sense of immediacy and intuitive spontaneity that I experience when working directly from a natural scene.

 

Quarry
collage landscape by J A Dixon
25 x 18.5 inches
on panel, framed
currently on consignment

March Ex(plosion)  |  Thirty-First and Done

Wednesday, March 31st, 2021

This is the final piece in my month-long collage-per-day ritual. I’ll bet I’m not the only one whose mom used to say, “Your eyes are bigger than your stomach.” The admonishment stays sharply influential. I feel that way in the studio at times, with a peculiar stash ready for decades of dining. But if one wants to keep on devouring, it might be important to watch “the size of the portions,” too. This plate was a ten-inch square dimensional collage on structured panel. And it would be unforgivable to neglect citing the hilarious scene from Philomena as another distinct motherly reference.

March is over. April is served. Bon appétit.
 

Size of the Portions
collage artwork by J A Dixon
10 x 10 x 1.5 inches
for the 2021 March Ex(plosion)

March Ex(plosion)  |  Thirtieth Collage

Tuesday, March 30th, 2021

 

And While You’re At It
collage miniature by J A Dixon
6.5 x 8.75 inches
(Items from this series are available to collectors.)

March Ex(plosion)  |  Twenty-Ninth Collage

Monday, March 29th, 2021

 

The Story of My Instant Demise
collage miniature by J A Dixon
6 x 7.75 inches
available for purchase

March Ex(plosion)  |  Twenty-Fifth Collage

Thursday, March 25th, 2021

 

Your First Mistake
collage miniature by J A Dixon
7 x 10 inches
from my Series of Rock
available for purchase

March Ex(plosion)  |  Twenty-Fourth Collage

Wednesday, March 24th, 2021

 

Pop Said No
collage miniature by J A Dixon
8.125 x 9.375 inches
available for purchase

March Ex(plosion)  |  Twenty-Third Collage

Tuesday, March 23rd, 2021

 

Ceremony of Innocence
collage miniature by J A Dixon
6.375 x 8.375 inches
available for purchase