Archive for the ‘Merz’ Category

When Chance Comes to Call

Monday, June 9th, 2025

“Never put off until tomorrow what you
can do the day after tomorrow.”

— Sam Clemens, Oscar Wilde,
or some other unknown wit
 

 
 
 
 
 
 
 
 
 
 
Would that I had followed Ben Franklin’s advice in preparation for my class to share collage-making techniques and perspectives. When I “pick a card” like this and invite Lady Luck, I am more likely to find myself in the Mark Twain frame of mind. At any rate, everybody who signed up was fun to be with, all went well, I’m more than pleased, and surely I’ll do it again. We tackled multiple experiments to short-circuit the calculating mind and build intuitive spontaneity. Five participants were there on Friday and six on Saturday. My thanks to each of them and the hospitality of Kleinhelter Gallery!
 

When Chance Comes to Call
collage miniature, 2025
7 x 8.25 inches, in the Merz tradition
available to collectors

Kaleido-Scraps!

Saturday, May 17th, 2025

“No, you never think you’ve made it. To be respected by my peers is the most I could ask for.”
— Freddy Cole

I broke into the collage world twenty years ago and eventually gained some recognition with contemporary practitioners for my fine art approach to the medium, just as social networks were taking hold. My recent emphasis has been in another direction, as those of you who follow this site are fully aware. I still aspire to “make it” in the realm of nonrepresentational collage, but that may not happen for a guy who “paints in papers” as a landscape artist.

I enjoy periodically coming back to the tradition of Merz, and here’s a lyrical piece that I created for tonight’s fundraising auction and random draw. The business of art should involve some community pro bono work, as with all professions. Yes, I’ve pontificated about this before. To help needy nonprofits appreciate the value of creative labor, I maintain this rule of thumb: keep donations modest, infrequent, and local.
 
 

Kaleido-Scraps
collage on stretched canvas
24 x 18 inches, in the Merz tradition

Fat Tuesday Catharsis

Tuesday, March 4th, 2025

 
 

Fat Tuesday seems as good a day as any to finish a pair of collage miniatures that clearly fall into the category of “catharsis.” Not all artwork in the Merz tradition is specifically purgative, but the synchronicity inherent in this dynamic approach lends itself to the impulse.

The genre is ever with us to explore

Wednesday, February 26th, 2025

“I called it Merz. This new process whose principle was the use of any material. It was the second syllable of Kommerz. It first appeared in Merzbild, a painting in which, apart from its abstract forms, one could read Merz, cut and pasted from an advertisement for Kommerz und Privatbank. I was looking for a term to designate this new genre, for I could not classify my paintings under old labels such as expressionism, cubism, futurism, and so on.”
— Kurt Schwitters  

 

Mere Scrupulosity
collage miniature on canvas panel
8 x 10 inches, in the Merz tradition

Happy New Year!

Tuesday, December 31st, 2024


 

Noise Maker
collage experiment by J A Dixon
6.5 x 8.75 inches

Friday, November 29th, 2024

Mindful of small pleasures,
Gave thanks for life’s treasures.

 

Thankful Ode (to Merz)
holiday collage by J A Dixon
13 x 15 inches
available for purchase

Mirthiness

Saturday, September 7th, 2024

“The first step is always to succeed in becoming surprised.”
— David Gelernter
 

I still find it rewarding to work very small, and to have an image of the finished miniature appear to be a larger-scale original. Yes, I know. It doesn’t take much to entertain a collage artist in the studio.

 

Mirthiness
collage on book cover by J A Dixon
7 x 5 inches
available for purchase

Double or nothing . . .

Friday, August 23rd, 2024

 

Dixon appears again at Art Space Versailles, hopeful that a buyer might be interested in the collage artwork called Renewal.

I scheduled a double event this week and it was a fine way to saddle up and ride a momentum. I was eager to point out that Renewal was on consignment at Art Space Versailles.

The studio piece began with my musing on the cyclic life of trees, which makes sense because I’m endlessly fascinated by them and since I work primarily in papers after all. Most collage artists are scroungers at heart, so I had turned to my stash, searching for potential ingredients. I found more than enough for a 12×12-inch canvas and intuitively assembled a “ground” of these found images. I think that toward the end of the process it had became as much an abstract composition as an interpretation of my thematic idea. I didn’t want it to appear too abstract or purposely surreal, so, at the closing stage, I crafted a literal seedling from individual paper components, more in the representational manner that I use for collage en plein air. I guess one could say that the culminating element pictured the birth of a tree, but, as with all life cycles, who can say when the beginning or ending actually occurs. The art itself is re-purposed paper, a clear ending for a tree, at least until inevitable decomposition takes place, and then another cycle of renewal carries on.

In contrast, the exercise in spontaneity featured below had no preconceived intent and originated as a demo miniature during my exhibition-related workshop at Paul Sawyier Public Library in Frankfort on Tuesday. I refined and completed it last night during the appearance in Versailles as a guest artist. The unfinished piece had been immediately titled by a workshop participant after the primary ingredients were juxtaposed, and I just couldn’t top her suggestion!

It joins countless other artworks that tip the Pop-ist hat to Andy Warhol (Campbell’s Soup) or Ray Johnson (Lucky Strike). But the grandfather of Pop Art was Kurt Schwitters. So much of contemporary collage is, in essence, an homage to the German innovator, and I never tire of working in the Merz tradition that he pioneered a hundred years ago.
 
 

Kick the Can
collage experiment by J A Dixon
7 x 8.5 inches

IMCAC Collage Exchange  ~  Warfare Series

Saturday, April 27th, 2024

 

The recent Baker’s Half Dozen Collage Exchange sparked a new series of miniatures that quickly took on a warfare theme. Now to see which one the Museum retains for its permanent collection.

 
 

My eleven-part Warfare Series originated with no conscious intent nor anticipated interpretation and potentially serves as a kind of “collage rorschach.” Images that personify both the greatest evil and the highest good have always found inclusion in my collage artwork from time to time. This kind of art is very different than my representational collage, although both are based on re-using and manipulating found paper that has little, if any, intrinsic value. Juxtaposing the detritus of our culture within this practice offers creative choices about what to use and what to ignore. I continue to be interested in the complex relationship between spontaneity, intuitive judgment, and subjective awareness.

a dry shoal and “Vacation Merz”

Wednesday, January 31st, 2024

Looking back to when I was in Upper Michigan last year… In addition to making collage landscapes outside, I exploited whatever paper fragments were at hand in the cabin. The result was this experiment in color, form, and counterpoint. Those familiar with the history of collage as a modern art will understand why I think of it as “Vacation Merz.”
 

Untitled (dry shoal)
collage experiment by J A Dixon
9.3125 x 11 inches
available for purchase

The Lived Life ~ a new series prompted by Februllage

Saturday, February 4th, 2023

My intention was to boost intensity in the studio, so I began a new series in the Merz tradition. Each piece is based on daily Februllage prompts. The hypothesis: by keeping myself even busier, I’ll get more achieved this month than the artwork directly related to the series ritual. View the first four pieces. Check back to see if my plan works.