Counting Cards

August 28th, 2014

 

Counting Cards
collage miniature by J A Dixon
3.5 x 5.25 inches
 
Purchase this artwork!

Still more from the Haus . . .

August 21st, 2014

“Giving gifts to others is a fundamental activity, as old as humanity itself. Yet in the modern, complex world, the particulars of gift-giving can be extraordinarily challenging.”
― Andrew Weil

For good or ill, I have reduced gift-giving to a flagrant simplicity: the personal collage miniature, disguised as a greeting card. I adopted the practice long ago and, so far, I seem to be getting away with it.

 

Pool Partied
collage miniature by J A Dixon
collection of B Morris

Pancreation
collage miniature by J A Dixon
collection of M J Bowling

Buddhas and Hunks
collage miniature by J A Dixon
collection of M Higggins

SuperTim
collage miniature by J A Dixon
collection of T Rice

To the rule breakers . . .

August 14th, 2014

“Individualism is rather like innocence; there must be something unconscious about it.”
— Louis Kronenberger

I often look back on the image of a personal miniature, long released into the intended realm of a friend, and I have no recollection of the process it underwent, but only a strong sense of the personality who inspired it. This is how it should be. I tend to be dubious of any artworks which retain too much of my methodology in their finished state. Calculation and contrivance are somehow out of place in a collage, but, of course, there are glorious exceptions to every rule. This also is how it should be.
 

Untitled (for Irina)
collage miniature by J A Dixon
estate of Irina Ilina

uncommon kindness . . .

August 7th, 2014

An artist can anticipate nothing more gratifying than to form a sincere connection to another — someone who will discover satisfaction or meaning in one’s creation. As many collage practitioners already know, it is not a frequent experience for those of us who cannot bring ourselves to pander. It is more irregular to find a buyer who wants to live with an artwork. And beyond the satisfaction of a sale, there are those uncommon times when a corresponding creative act takes place in response, and one is the recipient of a profound kindness.

An Art Form Called Collage
by Patty Seitz

Images placed upon a blank paper just so
Or perhaps they were just placed
With no particular pattern in mind
The story emerging on its own
Developing as each image is carefully cut
Then positioned by the artist
By themselves they speak one message
Placed together they speak another
The dictionary says these are
“Various materials not normally associated with one another”
But when we see them together
Their association seems to have existed for a life time
And they bond as if they will never be apart again
Together they speak one language
Using each individual voice to create a harmony
That is most pleasing to the eye

 

Silk Road Triumphant
collage miniature by J A Dixon
6.5 x 8 inches
collection of P B Seitz

All Things Collage: Year Two

July 31st, 2014

“When we remember we are all mad, the mysteries disappear and life stands explained.”
— Mark Twain

“Take what you can,
All you can carry.
Take what you can,
And leave your thoughts behind.”
— Tom Petty

“If everything you do must be measured against the good opinion of everyone else, what happens to your good opinion of yourself?”
— Wayne W Dyer

Hmmm . . . just realized that my line-up of quotations above might seem odd to some of you. At any rate, they capture a bit of what is on my mind, as I begin to reflect on a couple years of remarks about collage at this blogsite.

Mombo_MotherOfTheArtistLike many others, I spend prayerful time caring for a parent with progressive dementia. The other day I was trying to explain to my mother, in terms she could appreciate, my burning desire to make collage artwork, and, touching on her prevailing sense of confusion, talked about my creative activity as a way to bring some kind of harmony out of the chaotic stream of disorder that dominates so much of current stimuli in our daily lives. It brought to my awareness the motivation at the center of what I love to do, but also fell short of the clarity for which I was reaching. Over the next year, I hope to find better words which get to the heart of that idea — how I take what I can carry into a process that leaves thoughts behind, a kind of sweet madness that offers explanations difficult for me to achieve any other way. Of course, this is not the only approach to the medium. I hope to profile more collage artists who use a different methodology than my own — the extraordinary minimalists, the dedicated aestheticians, and those who continue to harness a kind of thoughtful irrationality that keeps me in awe.

I just looked over my previous comments after a full year of blogging, and, as a result, I feel the need to temper my ambitions going into year three, but that is not my nature. There are too many interesting things to explore in the dynamic world of contemporary collage. One of them is the continued explosion of collaboration. Another is the influence of social networks. Nearly every day I see an artist defeat the purpose of the platform with overexposure, failing to keep the age-old quality-vs-quantity issue in balance. One of my goals for the coming year is to take a closer look at how the ease of internet sharing affects the challenge of striking an equilibrium between the imperative to follow one’s passion without regard for opinion and the practical aspects of seeking recognition and approval from others. As most of you already know, it is not an easy task to walk that tightrope.

And one more thing, dear visitor. Please let me know what I can do to make this site more interactive as a unique forum for discussion. Meanwhile, you can count on me to observe, write, and make more art. Stop back again!
 

Untitled (flutter)
collage experiment by J A Dixon
9 x 11 inches
not for sale

Even more Haus of Cards

July 23rd, 2014

“Somebody said once or wrote once: ‘We’re all of us children in a vast kindergarten trying to spell God’s name with the wrong alphabet blocks!’”
― Tennessee Williams, Suddenly Last Summer

As is true with many graphic artists, I have been fascinated by letterforms since childhood. The first time I rendered the word “ICE” with frozen encrustations, it felt like a rite of passage for me. One of the reasons I shunned store-bought greeting cards in favor of my hand-crafted versions was to indulge a love affair with custom lettering. As collage miniatures began to dominate the character of my card making, the alphabet remained a key part of the visual vocabulary. As my enthusiasm for the medium of collage continued to expand, symbolic language became a re-occurring, vital ingredient in nearly all my artistic compositions.

 

collage miniature by J A Dixon
collection of A D Kenner

collage miniature by J A Dixon
collection of C Dixon

collage miniature by J A Dixon
collection of D R Dixon

collage miniature by J A Dixon
collection of E Debarone

collage miniature by J A Dixon
collection of R W Breidenbach

a message to Aunt Erma, 1964

July 16th, 2014

“Have been real bad about not writing.”
—Miles, Jr.

My collage on 50-year-old postcard arrived in Wales and it was posted to the ABAD site today. The reverse of the vintage card is probably more interesting than my improvisation on the image side. A message from Miles, Jr. (sitting in the Louvre, resting feet more tired than eyes) was written on July 10th and received an Army Air Force postmark on July 13th. Apparently his Aunt Erma was in the hospital — a nephew reaching out to “the only family person who knows these places.” Whether or not she ever came home is unknown, but we can only imagine that the card from Paris evoked for her more than a few memories of Europe, the bitter as well as the sweet.
 

ABAD 2014 (reverse of vintage postcard substrate)
collage on 1964 postcard by J A Dixon
6 x 4 inches, not for sale

Feminine Fusion

July 11th, 2014

“Would you stay if she promised you heaven?”
— Stevie Nicks

One cannot have too many influences. I am like the musician who must hear many new notes each day. Hundreds of collage images pass before my eyeballs every week, but there are times when the best catalyst is a younger version of oneself. Much can be learned by reviewing former decisions or puzzling out past intuitions. Perhaps it is all a circular mystery. No doubt the Muse would not have it any other way.
 

Dixon_FeminineFusion

Feminine Fusion
collage miniature by J A Dixon
collection of B Griffin

Toll Taker

July 7th, 2014

With my birthday more than two months behind me, age 62 is now feeling old hat, but I have not forgotten about the gift from Ted Tollefson. His collage on beer coaster sparked a strong desire to reciprocate. Toll Taker is the result, and one could say I was “under the influence” of his cool style. It shall be sent it to him promptly with a couple more surprises.
 

Toll Taker
collage on Lore Brewing coaster
J A Dixon, 4 x 4 inches
collection of T Tollefson

A Book About Death ~ Wales

July 3rd, 2014

“The project has become The Book About Living.
—Sonja Benskin Mesher

Ray Johnson, the original “most famous unknown artist in the world,” produced his A Book About Death during the years 1963 to 1965. The pages were randomly mailed and offered for sale. Complete copies were compiled by a rare few. Johnson was a significant bridge between the groundbreaking work of Schwitters, the sensibilities of Cornell, and the emergence of what would become the most widely recognizable features of Pop Art. He was highly influential in the Mail Art, Installation Art, and Performance Art movements, as well as late 20th-century neo-Dadaist trends.

Since 2008, Paris-based Matthew Rose has actively aroused a worldwide interest and vitality that perpetuates the legacy of A Book About Death. A new call to artists from the Royal Cambrian Academy in Wales and the full history of ABAD can be studied at this site. An exhibition at MoMA Machynlleth planned for later this year will include a collage from me (featured below, produced on a 50-year-old postcard). An online archive will share details of the exhibition and record artworks as they come in. Participate! You have until September 30th to mail your contribution.
 

ABAD 2014
collage on 1964 postcard by J A Dixon
6 x 4 inches, not for sale

Another journal experiment

June 27th, 2014

 

Untitled (Speak No Evil)
collage experiment by J A Dixon
7.5 x 11.5 inches