String Theatre
collage on structured panel by J A Dixon
scrounged promotional printing + string
11 x 14 inches (homage to T R Flowers)
Archive for the ‘Constraints’ Category
String Theatre
Saturday, March 14th, 2026Countermeasure
Friday, February 27th, 2026 
Countermeasure
collage miniature by J A Dixon
8.5 x 9.625 inches
for Februllage 2026
prompts = x-ray + lace
Not plein air, but who’s keeping score?
Thursday, July 24th, 2025“The key is not to imitate life,
but to create it anew.”
— Lalo Schifrin
Although I spent eight hours outside on the miniature featured below, it required too long an indoor refinement period for it to earn a plein-air designation. The process is what matters, and who’s keeping score anyway? The limitations of paper demand a process not overly dependent on what I actually see. So I put imitation aside and follow my Third Rule of Collage: “Intuition is worthy of your trust.”
Working in the sun dries my paste, but I found myself looking for shade when I got to DayCrest Farm. I picked a spot with plenty of depth that overlooked rows of poppies, lavender, and sunflowers, and I took a reference shot on my feet. When I sat down with my rig, I could barely see the lavender. Moving nearer, a new composition photo was closer to what I wanted, and I boosted the hues
as I picked my colored papers.
I had mounted an old, ruined book cover as a substrate. It bled upward into a crumpled sky wet with paste. The unusual effect set a tone for the interpretation, which I carried forward with a more active horizon and a bold base of color. I liked how an accident helped tie the whole thing together back in the studio. When I integrated the dappled sky with moody clouds and represented analogous flowers, the top linked itself chromatically to this horizontal band of lavender. The additional poppies at the base provided a fitting contrast with my chosen shades of green. Except for the unexpected bleed, all color comes from the scrounged paper itself, with no added paints or pigments.
Poppy Solstice
scrounged paper collage by J A Dixon
vintage book cover on structure
outside start, DayCrest Farm, KY
Painting the town again. (With paper!)
Sunday, June 30th, 2024“Yes, I hustle, I hustle to live with the intensity that only maturity can give.”
— Anthony Hopkins
The plein air tradition is alive and well in Central Kentucky. My thanks to Arts Connect for an outstanding “Paint the Town” event, with sincere appreciation to juror James Swanson for his recognition of collage as a plein air medium. A 2nd-place prize was quite unexpected, because it was everything I could do to meet their timetable in the extreme heat. All artwork had to be delivered framed and ready for immediate display by the 8am to 2pm deadline.
This event is always challenging for me, because I rarely need to paste as fast as I must for such a rigorous pace. Every time I go outside to create a collage landscape, adequate preparation is important, and then I try to be as spontaneous as I can with the materials that I bring. For this annual competition, the chosen scene is carefully scouted. I make more “prepared ingredients” ahead of time. That usually means additional printed-text gel transfers on a range of colored papers. You may have seen how I often include them for facade patterns, foregrounds, and foliage. Dana (my indispensable partner) dug out some of her mid-century carpet thread for my mobile stash, and I used it during the final minutes for utility wires.
The resulting exhibition is at the downtown branch of Lexington Public Library. For as long as it lasts, please view the artworks online to see a strong body of landscapes completed on that hot day. Buy one!
Ode to Grain
collage en plein air by J A Dixon
100% / 0% — site to studio
10 x 10 inches + wood frame, crafted by the artist
available for purchase
• Second Place Prize
Make Your Mark
Saturday, June 1st, 2024
Make Your Mark
collage on reclaimed canvas by J A Dixon
26.5 x 26.5 inches
Yes, it’s February already.
Thursday, February 1st, 2024The worldwide collage phenomenon called Februllage is under way. Although I won’t be taking on the collage-a-day challenge this year, I invite you to take a look at the results of when I challenged myself with several prompts before the shock of “lockdown” in 2020. As always, I welcome your comments and constructive criticism!
a dry shoal and “Vacation Merz”
Wednesday, January 31st, 2024Looking back to when I was in Upper Michigan last year… In addition to making collage landscapes outside, I exploited whatever paper fragments were at hand in the cabin. The result was this experiment in color, form, and counterpoint. Those familiar with the history of collage as a modern art will understand why I think of it as “Vacation Merz.”
Untitled (dry shoal)
collage experiment by J A Dixon
9.3125 x 11 inches
available for purchase
The Lived Life: Finality
Wednesday, March 1st, 2023Three more solutions that use two Februllage prompts, plus a single-catalyst collage for the 20th and final piece. The series is finished. I even tricked myself into creating a miniature self portrait. This project has provided a stimulating acceleration into March, traditionally one of my busiest studio months of the year. See you in April!
The Lived Life: Duplicity
Wednesday, February 22nd, 2023I’ve stuck with doubling the Februllage prompts to close out this series. A few of them have pleased me conceptually from the point of completion. Many of the others still look a bit bizarre to my eye, even though they work from a distance as successful color-quantity abstractions.
The Lived Life: Adaptability
Monday, February 13th, 2023In order to preserve more time for the completion of plein-air landscapes, it’s necessary to reduce the Februllage series, and so I’ve started “doubling up” on the catalyzing prompts. Apparently the impetus for Merz has been formulating for awhile. The classical methodology can dominate my workload if permitted. So far, this series has been a stimulating experiment with distinctly surreal tones. It’s interesting to notice a boost in manual dexterity when I increase the pace of intuitive assembly. Instead of getting “sloppier,” I tend to tighten up and attune to mechanical and compositional precision, even as the juxtapositions become more illogical. I never run out of steam with this medium.
Such a splendid blend of craft and psychological dynamics!
The Lived Life: Priority
Wednesday, February 8th, 2023Daily collage miniatures at this level have a way of elbowing their way into a sense of one’s studio priorities. If I don’t accommodate a comprehensive intensity that includes appropriate progress on my landscapes, a February mid-course correction will be in order.
![](http://www.xorph.com/jadixon/wp-content/uploads/2023/02/Dixon_TLL5_Dignity.jpg" "The Lived Life: Dignity ~ J A Dixon ~ Februllage prompt = cloth")
![](http://www.xorph.com/jadixon/wp-content/uploads/2023/02/Dixon_TLL_Tenacity.jpg" "The Lived Life: Tenacity ~ J A Dixon ~ Februllage prompt = cactus")
