Archive for the 'Movements' Category

Quarry

Monday, May 3rd, 2021

“Perpetual devotion to what a man calls his business is only to be sustained by perpetual neglect of many other things.”
— Robert Louis Stevenson
 

ROCK, PAPER, SCISSORS, the virtual exhibition organized by Kate Savage at Arts Connect, had its online event with artist commentary yesterday. As I prepared some remarks about my included artwork, I looked back to see what I’d written about it after its completion in 2019.

Nothing — that’s what I found.

With an emphasis on documenting my journey into making collage en plein air, I’ve apparently neglected to say as much about a corresponding investigation of studio-based landscape. Being a self-taught illustrator and fine artist, working from photographs has been a central part of the creative process — at least since my days as a “gopher” student in the 1970s, when I assisted veteran commercial artists compile reference scrap for tight-deadline assignments. In recent years, my work on location is informing how I do a collage painting indoors from a photo.

Quarry is a fitting example, created from a wonderful image by Jeff Hiles, an Ohio photographer who generously gave a green light to interpret his work in another medium. My piece also dovetails nicely with the theme of the show. More importantly, it demonstrates how I’m gradually learning to bring into the studio the sense of immediacy and intuitive spontaneity that I experience when working directly from a natural scene.

 

Quarry
collage landscape by J A Dixon
25 x 18.5 inches
on panel, framed
available for purchase

March Ex(plosion)  |  Twenty-Ninth Collage

Monday, March 29th, 2021

 

The Story of My Instant Demise
collage miniature by J A Dixon
6 x 7.75 inches
available for purchase

March Ex(plosion)  |  Twenty-Seventh Collage

Saturday, March 27th, 2021

 

Troubling Tendencies
collage miniature by J A Dixon
7.125 x 10 inches
available for purchase

March Ex(plosion)  |  Seventeenth Collage

Wednesday, March 17th, 2021

 

Something Ain’t Right
collage miniature by J A Dixon
6.5 x 8.75 inches
from my Series of Rock
available for purchase

March Ex(plosion)  |  Tenth Collage

Wednesday, March 10th, 2021

 

Exquisito
collage on book cover by J A Dixon
7.25 x 9.75 inches
available for purchase

March Ex(plosion)  |  Third Collage

Wednesday, March 3rd, 2021

 

Polyphemus
collage miniature by J A Dixon
8.6875 x 11.25 inches
available for purchase

The surreal meaning of Christmas

Friday, December 25th, 2020

 

Natal Homage
collage greeting by J A Dixon
private collection

Sixth Chapter: A virtual field trip for youngsters . . .

Saturday, August 22nd, 2020

 

 
“You can decide that you want your art to be very close, exacting, and faithful to the scene, or you can just let nature charge your imagination, and you just go from there.”
from our video “ridealong”
 

It turned out to be one of the more memorable days of the summer — not just another opportunity to take my collage making to a natural place, but a collaborative effort with my friend Brandon Long from Art Center of the Bluegrass. Responding to the new demands of the era, he was in the middle of organizing a virtual field trip to dovetail with our annual En Plein Air exhibition. He wants to encourage youngsters to create collage artwork out of doors, so he asked me if I would be the subject of a short video. Our local PAACK had already scheduled an event at Central Kentucky Wildlife Refuge, but, with the likelihood of rain, the gathering had been postponed earlier that morning. Brandon and I felt lucky, and we pushed ahead with the outing anyway. We were successful in avoiding the poison ivy and pulling off our little production at the edge of Island Pond. Not much later, a thunderstorm sent me skedaddling beneath a nearby shelter. Somehow, I came away with a good start on a miniature that I could finish in the studio. My goal has always been to spend less time with the indoor follow-up than I spend on location. Sometimes it happens, but usually I need a 50/50 time ratio between site and studio to bring something to a satisfactory resolution. There are artists who would not consider that a legitimate plein-air solution. It’s a standard limitation that we use for our Central Kentucky group. At any rate, I find the entire process to be personally rewarding. If I keep doing this, I think that basically I’ll get to where I can complete something in the field. Meanwhile, the challenge is to “paint with paper,” capturing the essence of a viewscape on site, and then to avoid messing that up with my finishing touches.

Creating Collage “En Plein Air”

 

Before a Storm
plein air collage miniature by J A Dixon
7.5 x 7.8125 inches
available for purchase

Forgot to Blow My Mind (diptych 99)

Tuesday, July 28th, 2020

 

Forgot to Blow My Mind (diptych 99)
collage miniatures by J A Dixon
2 x 2 inches each
left square | right square
available for purchase
 
< back to the comprehensive page of collage diptychs

Strike a light!

Sunday, May 31st, 2020

“Edinburgh Collage Collective would like to send a huge thank you to all the participating collage artists from around the world who have joined us for this project. Our matchbox project has attracted over 1000 submissions. It’s been a great pleasure and inspiration to receive and share all the incredible work. We have certainly seen examples of artists thinking both inside and outside the box. The exploration of the medium has resulted in a wide variety of diverse approaches and interpretations. We have seen everything from 2d flattened boxes to full blown dioramas – all taking their inspiration from the humble matchbox.”
— Rhed Fawell, E C C
 

I was inspired to compose something different for the “STRIKE A LIGHT” Matchbox Project, an open call from Edinburgh Collage Collective, which invited international collage artists to make work incorporating the matchbox as a visual starting point. It was a fun submission for me, since I rarely explore 3D collage.

The two shuttle trucks by Tootsie Toy® are from 1967. The original Union Match box (with Vincent peeking out) is one I brought back from Brussels in 1974. The whole thing was sparked by finding a tree frog.

Better not ask me to explain how my mind works. I’m still as baffled by creativity as I was when I decided, as an adolescent, that there was no possible aspiration for me other than to become a visual artist.
 

Strike a Light
photo-collage by J A Dixon
created for the #strikealight2020 project

Februllage ~ day twenty-two

Saturday, February 22nd, 2020

 
collage experiment (day twenty-two) by John Andrew Dixon for Februllage, a collage-a-day initiative by the Edinburgh Collage Collective and the Scandinavian Collage Museum

Materiality
collage miniature by J A Dixon
7.25 x 10 inches
available for purchase
 
for Februllage 2020