String Theatre
collage on structured panel by J A Dixon
scrounged promotional printing + string
11 x 14 inches (homage to T R Flowers)
Archive for the ‘Applied Arts’ Category
String Theatre
Saturday, March 14th, 2026Be Mine
Saturday, February 14th, 2026
with apologies to the blameless primates
Friday, January 3rd, 2025“I’ve reevaluated myself and my work. I see that continually calling people jerks can never be a solution. Furthermore, I’m not too certain that political statements, credos, or philosophies solve anything.”
— Philip Burke
Evilution
collage catharsis by J A Dixon
8 x 9.5 inches
American Janus
Wednesday, January 1st, 2025“My father told me when I was a little boy that people in authority lie and the job in a democracy is to remain skeptical. I’ve been science-based since I was a kid. Show me the evidence and I’ll believe you, but I’m not going to take the word of official narratives. The way you do research is not by asking authoritative figures what they think. Trusting experts is not a feature of science, and it’s not a feature of democracy.”
— Robert F Kennedy Jr
When I indulge the impulse to have a collage catharsis, the Fred Otnes influence of my editorial past often bubbles to the surface. So be it. Wishing everybody a new year brimming with creativity, marked by discernment, and devoid of fear!
American Janus
collage catharsis by J A Dixon
11 x 10 inches
Glaser’s “Ten Things I Have Learned”
Sunday, June 28th, 2020You can only work for people whom you like.
If you have a choice, never have a job.
Some people are toxic.
Avoid them.
The good is the enemy
of the great.
Less is not necessarily more.
Style is not to be trusted.
How you live changes
your brain.
Doubt is better than
certainty.
On aging: It doesn’t matter.
Tell the truth.
Milton Glaser
1929 – 2020
Strike a light!
Sunday, May 31st, 2020“Edinburgh Collage Collective would like to send a huge thank you to all the participating collage artists from around the world who have joined us for this project. Our matchbox project has attracted over 1000 submissions. It’s been a great pleasure and inspiration to receive and share all the incredible work. We have certainly seen examples of artists thinking both inside and outside the box. The exploration of the medium has resulted in a wide variety of diverse approaches and interpretations. We have seen everything from 2d flattened boxes to full blown dioramas – all taking their inspiration from the humble matchbox.”
— Rhed Fawell, E C C
I was inspired to compose something different for the “STRIKE A LIGHT” Matchbox Project, an open call from Edinburgh Collage Collective, which invited international collage artists to make work incorporating the matchbox as a visual starting point. It was a fun submission for me, since I rarely explore 3D collage.
The two shuttle trucks by Tootsie Toy® are from 1967. The original Union Match box (with Vincent peeking out) is one I brought back from Brussels in 1974. The whole thing was sparked by finding a tree frog.
Better not ask me to explain how my mind works. I’m still as baffled by creativity as I was when I decided, as an adolescent, that there was no possible aspiration for me other than to become a visual artist.
Strike a Light
photo-collage by J A Dixon
created for the #strikealight2020 project
Perspectives deserve to be reexamined
Saturday, February 8th, 2020“Don’t think of it as failure. Think of it as time-released success.”
— Robert Orben“If you’re doing it for prizes, you’re in big trouble.”
— Linda Ronstadt
Alphanumero is a large composite of 35 miniatures that I created for my first solo collage exhibition in 2007. It was acquired earlier this week by Bluegrass Care Navigators through the coordinating assistance of LexArts, the dynamic arts organization of greater Lexington, Kentucky. My sincere thanks to community arts director Nathan Zamarron for his professionalism and hard work.
Spontaneous expression within structural order had been my goal, as I created each individual “A-to-Z” and “1-to-9” composition from found material and combined mediums. I had no overall value-scale or color scheme in mind, so I didn’t see the effect of the
sequential, up-and-down “path” until final assembly. With a bit of hindsight, the influence of my graphic design foundation is quite obvious, and I was only beginning to devote myself to an improvisational approach.
For a long time after that, I would focus on isolated miniatures as finished works. Alphanumero was a large and time-consuming affair, with a relatively expensive price. 
It’s no surprise that it took awhile to find a buyer. I’m pleased and gratified that it has.
I’ve had many thoughts about the piece over the last dozen years, and I now question the validity of some. I haven’t created anything similar at that size since. Although there might have been a sound motive for that, my likely rationale was that the original version hadn’t sold. That is not a good basis for discontinuing an artistic investigation. Thinking that a piece has a strong chance of being purchased is an equally wrong-headed reason to make a work of fine art. Yes, the creative calling exists in a marketplace, and that consideration is always present, but shouldn’t we try mightily to strip “merchandising” from our incentive to enter the studio each day?
Easier said than done . . .
Alphanumero
composite of collage miniatures by J A Dixon
30 x 40 inches, framed
• S O L D
A Most Joyous Day to All . . .
Wednesday, December 25th, 2019
Six Sacred Slices
collage composite by J A Dixon
details from private collections
It’s Complex, Man
Saturday, October 26th, 2019
“Look, man, I’ve got certain information, all right? Certain things have come to light. And, you know, has it ever occurred to you, that, instead of, uh, you know, running around, uh, uh, blaming me, you know, given the nature of all this new shit, you know, I-I-I-I… this could be a-a-a-a lot more, uh, uh, uh, uh, uh, uh, complex, I mean, it’s not just, it might not be just such a simple… uh, you know?”
— The Dude (from The Big Lebowski)
I’m super pumped (in the, uh, parlance of the day), because tonight is The Big LeBOWLski Arty Party to benefit the arts in Lexington and Central Kentucky, and it’s a delight to be a part of it!
It’s Complex, Man is my contribution to the fundraising event. Ten regional creatives will have their bowling-pin art in the silent auction, and we’ll split the purchase price 50/50 with LexArts, the sponsoring organization. How many nonprofits offer that deal when artists are asked to donate their creative labor to a cause?
Crafting this piece was pure fun, with pleasant allusions to my Mrs. Bradshaw chair. There are ample references to the Coen Brothers picture, but it’s not only an homage. I revisit my practice of juxtaposing high literacy with the pulpy preferences that many of us harbor. If you’re weary of seeing that in collage art, “Yeah, well, you know, that’s just, like, your opinion, man.”
Rumor has it that The Dude will make an appearance. Let’s go bowling!
50 Years
Saturday, July 20th, 2019It does seem like a very long time ago . . .
