The most unique shop in downtown Danville will be open all Mondays before Christmas. ’Tis the season to visit. You’ll find my wood engravings, collage landscapes, and many other distinctive discoveries!
The most unique shop in downtown Danville will be open all Mondays before Christmas. ’Tis the season to visit. You’ll find my wood engravings, collage landscapes, and many other distinctive discoveries!
“Say thank you in advance for what is already yours.”
— Denzel Washington
As the holiday nears, gratitude is in the hearts of all who silently look inside and attune, especially those with circumstances in flux between sweetness and sorrow — for those of us less tempted to take things for granted — as a tide of adversity and bounty reminds us that thankfulness must be present in the midst of both suffering and grace.
A long practice of making crafted cards for others, the wellspring of my concentration on the art of collage, occasionally sparks an unexpected commission based, more often than not, on the traditional photo montage. These works may not be destined for a museum, but the response makes them a most rewarding experience, as I participate vicariously in an apex of family joy. The type of “legacy collage” featured below is an ideal gift because it is highly meaningful to the recipient, of course, but everyone also relates to the inherent “cut and paste” technique, accessible to all, with its deep heritage in the domestic and applied arts.
Bouquet of Memories
legacy collage by J A Dixon
11 x 14 inches
“This year has been the biggest one yet for the Contemporary Collage Magazine Awards. We received almost two thousand entries across all six categories and the calibre of work has been outstanding.”
— Les Jones and Molly Campbell
Delighted to announce that my collage landscapes have earned international recognition from Contemporary Collage Magazine, with a Bronze Award in the Nature Series category. The jurors also placed my LITTER-ALLY KENTUCKY artworks in the overall “Series Shortlist.” The England-based publication has set an impressive standard for worldwide coverage of our artistic medium. My thanks to the panel of judges, with congratulations to fellow award winners, including friends Teri Dryden, Allan Bealy, and Robert Voigts.
It is gratifying not only to have my particular area of concentration gain recognition, but for it to be in the context of a wider acknowledgment of representational collage as a vital approach to the medium. I give great credit to CCMag for their ongoing salute to “collage as painting,” and to all the 2024 competition adjudicators.
Above Curtis Road
Boyle County, Kentucky
collage en plein air by J A Dixon
11 x 8 inches
part of the LITTER-ALLY KENTUCKY collection
giclée print available
It’s November! I’m pleased to share a notice for SMALL WORKS and that my collage landscapes will be a part of this group exhibition at Kleinhelter Gallery in New Albany, Indiana.
Apparently this is the way I look when I’m “in the zone.” Thanks to Joe F for the photo. Monday was a splendid day on the Knob, but a contrast from when I began a collage painting there a year ago. I could never bring myself to touch that “start” in the studio, so I decided to sit in the same spot and to pick up where I had left off. Now I’m finally eager to finish it inside without ruining it.
“The only thing that you absolutely have to know, is the location of the library.”
— Albert Einstein
If you want to make something happen, ask a librarian. Diane Dehoney is one of the best! Bringing our enjoyable collaboration at Paul Sawyier Public Library to a successful close was not my favorite part of having a show there. Heartfelt thanks to everybody in Frankfort.
LITTER-ALLY KENTUCKY is back in storage, but I want to send it on the road again for more to see. If you know a good location for it in 2025, please let me know!
My sincere thanks to Brett Smith and Diane Dehoney for bringing this media coverage to YouTube and for promoting the show at Paul Sawyier Public Library. My collage landscapes infused with litter are on display in Frankfort for three more weeks.
“The writing and playing of music is a matter of intent…. You can’t just throw a paint brush against the wall and call whatever happens art.”
— Duke Ellington
There are so many old farmhouses and barns in our Knobland region of Kentucky, and they always hold my rapt attention as I interpret them in found papers. It is necessary, however, for me to quiet my busy mind and discover a soul connection to a particular natural place and the evident stewardship of those who have cared for it. Then, and only then, can I apply an intent to coax my intuition in an expected direction and to handle paper and paste with creativity.
I am pleased with what I achieved on the top half of this small canvas. The foreground is now due for an efficient studio finish.
Check out my series of posts that have described a seven-year plein air adventure, “painting in papers.”
At Walnut Springs (unfinished)
collage en plein air by J A Dixon
on stretched canvas, 10 x 8 inches
Plein Air Artists of Central Kentucky
Dixon appears again at Art Space Versailles, hopeful that a buyer might be interested in the collage artwork called Renewal.
I scheduled a double event this week and it was a fine way to saddle up and ride a momentum. I was eager to point out that Renewal was on consignment at Art Space Versailles.
The studio piece began with my musing on the cyclic life of trees, which makes sense because I’m endlessly fascinated by them and since I work primarily in papers after all. Most collage artists are scroungers at heart, so I had turned to my stash, searching for potential ingredients. I found more than enough for a 12×12-inch canvas and intuitively assembled a “ground” of these found images. I think that toward the end of the process it had became as much an abstract composition as an interpretation of my thematic idea. I didn’t want it to appear too abstract or purposely surreal, so, at the closing stage, I crafted a literal seedling from individual paper components, more in the representational manner that I use for collage en plein air. I guess one could say that the culminating element pictured the birth of a tree, but, as with all life cycles, who can say when the beginning or ending actually occurs. The art itself is re-purposed paper, a clear ending for a tree, at least until inevitable decomposition takes place, and then another cycle of renewal carries on.
In contrast, the exercise in spontaneity featured below had no preconceived intent and originated as a demo miniature during my exhibition-related workshop at Paul Sawyier Public Library in Frankfort on Tuesday. I refined and completed it last night during the appearance in Versailles as a guest artist. The unfinished piece had been immediately titled by a workshop participant after the primary ingredients were juxtaposed, and I just couldn’t top her suggestion!
It joins countless other artworks that tip the Pop-ist hat to Andy Warhol (Campbell’s Soup) or Ray Johnson (Lucky Strike). But the grandfather of Pop Art was Kurt Schwitters. So much of contemporary collage is, in essence, an homage to the German innovator, and I never tire of working in the Merz tradition that he pioneered a hundred years ago.
Kick the Can
collage experiment by J A Dixon
7 x 8.5 inches