Archive for the ‘J A Dixon’ Category

A long gestation!

Friday, July 31st, 2026

It is hard to believe how long it has been since I first sat to observe the Caldwell stable with the Plein Air Artists of Central Kentucky. It would be two years before I returned to the same spot for more pasting, and now this panel is finished at last, nearly a year after that! At any rate, I am pleased with the result, so this piece will be included in our upcoming show at Art Center of the Bluegrass. My thanks to Marion and Rob Caldwell for the extended hospitality!
 
 

 

The 2026 exhibition of PAACK artworks has five of my plein-air creations. The collage artwork featured here has a horse (Rocky) and a smaller piece includes cattle. Incorporating livestock into my pictorials has been a long and preposterous gestation, and, after tricking myself into breaking the ice at the 2025 Paint the Town challenge, I’ve gotten more comfortable this season with interpreting them in papers.
 
It’s about time, don’t you think?
 

Stable with Rocky
collage en plein air by J A Dixon
found papers, tissue, gel transfers, tea bags
on canvas panel, 10.875 x 8.125 inches
available for purchase

Observing Light

Thursday, July 30th, 2026

View my collage landscape galleries —

Tuesday, July 28th, 2026


Recent Landscapes
As I continue
“painting in papers”


Collage en Plein Air
Making art in
outside places

 
LITTER-ally KENTUCKY

Also available as
large giclée prints

 
A Change of Seen

When I took paper and
paste outside

 
Les Cheneaux Series

Inspired by the
northern waters

 

Tuesday, July 14th, 2026


 

Everyone!
You’re invited to the opening reception of
our duo exhibition at Fine Art Editions gallery.

Thursday, July 23  ~  6:30 to 8pm

C O N V E R S A T I O N S
Dialogue in Pastel and Collage
with Julie Quick and John Andrew Dixon

Hockensmith’s Fine Art Editions
146 East Main Street
Georgetown, Kentucky

Watch the video promotion for the exhibition.
 

International Collage Art Exhibition 2026

Tuesday, July 7th, 2026

“The artistic practice of John Andrew Dixon emerges from many years of experience in graphic design and a deeply considered engagement with the history of collage. He has developed a distinctive visual language in which compositional precision meets intuitive improvisation, and discarded material acquires renewed aesthetic value. Combining the discipline of a designer with the sensitivity of a landscape painter, Dixon approaches collage simultaneously as an image and as a material artifact.”
— Anna Kłos
 


 
This Thursday, July 9th, is the opening of the International Collage Art Exhibition in Poland at the University of Warsaw Library. It is an honor to have my nonrepresentational collage artwork as part of the landmark show. This body of work has been curated by Dr Anna Kłos, her fourth installment of an international project dedicated to contemporary collage art. It coincides with the 10th anniversary of Retroavangarda, the gallery that she organized to showcase her scholarship.


Modern Collage will be released as an accompanying publication, and I am pleased to announce that Wind Harbor and other examples of my work will be included.

The exhibition has been honored by the Ministry of Culture and National Heritage of the Republic of Poland. Official partners of Anna’s project include the Spanish Embassy, Argentinian Embassy, and the Czech Center in Warsaw. From what I understand, the display is scheduled over the next couple years for travel to selected museums across Europe. Presenting the work of 75 collage artists from around the world, it will highlight key developments and current trends in contemporary collage. I am proud to be one of the few artists representing North America and to be among the 50 artists chosen to appear in the new book.

Do I wish I could get on a jet with Dana and be there for the gala event? Of course — but “them cards ain’t been dealt yet.” I am more than satisfied to have recognition for my effort within the medium. Time will tell what the future holds.
 

Hot Ode (to jazz)
collage miniature by J A Dixon
2021, 3.5625 x 4.375 inches
collection of Retroavangarda

Hitting my lick at “Paint the Town 2026”

Saturday, June 27th, 2026

“He was working at a pace he knew he could sustain until quitting time; he was hitting his lick. The difficulty had come to be balanced by his being equal to it. He seemed almost to be gliding, as if drawn on now not by will but by gravity.”
— Wendell Berry, ”A Friend of Mine” from That Distant Land
 

My collage painting sold at the “Paint the Town” reception on Saturday evening. No matter how much preparation I do, the annual plein-air challenge forces me to cut and paste faster than at any other time. This year I made a tiny preliminary study of my intended composition the previous day, and I think that helped me stay impressionistic enough to meet the speed constraint. My thanks to Kate Savage and all her Arts Connect board members who created another successful, celebratory event — plus the artwork buyer, too!

The resulting exhibition is on display at the Main Lexington Public Library until mid July. Visit the Arts Shop with this link to purchase other creations from the day — for as long as they last!
 

Aspect with Apse
St Peter Church, Lexington, Kentucky
 
collage en plein air by J A Dixon
on stretched canvas 10 x 10 inches
plus handcrafted wood frame

•  S O L D

“Dry Day” kicks off my outside season!

Monday, June 15th, 2026

 

Dry Day on the Fork
Boyle County, Kentucky
 
collage en plein air by J A Dixon
scrounged paper, litter, gel transfers, tea bags, dried botanicals
on canvas panel, 10 x 8 inches
available for purchase

Proud to be among the finalists . . .

Thursday, April 9th, 2026

I’m pleased to announce that the Artists in Residence have been chosen by Kentucky’s Bernheim Arboretum and Research Forest and that I was one of nine Honorable Mentions out of 205 worldwide applications.

Even though I didn’t receive a residency for 2026, I’ve been asked to teach a class there in September. My one-day collage workshop will emphasize “painting in papers’” from nature. Congratulations to Marilee Salvator from Bowling Green and the other selected artists!

Here are four of the collage landscapes included in my submission:

 

 

The ol’ boy is at it again.

Wednesday, April 8th, 2026

Isn’t there something about the “godfather
of merz” that transcends mere homage?

 

 
Good Ol’ Boy Dada, part 3
collage artifact by J A Dixon
scrounged paper, packaging, litter
on book cover, 10.25 x 8.375 inches

At Pleasant Hill

Tuesday, March 31st, 2026

“The holistic quality of craft lies not only in engaging the whole person but also in harmonizing his understanding of himself in the world.”
Peter Korn

“Well I guess my advice would be: be patient. If you follow your gut and not the advertisements on the side of the bus, everything will turn out as nature intended.”
Nick Offerman
 

Plenty of time on the east end of Shaker Village (during past outings) paid off in the studio recently. I decided to complete this one during the final week of my March Exertion. I intend to leave the rough, unfinished edges on this piece. When I was “painting in papers” on location, I could hear the sheep, but they never showed up in my view of their enclosure. Actually, I can still hear them (haha).

As the whole world is forced to swallow “large language models” that have run amok (which nobody really asked for), it is satisfying and gratitude inducing to make something authentic with my own hands at the historic setting of a culture revered for its artisanship.

 

At Pleasant Hill
Mercer County, Kentucky
 
collage en plein air by J A Dixon
found paper, gel transfers, tissue, tea bags
on vintage notebook cover, 12.5 x 6 inches
finished during my March Exertion, day 28

Hatched at a workshop: “The Joining”

Friday, March 27th, 2026

 

The Joining
imaginary collage by J A Dixon
found papers, gel transfers, tissue, tea bags
on canvas, 8 x 10 inches
finished for my March Exertion / day 24