Everyone!
You’re invited to the opening reception of
our duo exhibition at Fine Art Editions gallery.
Thursday, July 23 ~ 6:30 to 8pm
C O N V E R S A T I O N S
Dialogue in Pastel and Collage
with Julie Quick and John Andrew Dixon
Hockensmith’s Fine Art Editions
146 East Main Street
Georgetown, Kentucky
“The artistic practice of John Andrew Dixon emerges from many years of experience in graphic design and a deeply considered engagement with the history of collage. He has developed a distinctive visual language in which compositional precision meets intuitive improvisation, and discarded material acquires renewed aesthetic value. Combining the discipline of a designer with the sensitivity of a landscape painter, Dixon approaches collage simultaneously as an image and as a material artifact.”
— Anna Kłos
This Thursday, July 9th, is the opening of the International Collage Art Exhibition in Poland at the University of Warsaw Library. It is an honor to have my nonrepresentational collage artwork as part of the landmark show. This body of work has been curated by Dr Anna Kłos, her fourth installment of an international project dedicated to contemporary collage art. It coincides with the 10th anniversary of Retroavangarda, the gallery that she organized to showcase her scholarship.
Modern Collage will be released as an accompanying publication, and I am pleased to announce that Wind Harbor and other examples of my work will be included.
The exhibition has been honored by the Ministry of Culture and National Heritage of the Republic of Poland. Official partners of Anna’s project include the Spanish Embassy, Argentinian Embassy, and the Czech Center in Warsaw. From what I understand, the display is scheduled over the next couple years for travel to selected museums across Europe. Presenting the work of 75 collage artists from around the world, it will highlight key developments and current trends in contemporary collage. I am proud to be one of the few artists representing North America and to be among the 50 artists chosen to appear in the new book.
Do I wish I could get on a jet with Dana and be there for the gala event? Of course — but “them cards ain’t been dealt yet.” I am more than satisfied to have recognition for my effort within the medium. Time will tell what the future holds.
Hot Ode (to jazz)
collage miniature by J A Dixon
2021, 3.5625 x 4.375 inches
collection of Retroavangarda
“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed…”
John Adams reportedly thought that today, the 3rd, should have been the best observance, since it more properly fit the signers’ act, with the 4th having been the public disclosure. It bears keeping in mind that tomorrow we also observe the bicentennial of the death of Adams and Jefferson, who both passed on the same day, July 4, 1826, the 50th anniversary of the Declaration.
They are 18th-century men with flaws, of course, but we can never learn too much about these great revolutionaries, who, perhaps more than anyone of their time, helped articulate for posterity the American heart and mind. It is now our job to preserve for the future the true principles of what it means to live free under God.
I finally finished the McCullough biography. The new Metaxas book is a holiday present from Dana — toward the noble cause of getting my knowledge past being merely “dangerous.”
“He was working at a pace he knew he could sustain until quitting time; he was hitting his lick. The difficulty had come to be balanced by his being equal to it. He seemed almost to be gliding, as if drawn on now not by will but by gravity.”
— Wendell Berry, ”A Friend of Mine” from That Distant Land
My collage painting sold at the “Paint the Town” reception on Saturday evening. No matter how much preparation I do, the annual plein-air challenge forces me to cut and paste faster than at any other time. This year I made a tiny preliminary study 
of my intended composition the previous day, and I think that helped me stay impressionistic enough to meet the speed constraint. My thanks to Kate Savage and all her Arts Connect board members who created another successful, celebratory event — plus the artwork buyer, too!
The resulting exhibition is on display at the Main Lexington Public Library until mid July. Visit the Arts Shop with this link to purchase other creations from the day — for as long as they last!
Aspect with Apse
St Peter Church, Lexington, Kentucky
collage en plein air by J A Dixon
on stretched canvas 10 x 10 inches
plus handcrafted wood frame
• S O L D
“What I capture in spite of myself interests me more than my own ideas.”
—Pablo Picasso“If you understand your painting beforehand, you might as well not paint it.”
– Salvador Dali
Small-format collage is an ideal medium for artistic experimentation. Finding a balance of color and form can combine with a spontaneity of meaning. It’s rewarding to do these exercises with scrounged material that otherwise would be discarded forever. Anybody can cut and paste! Who needs this cursed AI to fulfill the creative impulse?
On Those Who Dwell
collage experiment by J A Dixon
scrounged paper, tea bags, packaging
4.875 x 6.625 inches
“Collage artists put things together to make something new, and often we are the ones who have taken apart discarded things to do it, but there is always a much larger phenomenon at work — one of discord vs harmony, mechanism vs intuition, wastefulness vs thrift, cynicism vs affection.”
— from July 29, 2016
My deep exploration of collage began over 20 years ago with a nonrepresentational approach rooted in the MERZ and DADA traditions, but my recent concentration has been in pictorial collage, which I call “painting in papers.” Many pioneers of modern art collage considered themselves painters, and I increasingly anchor my intuitive orientation with that awareness. This miniature landscape was created in the studio from imagination and memory — recollections of a grim sky, but the sun breaks through for a few seconds to illuminate the trees. This is among the seen images that stick with me. Increasingly, these are the experiences that make me want to paint.
The Kentucky farmer-philosopher Wendell Berry tells us, “Things that belong together have been taken apart. And you can’t put it all back together again. What you can do, is the only thing that you can do. You take two things that ought to be together and you put them together. Two things! Not all things.” It is his metaphor for the creative life, and a tremendously healing admonition to those of us with a tendency to become overwhelmed by the enormity of the world’s chaotic disintegration. When I return to the studio from a natural place, I am in a better condition to put things together, with the enduring hope for a modest artistic breakthrough. And then to leave. To go somewhere small in the world and to fix something that is broken.
Breakthrough
imaginary collage miniature by J A Dixon
6.75 x 4.875 inches
“Any readers who like your poems, doubt their judgment.”
— Wendell Berry
It is such a privilege to be the featured visual artist at The Berry Center’s ARTS & LETTERS celebration this Saturday. My LITTER-ally KENTUCKY landscapes will be on display through year’s end at their Agrarian Culture Center in New Castle.
“Learn by little the desire for all things
which perhaps is not desire at all
but undying love which perhaps
is not love at all but gratitude
for the being of all things which
perhaps is not gratitude at all
but the maker’s joy in what is made,
the joy in which we come to rest.”
— Wendell Berry
Off La Salle
collage landscape by J A Dixon
9.75 x 7.875 inches
Les Cheneaux Series
“The key is not to imitate life,
but to create it anew.”
— Lalo Schifrin
Although I spent eight hours outside on the miniature featured below, it required too long an indoor refinement period for it to earn a plein-air designation. The process is what matters, and who’s keeping score anyway? The limitations of paper demand a process not overly dependent on what I actually see. So I put imitation aside and follow my Third Rule of Collage: “Intuition is worthy of your trust.”
Working in the sun dries my paste, but I found myself looking for shade when I got to DayCrest Farm. I picked a spot with plenty of depth that overlooked rows of poppies, lavender, and sunflowers, and I took a reference shot on my feet. When I sat down with my rig, I could barely see the lavender. Moving nearer, a new composition photo was closer to what I wanted, and I boosted the hues
as I picked my colored papers.
I had mounted an old, ruined book cover as a substrate. It bled upward into a crumpled sky wet with paste. The unusual effect set a tone for the interpretation, which I carried forward with a more active horizon and a bold base of color. I liked how an accident helped tie the whole thing together back in the studio. When I integrated the dappled sky with moody clouds and represented analogous flowers, the top linked itself chromatically to this horizontal band of lavender. The additional poppies at the base provided a fitting contrast with my chosen shades of green. Except for the unexpected bleed, all color comes from the scrounged paper itself, with no added paints or pigments.
Poppy Solstice
scrounged paper collage by J A Dixon
vintage book cover on structure
outside start, DayCrest Farm, KY
“Never put off until tomorrow what you
can do the day after tomorrow.”— Sam Clemens, Oscar Wilde,
or some other unknown wit
Would that I had followed Ben Franklin’s advice in preparation for my class to share collage-making techniques and perspectives. When I “pick a card” like this and invite Lady Luck, I am more likely to find myself in the Mark Twain frame of mind. At any rate, everybody who signed up was fun to be with, all went well, I’m more than pleased, and surely I’ll do it again. We tackled multiple experiments to short-circuit the calculating mind and build intuitive spontaneity. Five participants were there on Friday and six on Saturday. My thanks to each of them and the hospitality of Kleinhelter Gallery!
When Chance Comes to Call
collage miniature, 2025
7 x 8.25 inches, in the Merz tradition
available to collectors
