Everyone!
You’re invited to the opening reception of
our duo exhibition at Fine Art Editions gallery.
Thursday, July 23 ~ 6:30 to 8pm
C O N V E R S A T I O N S
Dialogue in Pastel and Collage
with Julie Quick and John Andrew Dixon
Hockensmith’s Fine Art Editions
146 East Main Street
Georgetown, Kentucky
“Although I have tiny, weak wrists and painful thumb joints, the great blessing of my life has been my able hands, ever responsive to what in contrast has always seemed to be a limited and resistant creative vision, more prone to disappoint than my loyal dexterity.”
— journal, 1/12/25
It is fortunate indeed that one of the most extraordinary heritage sites in the Midwest happens to be located nearby — Shaker Village of Pleasant Hill. One would think that an artist fond of working outside might make art there often. I have not. The probable reason is that I did not consider my evolving skills up to the task — until recently. Or perhaps I should say that it was never about a facility with paper at all, but more to do with an apparent reluctance to interpreting landmark-worthy scenes.
I am getting past that stumbling block, thank goodness.
I began with the sheep enclosure. During my first visit, I sketched a workshop and dwelling on the east side of the settlement, too. When I returned to that same spot, I focused on completing the drystone-lined pen, but kept pasting paper on the other architectural composition now featured here. Documenting my time in its studio follow-up was not precise, so I describe East Village as a plein-air piece with hesitation, although it has the spirit of one for sure. My goal was to capture the dignity of the setting with a rustic effect. As part of the finished look, I preserved rough edges of a scrounged substrate. Your opinion would be of interest to me!
East Village
Mercer County, Kentucky
collage en plein air by J A Dixon
found paper, gel transfers, tissue, tea bags
on vintage notebook cover, 12.5 x 6 inches
“He was working at a pace he knew he could sustain until quitting time; he was hitting his lick. The difficulty had come to be balanced by his being equal to it. He seemed almost to be gliding, as if drawn on now not by will but by gravity.”
— Wendell Berry, ”A Friend of Mine” from That Distant Land
My collage painting sold at the “Paint the Town” reception on Saturday evening. No matter how much preparation I do, the annual plein-air challenge forces me to cut and paste faster than at any other time. This year I made a tiny preliminary study 
of my intended composition the previous day, and I think that helped me stay impressionistic enough to meet the speed constraint. My thanks to Kate Savage and all her Arts Connect board members who created another successful, celebratory event — plus the artwork buyer, too!
The resulting exhibition is on display at the Main Lexington Public Library until mid July. Visit the Arts Shop with this link to purchase other creations from the day — for as long as they last!
Aspect with Apse
St Peter Church, Lexington, Kentucky
collage en plein air by J A Dixon
on stretched canvas 10 x 10 inches
plus handcrafted wood frame
• S O L D
Dry Day on the Fork
Boyle County, Kentucky
collage en plein air by J A Dixon
scrounged paper, litter, gel transfers, tea bags, dried botanicals
on canvas panel, 10 x 8 inches
Recent Landscapes
As I continue
“painting in papers”
LITTER-ally KENTUCKY
Also available as
giclée prints
A Change of Seen
When I took paper and
paste outside
Les Cheneaux Series
Inspired by the
northern waters
Overflow
Casey County, Kentucky
collage landscape by J A Dixon
scrounged paper, gel transfers, tissue, tea bags
on book cover, 11.125 x 7.875 inches
I’m pleased to announce that the Artists in Residence have been chosen by Kentucky’s Bernheim Arboretum and Research Forest and that I was one of nine Honorable Mentions out of 205 worldwide applications.
Even though I didn’t receive a residency for 2026, I’ve been asked to teach a class there in September. My one-day collage workshop will emphasize “painting in papers’” from nature. Congratulations to Marilee Salvator from Bowling Green and the other four selections!
Here are four of the collage landscapes included in my submission:
“The holistic quality of craft lies not only in engaging the whole person but also in harmonizing his understanding of himself in the world.”
— Peter Korn“Well I guess my advice would be: be patient. If you follow your gut and not the advertisements on the side of the bus, everything will turn out as nature intended.”
— Nick Offerman
Plenty of time on the east end of Shaker Village (during past outings) paid off in the studio recently. I decided to complete this one during the final week of my March Exertion. I intend to leave the rough, unfinished edges on this piece. When I was “painting in papers” on location, I could hear the sheep, but they never showed up in my view of their enclosure. Actually, I can still hear them (haha).
As the whole world is forced to swallow “large language models” that have run amok (which nobody really asked for), it is satisfying and gratitude inducing to make something authentic with my own hands at the historic setting of a culture revered for its artisanship.
At Pleasant Hill
Mercer County, Kentucky
collage en plein air by J A Dixon
found paper, gel transfers, tissue, tea bags
on vintage notebook cover, 12.5 x 6 inches
finished during my March Exertion, day 28
The Joining
imaginary collage by J A Dixon
found papers, gel transfers, tissue, tea bags
on canvas, 8 x 10 inches
finished for my March Exertion / day 24
Restful Waters
imaginary collage by J A Dixon
found paper, gel transfers, tea bags
on pasteboard, 6.5 x 7.75 inches
March Exertion / 30-in-30, day 14
Manor House Kitchen
collage landscape by J A Dixon
papers, tissue, gel transfers, tea bags, walnut juice
on book cover, 7.75 x 10.75 inches