Too Soon Made Sad
collage miniature by J A Dixon
3.5 x 5.5 inches
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Archive for the ‘1) Available!’ Category
March Exercise | Miniature Nine
Saturday, March 9th, 2013March Exercise | Miniature Seven
Thursday, March 7th, 2013We Will Not Wander More
collage miniature by J A Dixon
8 x 5.25 inches
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March Exercise | Miniature Six
Wednesday, March 6th, 2013March Exercise | Miniature Five
Tuesday, March 5th, 2013Wanton Necessity
collage miniature by J A Dixon
5.125 x 5.75 inches
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March Exercise | Miniature Three
Sunday, March 3rd, 2013March Exercise | Miniature One
Friday, March 1st, 2013Unhappy, Far-off Things
collage miniature by J A Dixon
4 x 6 inches
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Star of Abraham
Monday, February 18th, 2013“However long and varied the background of pasted materials in folk art, none of these developments was considered a major artistic movement. It was the creative artists of the twentieth century, Pablo Picasso and Georges Braque, who applied materials as a new and valid means of expression. With these artists and their work the word ‘collage’ was first applied and became associated with the movement. Thus was born an art form that has become part of the contemporary milieu and, indelibly, a major historical art movement.”
— Dona Z Meilach and Elvie Ten Hoor
My wife and I recently went to see Lincoln, the Spielberg picture with Daniel Day-Lewis in the title role. It got me thinking again about the work I created for the bicentennial of the 16th president’s birth, the celebration of which was a fairly big deal here in his native state. I had made the decision to exploit the bulk of my collected Lincoln images to totally cover a metal star. To produce a collage tribute to the martyred leader with a folk-art approach seemed to me a technique appropriate to the occasion. The “artifact” is still waiting for a home. Happy Presidents Day to all.
Star of Abraham
collage artifact by J A Dixon
22 x 22 inches
Fortune Collage Project
Wednesday, January 30th, 2013Here are the rest of the recent experiments from my participation in the Fortune Collage Project. Aside from the strict imposition of vintage magazine scrap, which dictates a particular look not in keeping with my typical eclectic mix of ingredients, the primary realization I gained from this exercise is a greater awareness of how much I rely on a series of closing decisions to fine tune my composition. A speed requirement strips nearly all of that phase from my process. It was interesting to observe the distinct difference between spontaneity and deliberate refinement. Each involves a different kind of intuitive response.
A
B
C
D
A— Life with Bobby
B— Over the Weekend
C— The Following Presentation
D— Crocodile Tears
collage miniatures by J A Dixon
7.75 x 4.5 inches
Fortune Collage Project
available for purchase
Daze of Yore
Thursday, January 24th, 2013“Creativity arises out of the tension between
spontaneity and limitations . . . ”
— Rollo May
If you want to see just how quickly 30 minutes can zip by, try your hand at the Fortune Collage Project. Charles Wilkin currently has a bunch of us speed-pasting his vintage scrap, as we take part in the latest collaborative exercise among facebook friends. It’s important to keep these kinds of involvements under control, but Wilkin has put together a thoughtful ritual that I could not resist. I have a tendency to pride myself on a high level of spontaneity, so occasionally I have to put it to a true test. It can be fun, informative, and more than a bit humbling, too.

Daze of Yore
collage miniature by J A Dixon
7.75 x 4.5 inches
Fortune Collage Project
available for purchase
First exhibition of 2013
Saturday, January 5th, 2013“What makes a painting meaningful is the spectacle of the ordinary content living together with the equally important life of the picture plane and the unity of the whole surface.”
— Gillian Pederson Krag
It pleases me to say that my most recent large-scale artwork will be on display and available for purchase as part of an invitational exhibition now hanging in my hometown.
NEW YEAR NEW ART ~ Community Arts Center, Danville, Kentucky
January 2 to 26, 2013 ~ Reception: January 10, 6–8 pm
The invitation to participate is an honor for two reasons. It is always good for one to know that local people appreciate collage, especially the more esoteric kind. Even more humbling is to be included among some truly outstanding Kentucky artists, such as Sheldon Tapley, Helene Steene, Kathleen O’Brien, and Marianna McDonald. I’m looking forward to the reception this Thursday. Mayor Steven Connelly of nearby Berea will speak on the powerful effect the arts can have on local economies. According to Programming Director Brandon Long, the intention is to showcase “fresh, new art that has the kind of excitement and energy of artists who know their work will go on display.” Many of the diverse works were created specifically for the exhibition, and that includes mine. Everything accepted had to have been executed since September.
Diamonds in the Rough is a composite of panels and stretchers. It is my latest effort to free collage from behind glass and approach the medium in a manner similar to the painted surface that stands on its own. I also departed from my typical rectilinear format, yet sought to maintain the type of perpendicularity that I frequently exploit for a unified structure. As usual, the color balance of found material plays a vital role in my overall composition. The lineage of the collage miniature is strong here. In fact, nearly everything I do to produce a major work comes from what I have learned from the small-format approach. This recognition is not meant in any way to devalue the miniature. I would hope that you have come to know my penchant well enough by now to appreciate that.
The next entry will include some detail crops and perhaps a few remarks about the process, too.

Diamonds in the Rough
collage construction by J A Dixon
36 x 36 inches
available for purchase





















