Archive for the ‘Artists/Collage’ Category

July demands a shady spot to sit . . .

Wednesday, July 16th, 2025

“Gone were the stark boundaries that I work within from flower bed to flower bed. They were able to see beyond my critical eyes and into the natural beauty of nature. Where I see work, they saw peace. Where I see change, they saw beauty. As I began to see what they saw it changed everything for me. They created a glorious space full of color and shadow, depth and contrast.”
— Joanna Kirby
 


 

Garden Depths
collage en plein air by J A Dixon
7.0625 x 9.5625 inches
Plein Air Artists of Central Kentucky
at the Kirby gardens

The art of legacy collage

Thursday, July 10th, 2025

“During the last two years at the Motherhouse, I made a real effort to ‘clean out,’ and organize everything. It was truly a freeing experience! However, I still had to decide what to do with what I wanted to keep. Around this time, I had attended the funeral of a friend who had commissioned three artworks to represent her life: ‘Body, Mind, and Spirit.’ I was immediately touched by this collage idea. From then until this writing, I have been working on my collages. I had planned to do only two: ‘Home and Family’ and ‘Ministry as a Dominican.’ My artist brought forth a third, and it is a perfect fit for my life.”
— Sister Mary Otho Ballard
 

Below is a triptych which represents of a type of artwork that I call “Legacy Collage.” My entry about a previous example from 2016 described the scenario of a person attempting to distinguish the difference between actual family heirlooms and other items marked for eventual disposal. Inevitably, some images and memorabilia would fall into a gray area between, and therein lies the potential for one or more collage compositions. If creatively preserved as wall-worthy artwork, they can remain meaningful into the future.

A retired Dominican Sister of Peace saw a collage triptych at the funeral of her friend. It was a grouping that I had collaboratively assembled with my late patron. Facing a terminal condition herself, Sister had been reducing her few possessions and arranged a commission for me to make a similar creation. She had lived an extraordinary life of educational and administrative service, including an extended ministry to serve the native people of Belize, but she was physically and spiritually detaching from all of it. Because Sister had taken a vow of poverty, her devoted nephew wanted to make an enduring memorial possible, and I was honored to accept the collage assignment.

Originally there were to be two panels — the first would document her life before convent, growing up as La Monda, part of a large, farm-based family in Kentucky. The second would be about her long and diverse life as a nun. When I took stock of all the designated ingredients, it became clear that this project would also need to be a triptych. The third panel would commemorate her active preparation for eternal life.

panel 1 ~ FORMATION ~ Farm and Family
panel 2 ~ VOCATION ~ Growth and Service
panel 3 ~ ASPIRATION ~ Love and Detachment

Sister and I worked together intermittently for nearly a year, bringing her vision into being. Her presence, wisdom, and peaceful soul have had a profound effect on my heart. It’s been one of the most personally rewarding experiences I’ve had as an artist. I met Sister’s nephew last year after the finished collages were delivered, and he was remarkably generous. As Christmas approached, her condition declined, My wife and I spent some time with Sister, but she struggled with clarity. She then asked her nephew to come for a visit and for me to be there to meet with them. He and I happened to arrive at her care center about the same time, only to learn that she had passed on a half hour before.
 

FORMATION  ~  VOCATION  ~  ASPIRATION
John Andrew Dixon
three legacy collage artworks on canvas
16 x 20 inches each
private collection

Friday, June 27th, 2025


 
 

When Chance Comes to Call

Monday, June 9th, 2025

“Never put off until tomorrow what you
can do the day after tomorrow.”

— Sam Clemens, Oscar Wilde,
or some other unknown wit
 

 
 
 
 
 
 
 
 
 
 
Would that I had followed Ben Franklin’s advice in preparation for my class to share collage-making techniques and perspectives. When I “pick a card” like this and invite Lady Luck, I am more likely to find myself in the Mark Twain frame of mind. At any rate, everybody who signed up was fun to be with, all went well, I’m more than pleased, and surely I’ll do it again. We tackled multiple experiments to short-circuit the calculating mind and build intuitive spontaneity. Five participants were there on Friday and six on Saturday. My thanks to each of them and the hospitality of Kleinhelter Gallery!
 

When Chance Comes to Call
collage miniature, 2025
7 x 8.25 inches, in the Merz tradition
available to collectors

Saturday, May 31st, 2025

A day well spent at Hoot Owl Holler Farm . . .

Friday, May 30th, 2025

 

Back the Holler
collage en plein air by J A Dixon
on vintage canvas panel, 10 x 8 inches
available to collectors

Thursday, May 29th, 2025

Make a “Hop Stop” at CAMP on North Third during this evening’s Band Festival kickoff in downtown Danville! I’ll be greeting art lovers from 4:30 to 7:30pm, inside Central Kentucky’s most distinctive retail environment!


 
 

A Living Connection

Thursday, May 22nd, 2025

“That seems to me the great American danger we’re all in, that we’ll bargain away the experience of being alive for the appearance of it.”
— Mike Nichols
 


 
From the time that I began to exhibit collage, people have responded positively to art made from stuff that would otherwise be recycled or thrown away. They like the idea that anything cast off can be repurposed and infused with new meaning and a measure of beauty. Collage is ideally suited to individual response and offers a universal experience. Nearly everyone can understand and relate to cutting and pasting paper.

On first impression, people often think my landscapes are conventional paintings — until they move closer. At the same intimate distance the works were created, viewers find only paper ingredients, fragments of printing, and layers of torn edges. It’s been rewarding for me to witness this sense of discovery, a reaction similar to what I’ve experienced by exploring the potential of paper. This living connection with others doesn’t happen with a digital exchange. It fires my enthusiasm for representational collage as an artistic concentration.

Opposite Old Lick

Sunday, May 18th, 2025

 

Opposite Old Lick
collage on stretched canvas by J A Dixon
10 x 10 inches, 2025
private collection

Kaleido-Scraps!

Saturday, May 17th, 2025

“No, you never think you’ve made it. To be respected by my peers is the most I could ask for.”
— Freddy Cole

I broke into the collage world twenty years ago and eventually gained some recognition with contemporary practitioners for my fine art approach to the medium, just as social networks were taking hold. My recent emphasis has been in another direction, as those of you who follow this site are fully aware. I still aspire to “make it” in the realm of nonrepresentational collage, but that may not happen for a guy who “paints in papers” as a landscape artist.

I enjoy periodically coming back to the tradition of Merz, and here’s a lyrical piece that I created for tonight’s fundraising auction and random draw. The business of art should involve some community pro bono work, as with all professions. Yes, I’ve pontificated about this before. To help needy nonprofits appreciate the value of creative labor, I maintain this rule of thumb: keep donations modest, infrequent, and local.
 
 

Kaleido-Scraps
collage on stretched canvas
24 x 18 inches, in the Merz tradition

LITTER-ally KENTUCKY travels to New Albany

Tuesday, April 22nd, 2025

You are invited to visit Kleinhelter Gallery next month to view LITTER-ally KENTUCKY in New Albany, Indiana.

This collection of collage landscapes created en plein air makes its fourth appearance, and I’ll present my first multi-day workshop in June. Stop back here soon to learn more about these hands-on opportunities and to register for a spot. New Albany (just across the Ohio from Louisville) is a splendid destination. I hope you make plans to see these artworks in person!