Archive for the 'Crafted Series' Category

News from the Kentucky Crafted Program

Tuesday, December 5th, 2017

“Proper, untainted pride is not a bad thing. It can even make you try harder sometimes.”
— B L Cummings
 

I must confess that I am elated and gratified to learn from the Kentucky Arts Council that I have been designated as a “newly adjudicated” participant in the Kentucky Crafted Program.

It is not my nature to feel entitled, and so I approach any initiative supported by taxpayers with an awareness of and respect for their essential role. It pleases me to know that I submitted for evaluation some of the best work I have done, and look ahead with anticipation to fulfilling the purpose of the program and returning a dividend on any public investment made in my artistic goals. I am also keenly attuned to the unmet economic potential that the so-called “creative class” can contribute to my adopted commonwealth. But make no mistake, I would never assume that those of you who are kind enough to visit a site devoted to “all things collage” would have an overwhelming interest in my personal goings-on. Take it as a mere news flash. The proof is in the proverbial pudding, of course.
 

Noelia Brim Falcon ~ J A Dixon

Noelia Brim Falcon
collage miniature by J A Dixon
7.8125 x 8.375 inches
 
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Caroline Knot Cornelius ~ J A Dixon

Caroline Knot Cornelius
collage miniature by J A Dixon
7.8125 x 8.375 inches
 
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More from the Crafted Series

Monday, October 23rd, 2017

“It’s very rare that writing music is easy. But you should ask my wife: she suffers more in these cases than I do.”
— Arvo Pärt
 

The new Crafted Series has come fully into focus, although it has been necessary to keep my concentration fiddle-string tight to keep from slipping into more established instincts and to avoid over-working the compositions. The selection of ingredients and the design development had to be as intuitive as possible, even as I consciously pushed outside my comfort zone — a tricky balance. More than ever, it was my goal to have the artisanship be at the highest level, but I did not want these pieces to look like they were difficult to make. Rather, they should look like they were just meant to be. In all honesty, refining the titles was almost as challenging as creating the artwork. The five examples below have been submitted to the Kentucky Arts Council for review by a panel of independent jurors.
 

Lutetia Night Crystal ~ J A Dixon ~ part of his Crafted Series

Lutetia Night Crystal
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Humble Ruby Fillmore ~ J A Dixon ~ part of his Crafted Series

Humble Ruby Fillmore
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Roberta Bloom Orbit ~ J A Dixon ~ part of his Crafted Series

Roberta Bloom Orbit
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Foxy Gold Hubbard ~ J A Dixon ~ part of his Crafted Series

Foxy Gold Hubbard
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Karimata Core Cygnus ~ J A Dixon ~ part of his Crafted Series

Karimata Core Cygnus
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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The Crafted Series

Monday, October 16th, 2017

“Music, to me, is a matter of growth, development and rejuvenation.”
— Lalo Schifrin
 

Every so often, it is good to shove the status quo through the stern window into one’s wake. For me, that does not mean abandoning anything more than “business as usual.” Far from it. It becomes a matter of using everything that I have learned, showcasing all of my acquired skills, and tapping the full resource of internalized discernments to find a different level of creation. To whatever extent I am successful at doing that, there is hope for a renewed sense of discovery and joy.

As many of you know, I have considered collage to be an interactive medium. As a deeper back-and-forth, intuitive relationship with materials and compositional ingredients continues to develop, a corresponding interaction with those who respond to the work must also evolve. Art can indeed be a solitary, insular pursuit for some, but I consider collage to be more like music. How can the listener not be vitally important to the process?

In an interview, the late David Bowie said, “I think it’s terribly dangerous for an artist to fulfill other people’s expectations. I think they generally produce their worst work when they do that. And, if you feel safe in the area that you’re working in, you’re not working in the right area. Always go a little further into the border than you feel you’re capable of being in. Go a little bit out of your depth, and when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.”

There is powerful insight in that observation, but holding the expectations of others at arm’s length does not exclude a goal of preserving their interest and involvement in the experiment. Not at all. Certainly not for me. I invite and value the feedback. Constructive criticism, too. There is no fulfillment in failing to elicit a sense of pleasurable intrigue and wonder in those who value the hundred-year story of collage artwork. For me, it will never be a private affair.
 

Hedra Cinq Sahara ~ J A Dixon ~ part of his Crafted Series

Hedra Cinq Sahara
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Azulenco King Jetties ~ J A Dixon ~ part of his Crafted Series

Azulenco King Jetties
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Magna Finch Bombus ~ J A Dixon ~ part of his Crafted Series

Magna Finch Bombus
collage miniature by J A Dixon
5.75 x 7.75 inches
 
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Horse Tail Reasons

Monday, October 9th, 2017

“Que no haya novedad.”
— ancient Catalan saying
 

With my new “Crafted Series,” I am paying particular attention to capturing a dominant mood of mystery, surprise, and joy, while keeping the process as spontaneous as possible. These are not calculated artworks, even as I make an effort to hold dark undertones at bay. As with most of my compositions, there is an ordered structure, although not preconceived or based on a “preliminary layout.” The feelings to be evoked will arise as much from color choices (intuitively selected, rather than consciously built), as they will from the subjects of the assembled ingredients themselves. The example featured today was created with an individual recipient in mind, as with That Red Boot. From here I shall proceed with enthusiasm to a fuller series of slightly larger pieces. They will be made available to people interested in adding collage artwork to their collections. Stay tuned!
 
Horse Tail Reasons ~ J A Dixon

Horse Tail Reasons
collage miniature by J A Dixon
5.375 x 7.125 inches
collection of J M Menke

That Red Boot

Monday, September 11th, 2017

“As a husband, you have to remember the crucial importance of three little words — ‘I was wrong.’ That will take you a lot further than ‘I love you.’”
— Charlton Heston
 

After pondering what to do with my stash of birds for far too long, I decided to start a new series that I describe as “Crafted.” Here is an example — a 35th Anniversary present to my indispensable partner and dearest friend.
 
That Red Boot ~ J A Dixon

That Red Boot
collage miniature by J A Dixon
5.375 x 7.25 inches
collection of Dana Dixon