Thanks for your interest in my collage landscapes. Click on each thumbnail to view a larger image. Click here to scroll the original blog posts.
Gallery of Collage Landscapes ~ 2022
February 11th, 2022Watch my new artist bio by Fine Art Photographics!
February 3rd, 2022 
Immense thanks to Brett Henson, John Hockensmith, and Kate Savage for bringing this video to fruition! For anyone who wants to discover a bit more about my plein-air approach to making collage landscapes.
Check out my guest appearance on Art Throb!
February 1st, 2022
Sentinel
January 31st, 2022With another year of plein air activity under my belt, I had one image stuck in my imagination that I needed to paste together without any direct reference to an actual place. This last artwork for 2021 is included in my solo display, “Change of Seen,” at the John G Irvin Gallery in Lexington. A snowy deep freeze in Kentucky has blunted turnout for the exhibition so far, but everybody can see all the work by following my previous links during this month. Here’s to a hoped for but yet unfulfilled public reception that will entice more people to the show itself.
Sentinel
collage landscape by J A Dixon
7.125 x 9 inches
framed: 16.75 x 13.75 inches
• S O L D
January 26th, 2022
CHANGE OF SEEN
collage landscapes by John Andrew Dixon
curated by Kate Savage, Arts Connect
for the John G Irvin Gallery at
Central Bank, Lexington, Kentucky
Below are a pair of small skyscapes that I finished just before hanging “Change of Seen,” my collage exhibition curated by Arts Connect for a two-level bank gallery in downtown Lexington — 31 works total. A couple of studio miniatures seemed a fitting addition to what coalesced as my first all-landscape display and a retrospective of sorts for my five-year journey into representational collage. All during 2021, I couldn’t take my eyes off the changing sky, or stop thinking about how
I might interpret it by pasting colored paper, tissue, and reclaimed tea bags. These two pieces are from imagination and memory. I kept layering torn ingredients until I was satisfied with the impression.
Kevin Nance wrote a brief review of the show that was perhaps too flattering. It’s been almost a week since the opening and my feet aren’t fully back on the ground yet. I cannot imagine a more able curator/impresario than the assiduous Kate Savage, a tireless catalyst for all things ART in our Bluegrass region. As just one of the multiple services she’s offering to help spread the word, her non-profit will sponsor a shopping page at the Arts Connect website during the run of my exhibition.
Rose at Daybreak
collage miniature by J A Dixon
6 x 7 inches
• S O L D
Summer Sundown
collage miniature by J A Dixon
6 x 7 inches
• S O L D
December 24th, 2021
Holiday therapy, aesthetic exercise, creative ritual, intuitive workout, craft drill, thematic meditation — call it whatever we want. It’s that season to make and send tree miniatures to those we treasure.
Have a Merry-Merry, everybody!
Four Tree Miniatures for Christmas
collage greeting cards by J A Dixon
Collage as catharsis . . .
December 12th, 2021“Collage is a fantastic tool to modulate the strain of life and associated feelings.”
— Laurie Kanyer
This one was started some time ago, in response to the Paradise conflagration, but I had no determination to finish it until after a deadly storm front came through our region last Saturday.
If you can, please reach out to help.
Ticket to Trauma
collage catharsis by J A Dixon
8.25 x 10.625 inches
available for purchase
Happy Turkey Day!
November 25th, 2021The national symbol of the eagle is so iconic I often forget that Benjamin Franklin was opposed to its adoption and favored the turkey. (Some things need no further elaboration.)
If You Turkeys Can Keep It
collage catharsis by J A Dixon
8 x 10 inches
available for purchase
Cave Spring | 2019-2021
October 29th, 2021“The most important thing
a painter can do is find
a good place to sit.”
— J.E.H. MacDonald
I started this miniature on location in 2019, deep into a hollow that reveals a natural site which offered the only large amount of “refrigeration” available to Kentucky pioneers in the region. My vision for a final look required more indoor time than could ever meet a qualification for en plein air. Paper can be a stern schoolmaster in the studio at times, and I’ve been known to get prickly under his tutelage, but Mother Nature smiles when I “return home.”
(above, left) A collage ‘start’ in the woods taking shape on my clipboard.
(above, right) The completed location work fell short of a finished landscape.
Cave Spring
collage miniature by J A Dixon
started on location / finished indoors
7.25 x 7.5 inches
• S O L D
Still Life with Peony Tulips
October 11th, 2021“We think of the things we own and use as defining us in some way, but that can only be true if we first describe the things. Describing is a remarkable human act. It connects our inner and outer experience: as we observe and record the material world, we respond and reflect. We enter the realm where the material world meets the imagination. That’s the fertile ground of art.”
– Sheldon Tapley
I created this artwork for The Object Seen: Contemporary Still Life, current exhibition at Art Center of the Bluegrass in Danville. The juror was Sheldon Tapley, masterful painter, draftsman, and Stodghill Professor of Art at Centre College. I received a 2nd-place ribbon and cash prize. 
The honor came as a surprise, since I don’t consider myself a practitioner or student of still life as an art form. I have, however, looked deeply at artwork made by Sheldon and those who are. The arms-length quality of modern still life has compelled my close scrutiny for many years. Given that influence, I brought to the genre what I’ve discovered by “painting in papers” from direct observation (the long sweep of art history hovering somewhere outside my conscious awareness, with its rich tradition of artists tackling visual cornacopias of objects and edible fare). I decided to interpret a tabletop group of objects from raw material, rather than assemble a conventional collage composition from found images.
Please view a video clip of the juror’s remarks about my artwork.
The peony tulip blossoms were created en plein air in a local flower garden. The small “still life within a still life” was commenced and partially finished from a setup of actual objects. I relied on photo reference for the rest. Ingredients include colored paper (printed and unprinted), wallpaper, ruined book parts, tissue, reclaimed tea bags, string, and a dried leaf, plus minimal use of walnut juice, burnt coffee, tinted paste, and marker-ink edging. Adhesives include wheat paste, acrylic matte medium, and white glue.
Still Life with Peony Tulips
collage on salvaged canvas
18 x 23.75 inches
• Second Place Prize