Archive for the ‘Priorities’ Category

On giving it away . . .

Tuesday, May 14th, 2013

“Giving is an energy that not only helps others but creates even more for the person who is doing the giving. This is a natural law that is true regardless of whether the person who is giving wants or even realizes what is occurring. Any success you have is despite your lack of giving, not because of it. The universe knows what it is doing. Everything you give away will return. With interest!”
— Richard Carlson

Once every two years, I contribute a work to our local arts scholarship fundraising effort. As a fine artist, I limit my charitable involvement to a single event out of numerous worthwhile causes. Creatives have to be very discerning about this type of thing, because, as others have pointed out, organizations have an insatiable appetite for donations of art and the phenomenon is out of control. It is up to each individual to find the proper balance of self-interest and generosity. My suggestion: keep it small, infrequent, and close to home.
 
Mystery Solved ~ J A Dixon

Mystery Solved
collage on canvas by J A Dixon
16 x 16 inches, collection of J Morgan

Journal Collage  |  Sixth Page

Tuesday, February 26th, 2013

“There are thoughts always abroad in the air which it takes more wit to avoid than to hit upon.”
— Oliver Wendell Holmes

“Practice what you know, and it will help to make clear what now you do not know.”
— Rembrandt van Rijn

To identify and penetrate the emerging idea, the evasive key, the potential solution. To isolate and discard the ordinary notion, the well-worn effect, the visual cliché. Both are the beneficial fruits of keeping a journal of sketches and studies.
 

Untitled (Sam’s Outlook)
journal collage by J A Dixon
8.5 x 11 inches, not for sale

Journal Collage  |  Fifth Page

Monday, February 25th, 2013

“Time consecrates and what is gray with age becomes religion.”
— Friedrich Schiller

The collage artworks of Kurt Schwitters possess a “vintage” appearance to our eye, but it is essential to keep in mind that his “Merz” ingredients were predominantly gleaned from a concurrent environment. It was Joseph Cornell, via the influence of Max Ernst and others, who consciously selected antique images to reinforce the romance and melancholy of feelings past. Apparently, a significant number of active collage artists limit their resources to vintage found material. Don’t get me wrong; I love this work. The immediate “retro effect” can be quite compelling. It would take a stronger soul than mine to dismiss the inherent dignity that comes with the marvelous scrap from an outdated encyclopaedia or the now-funky gravitas of post-war, mass-market magazines. However, from my perspective, a vital element of contemporary collage is the incorporation of present-day material and the recycling of twenty-first century detritus. I find it even more interesting to see vintage ingredients effectively juxtaposed with the ephemera of our own time. Nevertheless, every serious artist has a set of aesthetic considerations, genre goals, and process parameters that mold decisions. Due respect should be extended to the overall objectives that each collage artist brings to this exceptionally diverse media.
 

Untitled (Just Another Prophesy)
journal collage by J A Dixon
8.5 x 11 inches, not for sale

Resolved . . .

Tuesday, January 1st, 2013

‎”Every man should be born again on the first day of January. Start with a fresh page. Take up one hole more in the buckle if necessary, or let down one, according to circumstances; but on the first day of January let every man gird himself once more, with his face to the front, and take no interest in the things that were and are past.”
— Henry Ward Beecher

“Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day; begin it well and serenely and with too high a spirit to be encumbered with your old nonsense.”
— Ralph Waldo Emerson (thanks to four corners design)

It is interesting to see the contrasts inherent in various discussions about setting New Year’s resolutions. I think that most people who make them keep the practice to themselves, and the ones who do not are prompted to explain why, often coming from a position that seems cynical or overly critical to me. To be fair, some are simply being practical when they question the efficacy. For those who go out of their way to sow seeds of disdain for the customary list: it’s not about now long it stays viable, or about the resulting success rate, or whether it retains meaning in a culture where overt self-improvement carries a tinge of “fuddy-duddy-ness.” For me it’s about one’s mindset at the cyclical cusp. Is it not just “the thought that counts.” The thought becomes a renewal of self-belief, expressed in multiple line-items of striving. It requires introspection, evaluation, discernment, and commitment— hardly fashionable, to be sure. As an artist, I know that resolutions have worked for me at some level, just as they have for other aspects of my personal discipline (the effort to stop smoking, quit refined sweeteners, or get into marathon condition all began with a New Year’s Day pledge). The bad rap on resolutions probably has a lot to do with the familiar failure to abstain, and that’s understandable, given the nature of human behavior. For the most part, the average person underestimates the value of failure as a stepping stone to achievement. Some of the best insight I’ve read on the subject has been written and shared by choreographer Twyla Tharp. For a creative individual, positive resolutions can be an aid to tackling new challenges. Perhaps it is better to attempt a new ritual of focusing on priorities rather than resolving to banish procrastination, for example. Detrimental patterns can more effectively be overcome if one replaces them with beneficial habits. If a promise to oneself on January the First will help, I’m all for it.
 

Majestic Fetch ~ J A Dixon

Majestic Fetch
collage miniature by J A Dixon
6 x 6 inches

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Of Independent Mind

Sunday, August 12th, 2012

“There is no substantial difference by which we can attribute a higher aesthetic value to one choice or the other. Our preference is a question of a personal, irrepressible urge.”
—Leo Lionni

From my first encounter with Lionni’s sweeping assertion, I have been simultaneously haunted and liberated by the full ramifications of his claim. It topples the notion of making art for validation by others. Approval or disapproval is stripped of significance, and a creative person is left with nothing more than a responsibility to one’s own impulse. Personal or institutional systems that score art on some artificial scale ring hollow. The artist is freed to listen and look inside, but must face a daunting accountability that comes from within. Can I say that I have no regard for what others may think of my work? No, I cannot. The observer is a vital part of what, to my way of thinking, remains, at its essence, a collaborative act.
 

Of Independent Mind by J A Dixon

Of Independent Mind
collage miniature by J A Dixon
6 x 6 inches

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