Archive for the ‘Movements’ Category

Paint the town. (With paper!)

Saturday, July 3rd, 2021

“If everything seems under control, you’re just not going fast enough.”
— Mario Andretti
 

One week ago, I spent a windy Saturday in frantic competition with the clock, and managed to get an outdoor collage artwork framed and delivered for Lexington’s annual Paint the Town plein air event. At the opening reception that same evening, I was stunned to get a prompt sale and 2nd-place prize. It was one of the most exhilarating twelve hours I’ve experienced in quite a while.

Oh, the dubious lengths some of us will go to chase artistic intensity — even the temporary madness of extreme deadline pressure — all in the pursuit of rapt spontaneity. Heaven help me!

It doesn’t seem so long ago when I first took my collage obsession out of doors, and this kind of open challenge was a goal too absurd to contemplate. I had scouted the location and spent a couple days in preparation. By the time I’d registered a blank canvas, raced to my site and set up, one of the precious six hours had evaporated. I began to battle the breeze (nothing new there). Nor were the other 40 artists involved my foes. It was clear that the only towering opponent I faced was a daunting imperative to speed up my process. I’ve never pasted paper so fast in my life!

The judge said this about my piece: “I was very interested in the way this artist managed to create such an evocative landscape using collaged paper — and on a windy day! Places and buildings often hold so many memories and meanings, and the use of text on the siding of the buildings — with the words appearing in reverse, so they become texture and tone — adds another level of meaning.”

It’s gratifying, and profoundly reinforcing, to have a knowledgeable evaluator find significance in aspects that have evolved gradually to become a natural part of my plein air method. I appreciate her remarks, the organizing effort of all those with Arts Connect, the camaraderie of the participating artists, the buyers (Scott and Paul), the indispensable support of my dearest partner — and you, reader, for visiting here and for reading all of this!

Onward to the next challenge!

 

Off Upper
plein air collage on canvas by J A Dixon
12 x 12 inches + handmade frame

•  Second Place Prize / S O L D

A June breakthrough

Monday, June 21st, 2021

“You know when there is spontaneous creativity when there is no resistance, when there is no anticipation, when there is no regret, when you’re totally present, and you’re experiencing what is called flow, because you know, deep inside you, that your only intention, ultimately, is the progressive expansion of happiness for yourself and for everyone else.”
— Depak Chopra

Yes, I’m happy, because I met an elusive goal that’s bugged me since my first experience with creating collage en plein air. With unfeigned satisfaction, I finished something entirely on location. This piece will probably mean more to me as a milestone than it might to anyone else. Now I feel better prepared to confront this Saturday’s “Paint the Town” landscape challenge. Unlike last summer’s more relaxed version, this event will be the real deal!

 

Day in June
collage miniature by J A Dixon
100% / 0% — site to studio
7.25 x 7.5 inches
collection of the artist

Quarry

Monday, May 3rd, 2021

“Perpetual devotion to what a man calls his business is only to be sustained by perpetual neglect of many other things.”
— Robert Louis Stevenson
 

ROCK, PAPER, SCISSORS, the virtual exhibition organized by Kate Savage at Arts Connect, had its online event with artist commentary yesterday. As I prepared some remarks about my included artwork, I looked back to see what I’d written about it after its completion in 2019.

Nothing — that’s what I found.

With an emphasis on documenting my journey into making collage en plein air, I’ve apparently neglected to say as much about a corresponding investigation of studio-based landscape. Being a self-taught illustrator and fine artist, working from photographs has been a central part of the creative process — at least since my days as a “gopher” student in the 1970s, when I assisted veteran commercial artists compile reference scrap for tight-deadline assignments. In recent years, my work on location is informing how I do a collage painting indoors from a photo.

Quarry is a fitting example, created from a wonderful image by Jeff Hiles, an Ohio photographer who generously gave a green light to interpret his work in another medium. My piece also dovetails nicely with the theme of the show. More importantly, it demonstrates how I’m gradually learning to bring into the studio the sense of immediacy and intuitive spontaneity that I experience when working directly from a natural scene.

 

Quarry
collage landscape by J A Dixon
25 x 18.5 inches
on panel, framed

•  S O L D

March Ex(plosion)  |  Twenty-Ninth Collage

Monday, March 29th, 2021

 

The Story of My Instant Demise
collage miniature by J A Dixon
6 x 7.75 inches
available for purchase

March Ex(plosion)  |  Twenty-Seventh Collage

Saturday, March 27th, 2021

 

Troubling Tendencies
collage miniature by J A Dixon
7.125 x 10 inches
available for purchase

March Ex(plosion)  |  Seventeenth Collage

Wednesday, March 17th, 2021

 

Something Ain’t Right
collage miniature by J A Dixon
6.5 x 8.75 inches
from my Series of Rock
available for purchase

March Ex(plosion)  |  Tenth Collage

Wednesday, March 10th, 2021

 

Exquisito
collage on book cover by J A Dixon
7.25 x 9.75 inches
available for purchase

March Ex(plosion)  |  Third Collage

Wednesday, March 3rd, 2021

 

Polyphemus
collage miniature by J A Dixon
8.6875 x 11.25 inches
available for purchase

The surreal meaning of Christmas

Friday, December 25th, 2020

 

Natal Homage
collage greeting by J A Dixon
private collection

Knobland

Monday, October 5th, 2020

“It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.”
― Wendell Berry
 

I spent a hot but glorious day with the August sun and “knobs” of Boyle County, Kentucky. At first it looked as if I didn’t need to do much with this one when I examined it in the studio, because I’d decided to ignore any evidence of habitation at the rural setting. Something convinced me that wasn’t the way to go, so I decided to plunge back in, referring back to my photo reference. As usual, I was bound and determined to avoid exceeding the time I’d spent on location or to ruin the impression that I’d already captured. I didn’t know exactly what to do. That I couldn’t leave well enough alone was clear enough. Working more from a memory of how the farmstead was tucked into the countryside, I completed the miniature within the desired limitation. To be totally honest, I still don’t know if the result is an artistic improvement, but the presence of people with a relationship to this particular natural place ended up being an overwhelming necessity for my landscape. You can be the judge of its final merit as well as I.
 
 
Knobland ~ plein air collage miniature by J A Dixon

Knobland
plein air collage miniature by J A Dixon
50% /50% — site to studio
6.9375 x 7 inches

•  S O L D

Haven on the Ridge

Wednesday, September 30th, 2020

“Observers should feel that the act of painting was effortless — that it happened, it just happened. Which, of course, is not true.”
— Jane Piper
 

I’ll be spending more time in the collage studio soon, but I made the most of the warm months to create collage artwork in the open air. Much love and appreciation goes out to my sister, Joan Wood, for hosting a summer plein-air gathering at her wonderful retreat on Kelley Ridge in Garrard County, Kentucky. Since I was the PAACK coordinator for the outing, I decided to set up in a central spot to help me avoid overlooking any of our intrepid participants. The turnout was great, and I had at least one visitor that I wasn’t expecting. A house portrait demands a certain density and exactitude. I left with a good start, but it fell short of the hoped-for level of detail, so I challenged myself to bring it around with an expenditure of studio time equal to what I devoted to the outdoor session.

Cardinal Haven is the name that our mother, Virginia, came up with for Joan’s isolated abode (which spurred the title of this featured miniature). It’s on display right now, as part of the annual group exhibition in downtown Danville. En Plein Air lasts until October 30.
 
 

Haven on the Ridge
collage miniature by J A Dixon
50% / 50% — site to studio
7.1875 x 7.1875 inches
private collection