Archive for the ‘1) Available!’ Category

Capturing an Arcadian Sky

Monday, March 25th, 2024

“I have learned to expect nothing of the weather
but what it gives us.”
— Rockwell Kent
 

Last September at nearby Arcadia Farm, I fell under the spell of a horizon and stuck with the mood of early-morning clouds for the rest of the session. With the prevailing heat, other members of the PAACK may have been praying for more breeze, but I was grateful for hours of no wind. I wasn’t even using clothespins! I wanted to interpret the viewscape as that huge land grant might’ve looked to the original Shelby family in the 1700s. Although pleased with the result that I took home, I knew I wanted to make studio additions at the base of the artwork before declaring it ready for a signature. And so here we are, March of 2024. As I look ahead to a new season of taking collage outside, it made sense to finally complete the studio refinements on one of my favorite landscapes from 2023.

 

Arcadian Sky
collage en plein air by J A Dixon
11.375 x 7.875 inches
available to collectors

Unprotected Speech

Friday, March 22nd, 2024

 
Unprotected Speech by John Andrew Dixon, collage artist from Danville, Kentucky

Unprotected Speech
collage catharsis by J A Dixon
6.75 x 8.875 inches
available to collectors

a dry shoal and “Vacation Merz”

Wednesday, January 31st, 2024

Looking back to when I was in Upper Michigan last year… In addition to making collage landscapes outside, I exploited whatever paper fragments were at hand in the cabin. The result was this experiment in color, form, and counterpoint. Those familiar with the history of collage as a modern art will understand why I think of it as “Vacation Merz.”
 

Untitled (dry shoal)
collage experiment by J A Dixon
9.3125 x 11 inches
available for purchase

Down Side Up

Monday, January 8th, 2024

 

Down Side Up
collage catharsis on book cover by J A Dixon
12.5 x 8.75 inches
available for purchase

Now offering collector-quality glicée prints

Friday, November 10th, 2023

The LITTER-ALLY KENTUCKY collection was conceived and funded as a traveling exhibition. While the original body of work is not currently for sale, all sixteen collage landscape artworks are available as affordable frame-worthy glicée reproductions printed on archival stock.

Despite patrons’ asking for them over the years, offering prints is a first for me — other than at note card size. The high standards I was looking for have been met by Fine Art Editions Gallery & Press of Georgetown, Kentucky. Owner John S Hockensmith, well-known photographic artist who fine-tuned an advanced giclée process for his own exacting requirements, has made his exceptional quality available for my work. I’m gratified to be one of a limited number of Kentucky artists with whom he has chosen to collaborate.

Due to the nature of the ingredients and constraints of working en plein air, my originals are typically small. Without loss of detail, these glicée enlargements capture the dimensionality of my collage technique and reveal subtleties of pasted layers and torn text. You can purchase individual prints at 150% enlargement on standard acid-free vellum stock for $275. The entire LITTER-ALLY KENTUCKY group of artworks can be acquired as a collector set printed on Japanese paper and housed in an archival box for $3500; individual works printed on the same handmade paper are available for $295 each.

the LITTER-ally KENTUCKY collection

Monday, October 16th, 2023

 

Thanks for your interest in this collection of plein air landscapes. Each artwork is infused with litter to encourage the care of natural places. Hover over thumbnails to view the availability of originals.
Click to order a premium giclée print.

 
     

     

     

     

       

 

A Cyclic Occurence

Monday, June 5th, 2023

“The healthiest response to life is joy.”
– Mark Twain
 

If we understand anything about the many strong characteristics of collage as an artistic activity, we surely know that it has significant therapeutic attributes. I came into the studio to shrug off some negative vibes and to create a pair of new miniatures for an upcoming gallery hop at nearby CAMP. Connie Beale, fellow collage artist and owner of the unique retail space, had just sold two of my paper landscapes the previous week, so replacements were in order. I wanted to use a bright palette and appealing fauna as ingredients. Could I bring a bit of delight to my disposition and to anyone who showed up to discuss the result?

Mission accomplished!
 
 

A Cyclic Crunch
collage miniature by J A Dixon
7 x 8.5 inches
available for purchase

 

A Cyclic Hum
collage miniature by J A Dixon
7 x 8.5 inches
available for purchase

First Gallery of Collage Landscapes

Wednesday, March 8th, 2023

John Andrew Dixon ~ collage artist

Thanks for your interest in my collage landscapes. Click on each thumbnail to view a larger image. Click here to scroll the original blog posts. My previously sold CHANGE OF SEEN artworks can be ordered as fine prints.

View the LITTER-ally KENTUCKY collection, too!

 

 

First Gallery of Collage Landscapes

Wednesday, March 8th, 2023

John Andrew Dixon ~ collage artist

Thanks for your interest in my collage landscapes. Click on each thumbnail to view a larger image. Click here to scroll the original blog posts. My previously sold CHANGE OF SEEN artworks can be ordered as prints.

View the LITTER-ally KENTUCKY collection, too!

 

 

Her Back Door

Wednesday, September 14th, 2022

“Don’t come a-knockin’ around my door
Don’t wanna see your shadow no more
Coloured lights can hypnotize
Sparkle someone else’s eyes.”
B L Cummings
 

Here’s a recent plein air collage of mine that’s on display in the conference center exhibition presented by the Arts Commission of Danville / Boyle County at Constitution Square. I consider this in the category of “miniature house portraits,” which would pose challenges in any medium. Working with paper (particularly when outside) makes for a tricky process of interpreting proper perspective. It’s been suggested that I didn’t nail the vanishing points with this one, even though I completed most of the architectural treatments in the studio.

Harlan Hubbard thought that, “a painting, to be good, must be done with dash and abandonment, even one which has meticulous detail. If one niggles over it, the result is dull and lifeless.” It’s a danger for any artist to “niggle” or “noodle” at the expense of the overall expression. I haven’t convinced myself that it didn’t happen with this one, even though a plein air painter that I admire thinks otherwise. It has something to do with my intentionally introducing a contrast of crisp detail and soft ambiguity — with a debatable degree of success. I guess that the “eye of the beholder” has to take it from here. Without a doubt, I haven’t confronted this difficulty for the last time.

 

Her Back Door
collage en plein air by J A Dixon
7.125 x 9 inches
50:50 site/studio
available for purchase

Our “En Plein Air” show in Danville

Monday, August 22nd, 2022

“And yet, standing at his appointed place, the trunk of the tree, he does nothing other than gather and pass on what comes to him from the depths. He neither serves nor rules — he transmits. His position is humble. And the beauty at the crown is not his own. He is merely a channel.”
— Paul Klee
 

Another anticipated En Plein Air annual exhibition has appeared and vanished, my sixth consecutive participation since I took up the challenge of “painting in papers” with the PAACK. My sincere thanks to Art Center of the Bluegrass for continuing to support our regional group!

The two miniatures that I included in the show are featured here. Completing both of them in the studio raised some concerns that I’d be able to retain my on-site impression as I made detailed additions too delicate for outdoor work. Did I manage to do it?

 

East End Survivor
collage miniature by J A Dixon
6 x 7.125 inches, framed 11 x 14
available for purchase

 

Gardener’s Nook
collage miniature by J A Dixon
6.25 x 7.25 inches, framed 11 x 14
available for purchase