journal experiment:
shape, color, space
Attempted Coup
collage miniature by J A Dixon
5.25 x 7.25 inches
Purchase this artwork!
journal experiment:
shape, color, space
Attempted Coup
collage miniature by J A Dixon
5.25 x 7.25 inches
Purchase this artwork!
“Works of art do not force meanings on their audience; meaning emerges, adds up, unfolds…”
— Robert Hughes
Today’s featured artwork is one of the most satisfying pieces I have created so far this year. It can be viewed in person at Ingredients Reclaimed, my solo exhibition that lasts until Friday the 28th. As we know, February is a short month, so it is no surprise to realize that the display is down to its last week. Fortunately, the Boyle County Public Library is open every day. Dana (a partner in all things and my most constructive critic) thinks that this is my most cohesive, best-looking show ever, and I cannot disagree. The Mahan Gallery is a fine space — an ideal, intimate setting for someone to study the progress I have made with my investigations over the past year. I hope as many people as possible in the geographic area are able to spend a bit of time at the show, and to let me know how they feel about my work. It is such a subjective medium. For me, the echoed response of an observer has always been at the heart of collage.
Sustained Diversion
mixed-media collage by J A Dixon
11 x 14.875 inches
available for purchase
“Inspiration does exist, but it must find you working.”
— Pablo Picasso
My passion seems to be split between collage as artifact (the artistic specimen) and collage as painting (the artistic surface). I revere the pioneering giants whose work must be carefully conserved, but also continue to be impressed and inspired by Cecil Touchon, Robert Mars, Teri Dryden, Zach Collins, and other contemporary artists who successfully bring a painterly approach to our medium. In order to release a mixed-media collage from beneath the traditional glass barrier, it is necessary to find a proper protective coating to balance visual appeal and durability. Because I work with found material, I have had to learn what kinds of ingredients can handle direct exposure (for an effect similar to the painted surface). Some are too vulnerable and require framing behind glass. Both types of artwork are represented in my new solo exhibition, Ingredients Reclaimed. The example shown here, layered above the conventional canvas and stretcher, relies on wet-to-wet contact of adhesive and gesso to firmly seat the “scrap.” Using a series of light-touch applications, a coating of matte acrylic sealant tops off the piece.
A Lively Coexistence
collage on canvas by J A Dixon
11 x 14 inches
available for purchase
February 3–28, 2014
Ingredients Reclaimed
Boyle County Public Library
Danville, Kentucky
When I was invited by Danville’s Community Arts Center to submit a piece for their annual “New Year, New Art” exhibition, I picked an homage to Cecil Touchon that I finished in December. Any observant artist who introduces cropped typography into a collage cannot be unaware of his significant body of contemporary work.
Touchonic Rites
collage on canvas
by J A Dixon
20 x 16 inches
currently on consignment
“Starting a New Year is always an invitation to dream.”
— Wayne W Dyer“Healthy striving is self-focused: ‘How can I improve?’ Perfectionism is other-focused: ‘What will they think?’”
— Brené Brown
Two-faced Janus scans both backward and forward, but, during the month that salutes his mythical duality, there is a third sight that also peers within. I have written about resolutions before. My essential take on the practice has not changed. This year, rather than focus on a checklist of objectives, I take personal aim at a phenomenon that plagues artists all along the spectrum of natural ability — perfectionism — a condition that tends to confound those who observe the creative class, as well as the people who wrestle with the disfunction. One of the most interesting scientists who writes about the subject is Brené Brown, PhD. She provides the clearest and most helpful understanding that I have discovered so far.
As dismissive as it may seem, it has been necessary for me to learn that I cannot care too much about what others think of me or think of what I create. For decades I have worn the hat of the designer or illustrator, which has sharpened my sensitivity to the perceptions and presumptions of others. Collage, for me, is the ideal antidote for perfectionism. For those of us who contend with the idea that something (anything! or everything!) must approach perfection, the notion of a “perfect collage” is absurd enough to defuse the fixation. There is no rule-book. There are no mistakes. There are no towering expectations. There is nothing upon which to heap all one’s perfectionist propensities. There is only the lure of investigation and the pleasure of discovery.
Gratuito
collage miniature by J A Dixon
5.375 x 5.25 inches
• S O L D
An atypical subject-oriented collage, but, with this one, I wanted to focus on something of favored interest to my daughter. Gift art is always an opportunity to put any ruts in the rearview mirror, especially at the cusp of a new cycle.

Sovereign Creature
collage miniature by J A Dixon
8 x 10 inches
collection of T Strock