Archive for the ‘J A Dixon’ Category

March Exercise  |  Miniature Eight

Friday, March 8th, 2013

 

A Charming Assassin
collage miniature by J A Dixon
4 x 4 inches
private collection

March Exercise  |  Miniature Seven

Thursday, March 7th, 2013

 

We Will Not Wander More
collage miniature by J A Dixon
8 x 5.25 inches
 
Purchase this artwork!

March Exercise  |  Miniature Six

Wednesday, March 6th, 2013

 

She Came About Handsomely
collage miniature by J A Dixon
4.5 x 4.5 inches
on consignment
 
Purchase this artwork!

March Exercise  |  Miniature Five

Tuesday, March 5th, 2013

 

Wanton Necessity
collage miniature by J A Dixon
5.125 x 5.75 inches
 
Purchase this artwork!

March Exercise  |  Miniature Four

Monday, March 4th, 2013

 

Love’s Uncareful Shrine
collage miniature by J A Dixon
5 x 5 inches
private collection

March Exercise  |  Miniature Three

Sunday, March 3rd, 2013

 

Insignificant Hilarity
collage miniature by J A Dixon
4.5 x 4.5 inches
on consignment
 
Purchase this artwork!

March Exercise  |  Miniature Two

Saturday, March 2nd, 2013

 

Speaking Words of Wisdom
collage miniature by J A Dixon
6 x 6 inches

•  S O L D

March Exercise  |  Miniature One

Friday, March 1st, 2013

 

Unhappy, Far-off Things
collage miniature by J A Dixon
4 x 6 inches
 
Purchase this artwork!

Journal Collage  |  Sixth Page

Tuesday, February 26th, 2013

“There are thoughts always abroad in the air which it takes more wit to avoid than to hit upon.”
— Oliver Wendell Holmes

“Practice what you know, and it will help to make clear what now you do not know.”
— Rembrandt van Rijn

To identify and penetrate the emerging idea, the evasive key, the potential solution. To isolate and discard the ordinary notion, the well-worn effect, the visual cliché. Both are the beneficial fruits of keeping a journal of sketches and studies.
 

Untitled (Sam’s Outlook)
journal collage by J A Dixon
8.5 x 11 inches, not for sale

Journal Collage  |  Fifth Page

Monday, February 25th, 2013

“Time consecrates and what is gray with age becomes religion.”
— Friedrich Schiller

The collage artworks of Kurt Schwitters possess a “vintage” appearance to our eye, but it is essential to keep in mind that his “Merz” ingredients were predominantly gleaned from a concurrent environment. It was Joseph Cornell, via the influence of Max Ernst and others, who consciously selected antique images to reinforce the romance and melancholy of feelings past. Apparently, a significant number of active collage artists limit their resources to vintage found material. Don’t get me wrong; I love this work. The immediate “retro effect” can be quite compelling. It would take a stronger soul than mine to dismiss the inherent dignity that comes with the marvelous scrap from an outdated encyclopaedia or the now-funky gravitas of post-war, mass-market magazines. However, from my perspective, a vital element of contemporary collage is the incorporation of present-day material and the recycling of twenty-first century detritus. I find it even more interesting to see vintage ingredients effectively juxtaposed with the ephemera of our own time. Nevertheless, every serious artist has a set of aesthetic considerations, genre goals, and process parameters that mold decisions. Due respect should be extended to the overall objectives that each collage artist brings to this exceptionally diverse media.
 

Untitled (Just Another Prophesy)
journal collage by J A Dixon
8.5 x 11 inches, not for sale

Journal Collage  |  Fourth Page

Sunday, February 24th, 2013

“The least of things with a meaning is worth more than the greatest of things without it.”
— Carl Gustav Jung

For me, the purpose of a journal collage is to explore whatever imagery or theme that spontaneously occurs, free from other motivating intentions (including the dubious blog post such as this).

What can one say when something bubbles up from the level of the unconscious? Perhaps it is best to not say anything at all.
 

Untitled (No More Nightmares)
journal collage by J A Dixon
8.5 x 11 inches, not for sale