Attitude of Flight
collage miniature by J A Dixon
3.875 x 5.875 inches
• S O L D
The Fruit of Deceit
collage miniature by J A Dixon
4.25 x 4.25 inches
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My birthday greetings to Fred Free.
The “headquarters” has been getting a facelift in preparation for the Annual Open Studios ARTTOUR. We worked out the color scheme on the Model T garage before shifting to the bungalow. With all the recent improvements on our downtown block, you might say that an exterior makeover was a bit overdue. If you happen to be in the area during the first weekend of November, please plan to stop by.

I am pleased the high-ladder work is now behind me.
Model T Garage ~ BEFORE
Why is this man not inside making art?
Model T Garage ~ AFTER
Stucco needs to be patched and sealed before applying acrylic finish.
The rest of the wood gets oil-based paint.
Taking a break from restoration of box gutters. I had a good spot to watch the “Constitution 5K Run for the Arts” as competitors raced by.
“To me I think artists in general make a statement — and for the rest of their lives — every album, every book — are variations on a theme.”
— Mark Mothersbaugh
Here are two examples of my ongoing participation in groups that collaborate through thematic emphasis. Gentle Zephyr is a response to the theme of “music” at the Collage facebook page, but I also made obvious reference to the previous album, “atomic bombs.” Tir de Duc is my second submission to the Target Practice project initiated by L T Holmes. The exciting collaboration that makes use of vintage paper targets has taken on a new significance in recent weeks. Collage artists could spend all their available time interacting with each other through the many active collaborative formats. It is important to find the proper balance between solitary investigation and the dynamic cross-fertilization taking place within contemporary collage.
Gentle Zephyr
collage miniature by J A Dixon
6.625 x 9.25 inches
• S O L D
Tir de Duc
collage miniature by J A Dixon
vintage target from L T Holmes
8 x 10 inches
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My submission has been added to the Scopophilia Website, as the exhibition expands its online presence. It is interesting to observe how the transatlantic mail system added a bit of visual distress to my postcard. Why are collage artists fascinated by such things?
Thanks again to British artist Theo Miller for his ongoing management of the international Scopophilia Project. Still hoping to learn if the volume of submissions will culminate in a physical exhibition.

A F T E R
B E F O R E
A Tempting Inclination
collage on post card, 6 x 4 inches
by J A Dixon for Scopophilia exhibition
“You can judge your age by the amount of pain you feel when you come in contact with a new idea.”
— John Nuveen
A maximalist to the core, it does not take much of a stimulus for me to create a miniature dense with ingredients. Happily, the flow of birthdays, anniversaries and thanks-worthy gestures continues unabated.
Congenial Subversion
collage miniature by J A Dixon
collection of K O’Brien
Honeydone
collage miniature by J A Dixon
collection of J Davis
Elboniana
collage miniature by J A Dixon
the Willoughby Papers
Soviet Madness
collage miniature by J A Dixon
collection of J Thornton
Large Game
collage miniature by J A Dixon
collection of R Jones
“If everybody was treated like they matter — everyday; birthdays wouldn’t be so special.”
— Mokokoma Mokhonoana
Over the years, many hundreds of hand-crafted cards have left my work surface, bound for celebrating recipients. Even when I return to the simple expression of a person’s name, strong elements of collage will inevitably enter into the equation.
collage miniature by J A Dixon
collection of A Anderson
collage miniature by J A Dixon
collection of R D Dixon
collage miniature by J A Dixon
collection of C L Hellyer
collage miniature by J A Dixon
collection of D L Dixon
collage miniature by J A Dixon
collection of E Dixon
“By three methods we may learn wisdom: first, by reflection, which is noblest; second, by imitation, which is easiest; and third, by experience, which is the most bitter.”
— Confucius
Like reading a past entry in a journal, it is often interesting to scrutinize an older artwork. Awareness of what one does the same and what one has refined to do differently can be quite informative. Sometimes, after doing this, I am slightly disappointed to acknowledge a more skillful handling of a basic technique. Preferably, this activity brings a certain kind of satisfaction that comes with perceived attainment. Continuous improvement must be built on both emotions.

Cosmorama with Rhino
mixed media and collage
J A Dixon, 2006
collection of V K Birney