Archive for the ‘J A Dixon’ Category

Still More Haus of Cards

Sunday, March 8th, 2015

“I allow total spontaneity to overwhelm the process. Ingredients that allude to the world of the recipient merge with conspicuous or camouflaged non-sequitur elements.”
2/2/13

Journal studies and collage greeting cards are my proving ground for the qualities that lead to fruitful miniatures, and I am finding that self-contained miniatures themselves are increasingly serving as ingredients in larger works. This could get interesting.

 
a collage greeting card by John Andrew Dixon

Two Heart to Handle
collage greeting card by J A Dixon

a collage greeting card by John Andrew Dixon

Adventures to Last
collage greeting card by J A Dixon

a collage greeting card by John Andrew Dixon

February Hearts
collage greeting card by J A Dixon

a collage greeting card by John Andrew Dixon

For The Bobs
collage greeting card by J A Dixon

a collage greeting card by John Andrew Dixon

Sweet Time Puffin
collage greeting card by J A Dixon

Until April . . .

Sunday, March 1st, 2015

“. . . just set one day’s work in front of the last day’s work. That’s the way it comes out. And that’s the only way it does.”
– John Steinbeck

If I am to be honest with myself, there must be the recognition that this is a blogsite not unlike many others: a personal tool for somewhat murky purposes (and a service to others less so, as much as I would desire that aspect to predominate). At any rate, I deeply appreciate that it is followed, and I shall continue my effort to make it worth the time you take to pay a visit.

I have written before about the March Exercise, my annual focus on building another layer of creative habit that can be internalized as part of a new cycle. It began as an experiment in time management nine years ago. Here at The Collage Miniaturist, I have showcased a month-long collage-a-day ritual for the past two. My tenth March Exercise will be a departure. Blog entries and updates to social networks will be temporarily suspended, as I concentrate all of my time on a few major studio objectives. I am required to stack one block of work on top of another in a way that does not allow for attention to routine public disclosures.

Before I step away for the month, here are two collage starters on their way to Allan Bealy for completion. Compared to prolific collaborators like Allan, I could be considered a rookie. Stay tuned for his response. See you in April.
 

Two Collage Starters For Allan Bealy ~ John Andrew Dixon

two collage starters for A Bealy
by J A Dixon on KYDEX® synthetic sheet
each: 5 x 7 inches

Rhetorical Leap

Tuesday, February 17th, 2015

 
Rhetorical Leap ~ John Andrew Dixon

Rhetorical Leap
collage on canvas by J A Dixon
10 x 8 inches

•  S O L D

Bull’s-eye Nosegay

Wednesday, February 11th, 2015

“To get to be somebody who gets to love what they do for a living, that’s so rare, and so there must be some kind of price you have to pay.”
— Ethan Hawke

The Target Practice Project shows no signs of winding down. Two of the vintage targets from L T Holmes were still in my possession, so I started another piece last summer. It had a stubborn inertia of its own that repeatedly would cause me to set it aside until the next phase came into focus. It’s funny how a certain artistic progression can have “a mind of its own,” so to speak, and others can fall into place like clockwork. One of the things I appreciate most about collage is getting into an effortless “flow,” but there is something to be said about having to dig deeper to pull the solution from a more difficult effort. In those situations, a different kind of fulfillment is the reward — the sense that I have pushed by craft to a new level. It may not seem as joyful, but I feel just as fortunate to be involved in something I love to do. And it makes me stop and think that perhaps, when that easier process is flowing, it could be the exact moment to mix it up, take a risk, lose my footing, defy the comfort, and pay the price.

Bull’s-eye Nosegay ~ J A Dixon

Bull’s-eye Nosegay
mixed-media collage on framed panel
vintage target from L T Holmes
17 x 17 inches, currently not for sale
featured at The Target Practice Project

Pearental Discretion

Wednesday, February 4th, 2015

“When people think about creativity, they think about artistic work — unbridled, unguided effort that leads to beautiful effect. But if you look deeper, you’ll find that some of the most inspiring art forms, such as haikus, sonatas, and religious paintings, are fraught with constraints. They are beautiful because creativity triumphed over the ‘rules.’ Constraints shape and focus problems and provide clear challenges to overcome. Creativity thrives best when constrained.”
— Marissa Ann Mayer

I have been intrigued by the recent work of participants in the Matchbook Collage Collaboration Project. Collage artists, whether working alone or in collaboration, are increasingly known for imposed restrictions — time, scale, format, or ingredients. Early on I gained a healthy respect for the power of parameters, most likely because I was educated as a designer and trained as an applied artist. Years later, this respect was amplified significantly when I witnessed my nephew create thousands of 101-word stories as an exercise in creative writing.

A big part of managing open-ended potential when initiating new work is to dig for an “inner assignment” that limits the options and sparks a creative impulse. Another good catalyst is to look around for an external constraint. I enjoy reacting to calls-to-artists that focus on an organizing concept. Even if I don’t actually apply, the triggered intuitive process can be informative. Here is a piece that I just finished in response to the exhibition theme of “Home.” In addition to framing the possibilities, it provided an opportunity for me to work more three-dimensionally, explore color scheme limitations, and further investigate the combining of found materials.
 

Pearental Discretion ~ John Andrew Dixon

Pearental Discretion
mixed-media artifact by J A Dixon
11.25 x 9.25 inches
available for purchase

According to Matthew

Saturday, January 31st, 2015

 
According to Matthew ~ J A Dixon

According to Matthew
collage miniature on Bristol by J A Dixon
homage to Matthew Rose
collection of The Ontological Museum

Windows of Opportunity

Saturday, January 24th, 2015

 
Windows Of Opportunity ~ collage miniature by John Andrew Dixon

Windows of Opportunity
collage miniature for mail art by J A Dixon
4 x 5 inches
collection of N G Armstrong

A universal antidote . . .

Saturday, January 17th, 2015

“Self-consciousness is the enemy of all art, be it
acting, writing, painting, or living itself, which is
the greatest art of all.”
— Ray Bradbury

I was honored, but also thrilled, to accept my third invitation for the “New Year New Art” exhibition at our local Community Arts Center, one of the outstanding cultural institutions in Central Kentucky. The extraordinary thing about this annual show is a freedom to display, The Barretts ~ a portrait by John Andrew Dixonwithout juried appraisal, one or two pieces for which one has passion. The only restriction is that the work not be over four months old. I decided to create something around the holidays specifically for the opportunity, and, because I had just completed a difficult portrait commission in watercolor and pencil, a more personal form of expression was a welcome idea. I had used an illustrative, “news-magazine-cover” style that always has had great appeal to me, but that over the years has challenged my self confidence and repeatedly has put my perfectionist tendencies to a stress test. Fortunately, I have discovered a universal antidote for all that — collage.

For the January exhibition I wanted to do something fresh, to surprise myself, but also, as most artists prefer, to create something that would please others, that would excite an individual’s subjective response. Mixed-media collage is a medium that people find both provocative and delightful, and to which I am strongly committed, but that should be no surprise to anyone who follows this site. As a working designer and graphic artist, I return to collage on a nearly daily basis as fuel for my creative life and a potent solvent for that side of myself which continually flirts with self doubt if something might not turn out exactly as I imagine it should. All that nonsense fades away when I incite the spontaneity of this magnificent medium.

Of course, I remain captivated by the ability to make something of value from material that otherwise would be thrown away or recycled. I enjoy creating artwork that has bold visual appeal from across a room, but that also provides a depth of interest at close observation, with many stimulating details within an intimate viewing distance. “Matthew’s Touchonic Lodge” is primarily an abstract composition, and I salute two collage artists whose work I admire with my title and embedded allusions. “Apparition Rising” uses ingredients that are more whimsical, but perhaps slightly “spooky” at the same time. A phrase from a song that I like sparked the genesis of its assembly. Both are significantly larger than my typical miniature, more dimensional than a standard flat surface, and, as with all my designs, I worked intuitively with color, contrast, and the activation of space. In addition, I continue to push the effect of collage as a stand-alone treatment that does not demand the protective glass barrier. Please let me know what you think of these new works.
 

Dixon_TouchonicLodge

Matthew’s Touchonic Lodge
mixed-media collage by J A Dixon
22.5 x 20 inches, December 2014
title source: homage to artists M Rose and C Touchon
Purchase this artwork!

Dixon_ApparitionRising

Apparition Rising
mixed-media collage by J A Dixon
19.5 x 27.5 inches, December 2014
title source: from the song “Ghost Town” by J Brasfield
also available for purchase

Is there no help?

Sunday, January 11th, 2015

With due respect to Francisco de Goya y Lucientes ~ John Andrew Dixon

 

A Most Happy Happy!

Thursday, January 1st, 2015

 

a New Year’s Day greeting from John Andrew Dixon

Untitled (thoughtform)
collage experiment by J A Dixon

the Man Card ~ part three

Wednesday, December 31st, 2014

“But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;”
— William Butler Yeats

If you have not tired of looking at images that grew out of the guy-to-guy thing, here are just a few more items from the Haus of Cards that illustrate some occasions when only a Man Card will do.

 
collage greeting card by John Andrew Dixon

Coast Starlight
collage greeting card by J A Dixon

collage greeting card by John Andrew Dixon

David Down Under
collage greeting card by J A Dixon

collage greeting card by John Andrew Dixon

THE MAN
collage greeting card by J A Dixon

collage greeting card by John Andrew Dixon

The Wood Duck Society
collage greeting card by J A Dixon