Archive for the 'Multiple Miniatures' Category

Perspectives deserve to be reexamined

Saturday, February 8th, 2020

“Don’t think of it as failure. Think of it as time-released success.”
— Robert Orben

“If you’re doing it for prizes, you’re in big trouble.”
— Linda Ronstadt
 

Alphanumero is a large composite of 35 miniatures that I created for my first solo collage exhibition in 2007. It was acquired earlier this week by Bluegrass Care Navigators through the coordinating assistance of LexArts, the dynamic arts organization of greater Lexington, Kentucky. My sincere thanks to community arts director Nathan Zamarron for his professionalism and hard work.

Spontaneous expression within structural order had been my goal, as I created each individual “A-to-Z” and “1-to-9” composition from found material and combined mediums. I had no overall value-scale or color scheme in mind, so I didn’t see the effect of the sequential, up-and-down “path” until final assembly. With a bit of hindsight, the influence of my graphic design foundation is quite obvious, and I was only beginning to devote myself to an improvisational approach.

For a long time after that, I would focus on isolated miniatures as finished works. Alphanumero was a large and time-consuming affair, with a relatively expensive price. It’s no surprise that it took awhile to find a buyer. I’m pleased and gratified that it has.

I’ve had many thoughts about the piece over the last dozen years, and I now question the validity of some. I haven’t created anything similar at that size since. Although there might have been a sound motive for that, my likely rationale was that the original version hadn’t sold. That is not a good basis for discontinuing an artistic investigation. Thinking that a piece has a strong chance of being purchased is an equally wrong-headed reason to make a work of fine art. Yes, the creative calling exists in a marketplace, and that consideration is always present, but shouldn’t we try mightily to strip “merchandising” from our incentive to enter the studio each day?

Easier said than done . . .

 

Alphanumero
composite of collage miniatures by J A Dixon
30 x 40 inches, framed

•  S O L D

Miniature vs. Miniature

Monday, November 20th, 2017

“Tie small-scale contrasts together compositionally, but also large-scale contrasts; for instance: confront chaos with order, so that both groups, which are separately coherent, become related when they are placed next to or above each other; they enter into the relation of contrast, whereby the characters of both sides are mutually heightened.”
— Paul Klee, 1915
 

For the most part, I consider any collage artwork that is 8 x 10 inches or smaller to be a “miniature,” but this is not a definition that I expect anyone else to adopt. It is just a personal rule of thumb within my nomenclature, based on a conviction that the small format has been at the heart of the evolving medium from the outset and continues to be the wellspring of innovation.

Cohesive collage artworks at this scale have always been qualified to stand on their own as finished creations, but I am increasingly fascinated by the process of assembling multiples or embedding miniatures into composite designs. It boosts their perceived character as “artifacts,” and offers the practitioner another level of discernment that balances intuitive spontaneity with more considered design judgments.

This is a series that I shall enjoy expanding.
Please let me know what you think.
 

Fresh-Full of Youth ~ J A Dixon

Fresh-Full of Youth
combined collage miniature segments
J A Dixon, 11 x 14 inches
 
Purchase this artwork!

Clarissa’s Beetle ~ J A Dixon

Clarissa’s Beetle
combined collage miniature segments
J A Dixon, 11 x 14 inches
 
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Triplet in Blue

Monday, April 14th, 2014

 
Dixon_TripletInBlue

Triplet in Blue
three collage miniatures by J A Dixon
28 x 12.25 inches, framed

(currently on consignment)

For a closer look:
left ~ center ~ right

On collage derivations . . .

Sunday, November 17th, 2013

“I believe that it is better to be receptive to correction than to be satisfied with one’s own imperfection, and to think that one is oh so original!”
— Piet Mondrian

As I mentioned in a welcome statement from over a year ago (and perhaps more recently), I have nothing against digital collage, although I do maintain a bias in favor of conventional (so-called analogue) techniques, especially at this site, but don’t expect me to become “all blogmatic” about the topic, since I have been known to gratefully accept commissions for digital montage and affirm my respect for those who do collage illustration at a high level. The point I want to make today is that, so far, I have not generated much enthusiasm for manipulating or reproducing my “tear and glue” artworks as digital prints or “art merchandise.” Someone recently asked if I sold note-card versions of my miniatures, and I had to admit that “I have never quite gotten around to that.”

There are many reasons, both good and bad, to produce derivations of one’s own work for the marketplace. There are also many reasons, both good and bad, to restrain oneself. I would hope to be open-minded about the subject. Not everyone who enjoys collage can afford to collect originals. In addition, I often get ideas about how to combine separate works into a composite digital design, exploring in the process a distinctive aesthetic resonance that might not be discovered in other ways. I occasionally imagine how one of my miniatures would look as a super-enlargement, or I envision an exhibition of large canvases created from Giclée blow-ups of small works. No doubt, there is an appropriate place for digital technology in the medium, whether on the front- or back-end of the process. The digital image is, of course, the stock in trade of any artist with an active presence on the Interet. That comes with its own set of issues that I plan to cover in my next discussion. Meanwhile, I hope to preserve my emphasis on a traditional methodology and observe how other collage practitioners adopt emerging technology to enhance their fine-art investigations.
 

Microcosmic Moments
compilation of nine miniatures by J A Dixon
proposed digital concept, variable in dimensions

Modular Zowee
composite of collage details by J A Dixon
proposed digital concept, variable in dimensions

Mystery Solved (detail)
super-enlargement of collage detail by J A Dixon
proposed digital concept, variable in dimensions

Mystery Solved (set of four cards)
merchandise with collage details by J A Dixon
proposed digital reproductions, 5.75 x 4.5 inches

Broadband Access
digital montage by J A Dixon
editorial illustration for ACUTA Journal

Quadratic Expression

Tuesday, November 12th, 2013

 
Dixon_QuadraticExpression

Quadratic Expression
4 collage miniatures by J A Dixon
11.25 x 11.25 inches
 
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