Archive for the ‘Exhibitions’ Category

Double or nothing . . .

Friday, August 23rd, 2024

 

Dixon appears again at Art Space Versailles, hopeful that a buyer might be interested in the collage artwork called Renewal.

I scheduled a double event this week and it was a fine way to saddle up and ride a momentum. I was eager to point out that Renewal was on consignment at Art Space Versailles.

The studio piece began with my musing on the cyclic life of trees, which makes sense because I’m endlessly fascinated by them and since I work primarily in papers after all. Most collage artists are scroungers at heart, so I had turned to my stash, searching for potential ingredients. I found more than enough for a 12×12-inch canvas and intuitively assembled a “ground” of these found images. I think that toward the end of the process it had became as much an abstract composition as an interpretation of my thematic idea. I didn’t want it to appear too abstract or purposely surreal, so, at the closing stage, I crafted a literal seedling from individual paper components, more in the representational manner that I use for collage en plein air. I guess one could say that the culminating element pictured the birth of a tree, but, as with all life cycles, who can say when the beginning or ending actually occurs. The art itself is re-purposed paper, a clear ending for a tree, at least until inevitable decomposition takes place, and then another cycle of renewal carries on.

In contrast, the exercise in spontaneity featured below had no preconceived intent and originated as a demo miniature during my exhibition-related workshop at Paul Sawyier Public Library in Frankfort on Tuesday. I refined and completed it last night during the appearance in Versailles as a guest artist. The unfinished piece had been immediately titled by a workshop participant after the primary ingredients were juxtaposed, and I just couldn’t top her suggestion!

It joins countless other artworks that tip the Pop-ist hat to Andy Warhol (Campbell’s Soup) or Ray Johnson (Lucky Strike). But the grandfather of Pop Art was Kurt Schwitters. So much of contemporary collage is, in essence, an homage to the German innovator, and I never tire of working in the Merz tradition that he pioneered a hundred years ago.
 
 

Kick the Can
collage experiment by J A Dixon
7 x 8.5 inches

Wednesday, August 7th, 2024

Tomorrow!

Gallery Talk ~ LITTER-ALLY KENTUCKY ~ John Andrew Dixon

Friday, August 2nd, 2024

My solo show of collage landscapes stays on the road — this time at the Paul Sawyier Public Library in Frankfort. The exhibition lasts through September 23, and I am present for a gallery talk on August 20 at 6pm.

LITTER-ALLY KENTUCKY ~ John Andrew Dixon

Painting the town again. (With paper!)

Sunday, June 30th, 2024

“Yes, I hustle, I hustle to live with the intensity that only maturity can give.”
— Anthony Hopkins
 

The plein air tradition is alive and well in Central Kentucky. My thanks to Arts Connect for an outstanding “Paint the Town” event, with sincere appreciation to juror James Swanson for his recognition of collage as a plein air medium. A 2nd-place prize was quite unexpected, because it was everything I could do to meet their timetable in the extreme heat. All artwork had to be delivered framed and ready for immediate display by the 8am to 2pm deadline.
   

This event is always challenging for me, because I rarely need to paste as fast as I must for such a rigorous pace. Every time I go outside to create a collage landscape, adequate preparation is important, and then I try to be as spontaneous as I can with the materials that I bring. For this annual competition, the chosen scene is carefully scouted. I make more “prepared ingredients” ahead of time. That usually means additional printed-text gel transfers on a range of colored papers. You may have seen how I often include them for facade patterns, foregrounds, and foliage. Dana (my indispensable partner) dug out some of her mid-century carpet thread for my mobile stash, and I used it during the final minutes for utility wires.

The resulting exhibition is at the downtown branch of Lexington Public Library. For as long as it lasts, please view the artworks online to see a strong body of landscapes completed on that hot day. Buy one!

 

Ode to Grain
collage en plein air by J A Dixon
100% / 0% — site to studio
10 x 10 inches + wood frame, crafted by the artist
available for purchase

•  Second Place Prize

Wednesday, May 1st, 2024

My solo show of collage landscapes is back on display — this time at the Eastside Branch of the Lexington Public Library. The exhibition lasts from May 1 to June 30 — Palumbo Drive at Man O War Boulevard.

Believing is seeing . . .

Tuesday, November 21st, 2023

“Accepting the familiar is the enemy of seeing… Seeing takes work and patience and concentration and focus otherwise we are always walking around in a fog only seeing what we think we know but not actually seeing anything at all.”
— Cecil Touchon
 

 
Although I have worked outside at entirely wild places (river palisades, for example), I seem to be drawn more to locations that have been cared for by others. To truly observe a rural setting and interpret it with found paper as a collage landscape, I need to spend hours slowing down my busy mind. I approach a kind of reverence for it as a place of evident stewardship and quiet beauty. It’s a slow-motion form of rapt attention, and I am able to see it as a fusion of natural creation with human affection. LITTER-ALLY KENTUCKY is the result.

 

Her Brother’s Barn
Boyle County, Kentucky
 
collage en plein air by J A Dixon
8 x 9.3125 inches
16 x 20 inches, framed
giclée print available

Now offering collector-quality glicée prints

Friday, November 10th, 2023

The LITTER-ALLY KENTUCKY collection was conceived and funded as a traveling exhibition. While the original body of work is not currently for sale, all sixteen collage landscape artworks are available as affordable frame-worthy glicée reproductions printed on archival stock.

Despite patrons’ asking for them over the years, offering prints is a first for me — other than at note card size. The high standards I was looking for have been met by Fine Art Editions Gallery & Press of Georgetown, Kentucky. Owner John S Hockensmith, well-known photographic artist who fine-tuned an advanced giclée process for his own exacting requirements, has made his exceptional quality available for my work. I’m gratified to be one of a limited number of Kentucky artists with whom he has chosen to collaborate.

Due to the nature of the ingredients and constraints of working en plein air, my originals are typically small. Without loss of detail, these glicée enlargements capture the dimensionality of my collage technique and reveal subtleties of pasted layers and torn text. You can purchase individual prints at 150% enlargement on standard acid-free vellum stock for $275. The entire LITTER-ALLY KENTUCKY group of artworks can be acquired as a collector set printed on Japanese paper and housed in an archival box for $3500; individual works printed on the same handmade paper are available for $295 each.

the LITTER-ally KENTUCKY collection

Monday, October 16th, 2023

 

Thanks for your interest in this collection of plein air landscapes. Each artwork is infused with litter to encourage the care of natural places. Hover over thumbnails to view the availability of originals.
Click to order a premium giclée print.

 
     

     

     

     

       

 

Saturday, October 7th, 2023


 

My solo landscape show: “LITTER-ALLY KENTUCKY”

Sunday, September 24th, 2023

“At some point, the virtuosic construction of these works seems to fade in the mind, leaving in its wake only the images themselves: soft, somber, complicated skies worthy of Turner or Constable; rolling fields that would have attracted Thomas Hart Benton or Grant Wood.”
— Kevin Nance
 

A year after an update here about progress on my grant-supported body of new collage landscapes, I’m pleased to announce that this en plein air artwork will be revealed next month.

 
The exhibition will open on October 5 at the Woodford County Library in downtown Versailles, Kentucky, and continue through November during regular hours. The library will host an opening reception on Sunday, October 8, from 2pm until 4pm. I’ll give a gallery talk Thursday, October 12, at 6pm, and again on Saturday, November 11, at 2pm.

I’ve devoted much creative time and energy to this project over many months. Public funds have provided support and enabled me to bring a higher level of presentation to the most in-depth investigation that I’ve made into representational collage, but the endeavor could not have been possible without the hospitality of those who opened their rural places to my grateful scrutiny. Fortunately, only one person declined to grant permission for me to “paint in papers.” Everyone else was astonishingly trusting and helpful. Of course, they know who they are, and I can’t thank them enough.

The artworks that I created at locations in six Central Kentucky counties are infused with fragments of litter accumulated along local streets and roadways. The concept of using collage art to bring awareness to the ongoing problem of littering was the theme of my application for support during the aftermath of lockdowns. I received a Kentucky Artist Rescue grant from the Kentucky Arts Council with federal funding from the National Endowment for the Arts.

Since I intend to have this show travel around a bit over the coming months, I want to acknowledge the individuals in Woodford County who offered my first opportunity: Karen Kasacavage and Tommy Dennison. Leave it to a pair of helpful librarians to get me out of the starting gate! Because part of my overall effort is to engage both children and adults during the show’s run, this will be an ideal setting to carry an unconventional message about achieving a cleaner environment in the Commonwealth. With this recent body of work, I’ve repurposed the products of our “toss-it” culture as interpretations of specific natural places. My hope is to bring awareness to the role of individuals in reducing consumer waste and to promote a more conscious stewardship of the land that surrounds us.

Each of the 16 artworks (ten verticals and six horizontals) is matted and framed in the “gallery style” within a 16×20-inch proportion. In order to allow a series of showings in different counties, the originals will not be available for purchase at this time. Instead, collector-quality glicée prints of all the landscapes on display will be offered through Fine Art Editions of Georgetown, Kentucky. You are invited to visit the exhibition and attend associated events. I also will have original collage artwork for sale across the street from the library at Art Space Versailles.

As LITTER-ALLY makes its journey around Kentucky, stop back here for more information, new developments, and to dig a bit deeper into my adventure creating collage landscapes en plein air.
 
 

High Bridge Vantage
Garrard County, Kentucky
 
collage en plein air by J A Dixon
10.9375 x 7.9375 inches
20 x 16 inches, framed
giclée print available

A new display rack for the Holiday Market . . .

Thursday, November 24th, 2022


 
 
 
 
 
 
 
 
The “Holiday Market” at Art Center of the Bluegrass is in full swing! Fourteen of my collage miniatures are available and priced for gift giving. I enjoyed designing and making a new rack to display collage art from a few pieces of fine walnut that were kicking around in our box of scrap wood (for what seems like forever).
 

Happy Thanksgiving to everybody!