Capturing an Arcadian Sky

March 25th, 2024

“I have learned to expect nothing of the weather but what it gives us.”
— Rockwell Kent
 

Last September at nearby Arcadia Farm, I fell under the spell of a horizon and stuck with the mood of early-morning clouds for the rest of the session. With the prevailing heat, other members of the PAACK may have been praying for more breeze, but I was grateful for hours of no wind. I wasn’t even using clothespins! I wanted to interpret the viewscape as that huge land grant might’ve looked to the original Shelby family in the 1700s. Although pleased with the result that I took home, I knew I wanted to make studio additions at the base of the artwork before declaring it ready for a signature. And so here we are, March of 2024. As I look ahead to a new season of taking collage outside, it made sense to finally complete the studio refinements on one of my favorite landscapes from 2023.

 

Arcadian Sky
collage en plein air by J A Dixon
11.375 x 7.875 inches
available to collectors

Unprotected Speech

March 22nd, 2024

 
Unprotected Speech by John Andrew Dixon, collage artist from Danville, Kentucky

Unprotected Speech
collage catharsis by J A Dixon
6.75 x 8.875 inches
available to collectors

Dreaming of Wind Harbor

February 27th, 2024

“Nothing happens unless first we dream.”
— Carl Sandburg
 

Today’s featured artwork is a studio collage landscape inspired by a dream and finished from imagination. I believe it was triggered by a combination of time spent outside observing earth, sky, and water, with the natural reservoir of so-called talent cultivated from childhood.

Dream-inspired images are rare creatures for me, but I grab one when it emerges. More often than not, my waking imagination falls short when trying to capture it. Over the years, I’ve had more success in that line coming up with graphic design concepts than I have with artistic impressions. It probably has something to do with how my subconscious responds to an explicit problem-solving setup, in contrast to more undefined visual images (which in my dreams tend to be preposterously complicated and nearly impossible to retain).

As happened when I shared this image elsewhere, I have often received the remark, “You’re so talented.” Many artists have heard this, too, and would relate to my mentioning it. I usually respond by saying something like this: talent alone goes stagnant early on if an individual doesn’t develop it with a life of effort and follow through. I appreciate what these people mean and their sincere intent to praise, but they usually don’t grasp the full picture. A refined trust in intuition is often mistaken for talent, but actual talent is a creation of the Universal Source. Artistic talent, intellectual talent, empathic talent, athletic talent — there is no difference, because we all get our start with some kind of talent as a divine inheritance. For some of us, it might’ve been more obvious (especially if we liked to show off for others). How many “talented” young athletes are age-group champions into later life? How many “talented” young musicians or dancers become professional performers with the respect of their peers? There you have it. Any talent can be lost without the effort and stick-to-it mindset that overcomes challenges and builds effective skills and attitudes. And make no mistake about it — such acquired discipline comes from God, too, so let’s give proper credit and keep working!

 

Wind Harbor
collage on canvas panel by J A Dixon
studio landscape from dream / imagination
14 x 11 inches
available for purchase

Yes, it’s February already.

February 1st, 2024

The worldwide collage phenomenon called Februllage is under way. Although I won’t be taking on the collage-a-day challenge this year, I invite you to take a look at the results of when I challenged myself with several prompts in 2020. As always, I welcome your comments and constructive criticism!
 
 

a dry shoal and “Vacation Merz”

January 31st, 2024

Looking back to when I was in Upper Michigan last year… In addition to making collage landscapes outside, I exploited whatever paper fragments were at hand in the cabin. The result was this experiment in color, form, and counterpoint. Those familiar with the history of collage as a modern art will understand why I think of it as “Vacation Merz.”
 

Untitled (dry shoal)
collage experiment by J A Dixon
9.3125 x 11 inches
available for purchase

Down Side Up

January 8th, 2024

 

Down Side Up
collage catharsis on book cover by J A Dixon
12.5 x 8.75 inches
available for purchase

Gloria in excelsis Deo!

December 25th, 2023

Believing is seeing . . .

November 21st, 2023

“Accepting the familiar is the enemy of seeing… Seeing takes work and patience and concentration and focus otherwise we are always walking around in a fog only seeing what we think we know but not actually seeing anything at all.”
— Cecil Touchon
 

 
Although I have worked outside at entirely wild places (river palisades, for example), I seem to be drawn more to locations that have been cared for by others. To truly observe a rural setting and interpret it with found paper as a collage landscape, I need to spend hours slowing down my busy mind. I approach a kind of reverence for it as a place of evident stewardship and quiet beauty. It’s a slow-motion form of rapt attention, and I am able to see it as a fusion of natural creation with human affection. LITTER-ALLY KENTUCKY is the result.

 

Her Brother’s Barn
Boyle County, Kentucky
 
collage en plein air by J A Dixon
8 x 9.3125 inches
16 x 20 inches, framed
giclée print available

Now offering collector-quality glicée prints

November 10th, 2023

The LITTER-ALLY KENTUCKY collection was conceived and funded as a traveling exhibition. While the original body of work is not currently for sale, all sixteen collage landscape artworks are available as affordable frame-worthy glicée reproductions printed on archival stock.

Despite patrons’ asking for them over the years, offering prints is a first for me — other than at note card size. The high standards I was looking for have been met by Fine Art Editions Gallery & Press of Georgetown, Kentucky. Owner John S Hockensmith, well-known photographic artist who fine-tuned an advanced giclée process for his own exacting requirements, has made his exceptional quality available for my work. I’m gratified to be one of a limited number of Kentucky artists with whom he has chosen to collaborate.

Due to the nature of the ingredients and constraints of working en plein air, my originals are typically small. Without loss of detail, these glicée enlargements capture the dimensionality of my collage technique and reveal subtleties of pasted layers and torn text. You can purchase individual prints at 150% enlargement on standard acid-free vellum stock for $275. The entire LITTER-ALLY KENTUCKY group of artworks can be acquired as a collector set printed on Japanese paper and housed in an archival box for $3500; individual works printed on the same handmade paper are available for $295 each.

the LITTER-ALLY KENTUCKY collection

October 16th, 2023

 

Thank you for your interest in my new collection of landscapes. This original collage artwork is infused with litter to promote stewardship of natural places. Premium giclée prints are available.

 
   

   

   

   

   

October 7th, 2023