In this article, a blogger has come closer to describing one of my March exercises than I have been able to do. He explains that “batching requires more work than not batching. This is why, I now understand, most people are quick to abandon their good-natured attempts to enforce more focus in their day: once it becomes non-obvious how to continue, they toss the goal.” His account of a single day spent with total focus is a better illustration of self-imposed intensity than I ever could put down in this log. Of course, this kind of regimen is not the only exercise that constitutes the ritualized month of March, but it captures something that I never found a way to successfully describe. I should also point out that I find this to be a short-term aid to the reinforcement of more realistic ongoing practices. All hail the mighty ones who can sustain this level of concentration!
Archive for the ‘Words’ Category
Not the only one
Thursday, June 2nd, 20112003 – 2011
Thursday, May 5th, 2011Brendan concluded his micro-fiction project on Tuesday, after nearly eight years of creative ritual. Some new gigs are certain to fill the vacuum as he enters his fourth decade, and I expect to enjoy the product just as much. Anacrusis has been my Thunderbird home page for a long time. 
I don’t expect that to change at this point, but I’ll miss that daily curiosity until I finally get used to it, and yet I fully understand and appreciate his desire for resolution. Except for the rare Fred Rogers or Charles Schultz, few things are forever, and an artist really doesn’t need to explain each transition. Nevertheless, I appreciate the epilogue and accept his word of thanks. As for any debt, I’d say we’re more than even, after so many smiles, throat lumps, and catalytic jolts to my hair-trigger imagination. It’s an awesome body of work worthy of pride, NB, and I don’t doubt that others will be mining it for ideas well into the future. Good luck!
Shoot, Munch, Quaff
Tuesday, March 22nd, 2011
One of the highlights of each year has become my participation in the traditional British Single-Shot Sporting Rifle Match held at Simpson Range. In the busy lead-up to this annual event, I clearly lost interest in a daily log entry for the March Exercise, so now I’ll just focus on applying for the rest of the month my regimen for self discovery, putting aside the blogging ritual. The combination of friendship, hospitality, competition, precision activity, history, fine food, and the joy of life make for a unique weekend that holds a place in my heart to rival September in the Les Cheneaux and our quarterly Clan gatherings. I am a privileged man to have gained access to touchstones of authenticity such as these. John O’Donohue said that “the duty of privilege is absolute integrity.” There’s my food for today’s thought.
My Cheese Moved
Monday, March 7th, 2011
March Exercise —day seven— During the worst of our deep sadness, as I stepped back from a chasm of self-pity, I reached out to my brother, James. He listened, assessed, and loaned me a copy of a tiny book with an odd title: Who Moved My Cheese? The message is simple, but not simplistic, and its thought-provoking theme makes me think more about the true nature of change in our lives. It takes me back to a time when radical change was the norm, and I considered it my friend. One of my greatest blessings is knowing my brothers have my back, and no one has it more than my first best friend. I like what his daughter Rita said about him not that long ago: “The thing I admire most in anyone is my dad’s ability to weigh any situation and give the most level headed advice and explanations in an inspirational way—whether we are talking running, work, school, life, family, friendships—even love!”
Today’s sight bite— Pink-gold striations stacked on a slate-cold horizon —c-l-i-c-k— with Abe’s immortal address cast below as silver letterforms against a field of black.
Tomorrow— Find the cadence and crank harder . . .
Eulogy for Bruce Joel Willoughby
Saturday, January 8th, 2011Bruce liked animals, games, martial arts, music, entertainment, and public policy, but he was first and foremost a voracious reader — went cover to cover through the Holy Bible at the age of nine, and figured he had read through it again at least ten more times. Beginning as a child, he consumed three to five books a week through much of his life. It was only natural that he would devote himself to writing. Keeping in mind his great love for dogs, here is something penned by his alter ego, Elbo C. Buckminster:
“I agree with whiners, of the last few generations at least, that life is a bitch. But I’m not whining when I say it. Maybe the first person to utter that phrase was misunderstood, maybe wasn’t whining either, maybe, as I, realized that the spark of physical in this plane is protected by Nature, the bitch-goddess, sharp-toothed and warm-teated. And, like any bitch, when her offspring are threatened, Nature doesn’t retreat. She bare her teeth, she threatens, she snarls — and she bites. She won’t give up, no matter how overmatched, until the threat leaves or until she is torn to bloody shreds. So count on Life, your bitch-mother, for she’ll not abandon you easily. But respect her. If you misbehave, she may snap your little puppy head off.”
As most of you know, Bruce lost his solitary kidney in his mid 20s and spent 71 months on hemodialysis before gaining a transplanted organ, which would serve him for eight years, until he lost it while battling the devastating inflammation of his pancreas that left him gravely ill, hospitalized, and clinging to life for nearly a year, during much of which he could take no food or water by mouth. By his own account, “I died a few times — three or four, I don’t know — and at least once they were ready to call the time of my death, but one of the ICU nurses refused to give up on me; I guess she felt I still has some fight in me, and she was right.”
Indeed. When he was finally released to tenuous home care, we were told that he was only the second patient in the 100-plus-year history of that Indianapolis medical center to survive such a severe pancreatic hemorrhage. We never learned anything about that other person, but we came to know a Kentucky man named Nathaniel who defied similar odds at UK Medical Center well below one percent, and he helped us preserve hope during Bruce’s darkest days. That was 2005. But even more significant to us than Nathaniel’s kindness — and, of course, the support and encouragement of so many friends and family — was Bruce’s own valiant, grinding effort to meet daily challenges more daunting than it seemed any human being should have to face.
Later (this was 2006, April), to a standing-room-only group of us who met on Sundays to share silence, in perhaps the most awesome extemporaneous public commentary I’ve heard — one of those powerfully unique, you-had-to-be-there moments — Bruce told us that he made it through those grueling months by virtue of what might be understood, as he put it, “lying fallow,” a spontaneous, involuntary suppression of normal cognitive and emotional activity, and I have no reason to doubt it, since he retained only a partial memory of the ordeal. There were times he was so fragile that the doctors could give him no pain medication, even after major surgery. Dana and I will always remember that during the worst of his pain, he told us that he was able to endure it by reminding himself that Christ had suffered even more. Any faith in the future we managed to keep was inspired by this, Bruce’s own profound inner focus and his refusal to quit. Bruce wrote:
“Perhaps this is what Jesus meant when he said, ‘if you but had the faith of a mustard seed’—not belief, but faith. Faith doesn’t require belief, but a deeper knowledge, an intuitive awareness of possibility, even a denial of reality. Faith flies in the face of truth. So while I feel in my bones the existence of a being we, in our ignorance, call God, and the existence of an energy level beyond this lowly one of rock, flesh, and death, I refuse to qualify, quantify, or classify it, because to do so takes me further from the truth, not nearer.”
At long last, he was discharged to confront what he knew to be a difficult three-to-five-year recovery at best, with more surgeries and a relentless cycle of dialysis. Family and friends— that was five years ago. In fact, he went home after that first long hospitalization on Christmas Eve, and that was exactly five years ago this past Christmas Eve. Bruce had completed that journey of recovery, had made a transition, with his mother’s help, to a new, less debilitating method of in-home care, and was optimistic about his chances for another transplant, with a return to school to fulfill his original goal of becoming an English teacher. And then, after all that, the earthly saga of Bruce Joel Willoughby came to a close — when his soul abruptly flew from a physical organism compromised by so many years of precarious health.
We are here to comfort each other in sorrow, but more importantly, to celebrate Bruce’s life, to be inspired by it, as I have been, and to accept that some things can never be understood on this side of the curtain. It brings us once again to the words of Cockburn, who Bruce admired most as a musician and songwriter (and it went well beyond their sharing the name of Bruce):
An elegant song won’t hold up long
When the palace falls and the parlor’s gone.
We all must leave, but it’s not the end.
We’ll meet again at the festival of friends.Smiles and laughter and pleasant times—
There’s love in the world, but it’s hard to find.
I’m so glad I found you; I’d just like to extend
An invitation to the festival of friends.Some of us live and some of us die.
Someday God’s going to tell us why.
Open your heart and grow with what life sends.
That’s your ticket to the festival of friends.Like an imitation of a good thing past,
These days of darkness surely will not last.
Jesus was here, and he’s coming again
To lead us to his festival of friends.
Bruce was troubled in body, but strong in spirit. One didn’t have the sense that he was in decline, but quietly fighting toward a crest, ever determined, never in retreat, but slowly gaining ground, inch-by-inch against insurmountable odds. Always the chess player, he would find a way to extend the end game one more move, one more cunning evasion against near-certain checkmate, yet unafraid of passing, if a stalemate was declared. I doubt if there was anyone except his mother who really understood how hard he tried, including me, but I never lost sight of how incredibly remarkable he was among everyone I’ve ever known. There were times when it seemed he held intact his presence here by sheer force of will. For me, he always will be the true “Impossible Missions Force of Nature.”
It is fitting that we close with Bruce’s re-creation of his summation from those memorable words he delivered in April of 2006, which he titled, “HAH! MISSED ME AGAIN.”
“I leave you with this thought: If you have unfinished business in your life, get to it. Be it mending relationships, expressing yourself creatively, getting involved in community service, going for your dream job, returning to school, or losing weight — get to it. You may not be rewarded with a better economic life, or a longer life, or a happier life, but I guarantee you will be rewarded with a worthwhile life, a satisfactory life, whether it end tomorrow or ninety years hence.”
Various & Sundry, part eighty-five
Thursday, December 30th, 2010I do not write regularly in my journal… I see no reason why I should. I see no reason why any one should have the slightest sense of duty in such a matter.
—Occupant of The Hall Bedroom
— Year of 2010 workout totals: Swim-35; Bike-40; Powerwalk-3; Run-0; Lift-0; Pilates-0; Lupus Drills-0
— There is no good justification for having any of these annual numbers come in under 48. I managed to preserve some level of basic fitness this year, thanks only to continued pool access and my fondness for being on a bicycle, but I can’t kid myself—if I don’t reverse this slow decline in vigorous activity, I shall pay a price over time, and it will be a price I can’t afford. My hope for 2011: a new momentum of exercise that will result in a more balanced routine, with 7-10 pounds of weight loss by my birthday.
— The best exhibitions I’ve experienced this year? The ones that occur to me now are the Surrealism show at the Cincinnati Art Museum, the California Impressionists show at the Dayton Art Institute, and the Collage show at Northern Kentucky University. I shall not soon forget seeing my first original Schwitters collage or Cornell box. I am challenged to learn more about Louise Nevelson, Hannah Höch, Alfred Mitchell, William Wendt, Percy Gray, Matthew Rose, David Wallace, Cecil Touchon Janet Jones, Dennis Parlante, and Stephanie Dalton Cowan.
— One of these days I’ll start to fully comprehend what mobile technologies portend for my creative work style. Believe it or not, I still don’t know what to make of these changes in communications. They seem to be touching everything, even my annual experience at Barefoot’s Resort. Being able to have a MacBook Pro and access to a wireless broadband connection changes everything about staying on top of project priorities while out of the studio. Bullets showed me his Kindle and I liked it. I didn’t expect to. Everybody around me seems to have an iPhone. How can I stay abreast? How can I hope to remain a communication designer amid all these transformations?
— Dana’s blunder with the non-existent gas line sent me into a bit of a tailspin, until I realized that tearing apart my work space in the basement would probably result in a better situation after the dust settled. Lesson: disruptions can be opportunities. I need to embrace change more, as I used to do. Look at how Dana has taken on a new discipline with Bruce’s in-home dialysis. We all tend to make room for what we consider the most important things, and that includes procrastination.
— Very well . . . here I am at the close of another year. I can’t change a single thing about the past. In hindsight, the preceding weeks look like some type of malaise. Not that there haven’t been a few highlights, such as the Safariland Doe with my solo harvest at Blue Bank Farm, or the recent push to restore our conference room, but overall it has been a dismal quarter. Enough with the negative. I have the new-year opportunity to shake off the “humbug” and get it together. There’s always the historically strong motivator of Resolutions, to reboot my priorities and catalyze a new momentum that would carry me toward my 60th birthday in 16 months. Time to plot a systematic, gradient escalation to full engagement— physically and mentally —to balance professional, financial, and artistic activity. Reclaim it!
Oldenday XIII
Friday, August 27th, 2010Teachers and school boards should embrace comic books and graphic novels as a “gateway” literature, helping children transition towards more complex narratives and helping boys catch up with girls in reading achievement, according to a new study.
—Giuseppe Valiante, Postmedia News
I was thinking it might be about time to add another entry about “The Legend” to this neglected series, but then Joan passed along a link from the Vancouver Sun that forced me to ask a question: Were comics a key aspect of my own progress toward literacy?
It’s gettin’ kinda hazy, but I recall being heavily into the Hardy Boys as a pre-teen, and comic books were a treat, like the Saturday morning “Treasure Chest.” (Remember Chuck White, or This Godless Communism?“) As readers, we used to add little summary cards to our handmade “books pocket” —until junior high years and the move to Tipp City, and then the comics craze struck with a vengeance. We even managed to scrounge funds for subscriptions! (Jimmy Olsen? What were we thinking?) I recall few youthful activities as pleasurable as absconding with an “80-Page Giant” of Bob Kane Batman stories after school (on a day that I’d made a midday trip to “Jointer’s” lunch counter). DC reigned supreme, but we still liked Casper, Wendy, and Hot Stuff, too. We couldn’t get our fill, so we hunkered down with Superman whenever we made a visit to Pam and Lottie’s. “Superman Red and Superman Blue” was the pinnacle experience. Sadly, for me, everything was downhill from there. And when someone let that litter of kittens make a stink of our comics box, the era came to a ignominious close. I moved on to Edgar Rice Burroughs, Jules Verne, and Raphael Sabatini.
Should I be marked down as a statistic?
Inestimable vacuum
Tuesday, March 23rd, 2010March Exercise V —day twenty-three— Sometimes a book will accidentally get shoved behind the others on a shelf, and that’s what happened to my copy of “High Performance Health” by John Yiamouyiannis. Thinking it was long lost, I discovered it was only hidden. After a bit of skimming, it didn’t take me much time to remember that he’d outlined one of the best, most practical anti-cancer regimens I’d ever read. Ironically, “Dr. Y” died of cancer in 2000, and he was about my age. I’d lost touch with him in the 90s and, needless to say, I was stunned at the news of his demise. I can only conclude that he became so tirelessly devoted to his crusade that he neglected his own program. The other possibility is that he was covertly murdered, which wouldn’t be impossible for me to comprehend, given the powerful enemies he made over decades of bitter lawsuits and uncompromising activism. I can’t help but wonder what he’d think of the sweeping federal legislation just signed.
Today’s sight bite— The initial shock of the garish turf —c-l-i-c-k— as I first set my eyes on Centre’s all-synthetic football surface.
Previously on M-Ex— The Muse comes through for me. (3/23/06)
Tomorrow— Local cyclists gather for a group ride…
Idea grinders
Thursday, March 4th, 2010March Exercise V —day four— Sometimes I think that on any given day, there is one primary lesson that the universe is trying to drive home with me. At breakfast I was flipping through Twyla Tharp’s The Creative Habit, searching for her discussion about generating ideas. She explains her adherence to “the unshakable rule that you don’t have a really good idea until you combine two little ideas,” and goes on to say, “That is why you scratch for little ideas. Without the little ideas, there are no big ideas.” Later, during our typical tray lunch watching Charlie Rose, General David Patraeus said, “I wish that great ideas dropped from a tree like Newton’s apple, but it doesn’t work that way for me. We have to bang around a lot of small ideas to come up with the big idea.” So there you have it. It’s all about the grind.
Today’s sight bite— The dark-suited undertaker carefully placing a quilt on the rear seat —c-l-i-c-k— as a chill wind gusts from out of the north.
Previously on M-Ex— I am unexpectedly “in the pit” as Bruce regains some of his equilibrium. (3/4/09)
Tomorrow— A celebration for Grammo…
A Visual Journey — chapter the fifth
Saturday, February 27th, 2010If my misaligned eyes had been straight and looked at the same object, then neurons carrying information from each eye would have delivered the same input to binocular neurons in my visual cortex. Since my eyes were not straight and saw different things, the binocular neurons in my brain received conflicting input. This situation set up a competition between my two eyes, and for each neuron, one or the other eye won out. Each neuron in my brain now responded to input from only one eye. My brain was wired in a way that prevented sterovision. While reading in college about “critical periods” in vision development, I had to conclude that it was too late for my vision to change. Yet, much more recent scientific research indicates that the adult brain may be more “plastic,” or capable of rewiring, than previously realized.
— Susan R. Barry, Fixing my Gaze
I went to the eye center early, before my fifth therapy session, to have a prism film applied to the right lens of my glasses. The prism corrects the misalignment to a limited degree, so I still must make an effort to fuse the double vision on my own. It’s a crutch of sorts, bringing images into a zone that deters my ingrained tendency to suppress the vision in one eye. Because of this, things usually look chaotic when I put on these glasses because they force my perceptions to deal with the lack of fusion. During therapy we had a bit of a breakthrough when Mary Ellen at last identified the precise configuration of prisms that seemed to provide for me vision that was fully singular. Pow. Suddenly I had a non-jumbled picture before me, without regard to head position or directional glance. But as appealing as that sounds, wearing this configuration of corrective lenses would do nothing to reverse the underlying brain-eye disorder. So the emphasis remains on integrated therapy, including a new pattern of exercises I do with a metronome. When I tried my first metronome task, I thought, “I don’t think I’ll ever be able to do this.” I kept at it, and when I noticed the first shade of progress, I experienced a startling shift in mindset— “I’m wrong. This is possible. For too long I’ve told myself that I can’t do things.” This awareness has now become the standard when a new exercise seems difficult. I don’t trust that initial feeling of insurmountability. Instead, I begin to anticipate some indication of partial success, and then I accept that daily practice will turn the tide. In other cases, the exercises have seemed too easy. I’ve learned to tell myself that there must be various kinds of neuron activity necessary to the overall brain rewiring. Easy or hard probably has nothing to do with it. At the sixth session, the “breakthrough” prism-set didn’t work at first, but then everything sort of snapped into place after a delay. I had noticed this phenomenon before when using the “crutch glasses.” Clearly there is more to this than getting a new pair of spectacles. It’s more like acquiring a new wiring diagram for my gray matter, synapse by synapse.
A Visual Journey — chapter the fourth
Saturday, February 6th, 2010When I undertook optometric vision therapy at age forty-eight, I could see the misalign-and-suppress mechanism at work in my own visual system. With therapy procedures, I learned to bring the images from both eyes into consciousness and could therefore discover where my two eyes were aiming. Throughout life, an unconscious action had moved the image from one eye out of alignment, making it easier for me to discount the image from the nonfixating eye.
— Susan R. Barry, Fixing my Gaze
Yesterday I had my third session with Mary Ellen, the therapist selected to work with me on a program of weekly eye exercises. The disciplines are both challenging and tiring. Let me explain that. They are difficult because they necessitate a kind of exertion unlike physical or mental effort. Nevertheless, it does involve muscle and brain activity, which is tiring, but the kind of fatigue that results is unlike anything I’ve known—a dull pressure in the middle of my head. I don’t feel exhausted, but noticeably depleted in a way I can’t put my finger on. So far, any progress I’ve noticed has made me even more aware of the dysfunction. In other words, the double vision is more obvious at times because I’m training myself not to suppress the vision in one eye to accommodate the misalignment. Does that make sense? It’s frustrating and stressful to have my vision more chaotic, but I understand the need to strengthen my singular vision in each eye before I develop an improvement in its ability to “team.” This will require more fusion exercises that rely on 3D glasses. I also have to do daily patching for individual-eye isolation work. It’s probably best that I avoid “overthinking” all of it and concentrate on applying myself to the assignments. I don’t know what I’d feel if I didn’t have confidence in the benefits of the process.
A Visual Journey — chapter the third
Thursday, January 21st, 2010Our conventional and limited view of adult neuronal plasticity derives in part from the specific ways that scientists and physicians have designed laboratory experiments and clinical therapies. We cannot understand neuronal plasticity by studying brain circuits in isolation from the whole person. Only by considering a person’s adaptations and response to her condition can we really explore the amazing plasticity of the human brain to rewire itself throughout life in order to recover from injury, learn new skills, improve perception, and even gain new qualia.
— Susan R. Barry, Fixing my Gaze
Susan Barry’s book is certainly not for everyone, but like many works that explain a long misunderstood aspect of human health, reading it has been invaluable to someone who must personally face the unknown, accept a daunting challenge, and believe that one’s own body has the capacity to respond positively to a holistic, self-corrective discipline. I’m thankful that the book was recommended and glad that I read it before undergoing my first therapy session tomorrow morning at the Vision and Learning Center. I feel fully committed and as prepared as possible for 30 weeks of treatment. I’ve placed my confidence in people who might be dismissed as charlatans by some medical specialists, but that’s nothing new for me. I even heard a top expert on the Charlie Rose Brain Series recently insist that there is a “critical period” during childhood that governs the development of visual perception, which makes it impossible to correct some eye disorders later in life, a misinterpretation of research that Barry says has been long discredited by scientists and vision therapists. Well, I’m about to conduct my own experiment, under the guidance of individuals I consider to be knowledgeable, trustworthy professionals, and I’m eager to get started. Enough preliminaries! I’m fortunate to have the Center within a reasonable driving distance. Sure, I wish it wasn’t so dang expensive, but isn’t that why The Guy in the Sky grew plenty of oak trees on my knobs? Onward…
A Visual Journey — chapter the second
Wednesday, January 13th, 2010A strabismic’s eyes are not aimed at the same point in space. The difference between the left- and right-eye views is too great for the brain to combine the images into a single picture. A person with non-aligned eyes is confronted with a serious perceptual problem; she must somehow create a single, coherent worldview from conflicting input from the two eyes. To solve this problem, many strabismics suppress the information from one eye and look through the other. Some always use the same eye, while others continually switch between the two eyes, but in either case, they may never see normally through the two eyes together. As a result, most strabismics have reduced or absent stereovision.
— Susan R. Barry, Fixing my Gaze
Spending time with the View-Master as a child was a deeply moving experience. But, after all, it was just a toy, and I was embarrassed enough about my strong emotional responses that I kept them to myself. I recall being so affected by the Flash Gordon reel that knowing there was a finite limit of images nearly brought me to tears. What was it about seeing those 3D impressions that was so profound? Was it because my natural depth perception was already deficient or in decline? I knew I wasn’t very good at hitting or catching a ball. Did I simply lack an athletic reflex, or could it have had more to do with an inability to place objects in space, a known characteristic of monocular vision? How flat has my world been all along?
Yesterday I went to the Vision and Learning Center for a battery of diagnostics that measured and benchmarked the current state of the eye disorder. I’m starting to get more comfortable with phrases like a) Vertical Strabismus (eyeballs out of alignment), b) Oculomotor Pursuits (something to do with how cognitive function enables the eye to move smoothly), and c) Binocular Fusional Disfunction (inability of brain neurons to coordinate dual-eye vision). Actually, it’s wrong to think of it as an eye problem. A “brain glitch” is probably a more accurate way to understand it. Some of the tests seemed ridiculously easy, while others were very difficult and exhausting for me to perform. At the end of my session came a discussion about the details of therapy, timetable, and costs. Once-a-week sessions at the Center for 30 consecutive weeks, plus daily home practice, 30 minutes minimum. For some reason, I wasn’t expecting such a long program, and the sticker price knocked me for a loop. I left with doubts about whether I could take on the economic commitment, even though I knew I had enough discipline to make the approach work. Dana and I had a long discussion. We kept arriving at the same conclusion: I simply had to get this fixed, and somehow we would manage our finances to pay for it out of pocket.
A Visual Journey — chapter the first
Saturday, January 9th, 2010I’ve made entries before that allude to my progressive vision problem, but I’ve only now decided to formally record some of my experiences during this new year, when I undertake a therapeutic course of action. While learning about this disorder—a form of misalignment generally known as strabismus—I may need to correct some of the information conveyed, as I gain greater or more specific knowledge. At first, I recall noticing an odd head position and disturbing look in my eyes when I closely examined photos of myself. Initially I could dismiss it as an aberration, or comfortably deny that anything meaningful was indicated. Eventually, I came to accept it as my “pirate eye,” and began to avoid looking at others with a leftward glance, which seemed to bring the misalignment into play. Joan mentioned her optometrist to me, but I wasn’t prepared to seriously tackle the situation. By and by, more realizations that the condition was getting worse convinced me I could no longer put off the idea of professional intervention. Dr. Graebe turned out to be a highly capable diagnostician and engaging clinician. He said that I had already lost 60% of my depth perception, with a deficient ability to process uncoordinated binocular movements. Every symptom I described seemed to just reinforce the obvious for him, and I was mildly surprised that I didn’t have some unique or difficult to define condition. And so he prescribed “vision therapy,” based on the awareness that my root problem is not muscular, but involves the brain’s ability to make sense of neurological input from two organs—our source of three-dimensional vision. In addition to setting up an appointment with the Vision and Learning Center, he urged me to read Susan Barry’s Fixing My Gaze. I’m sure it’s not unusual for a person with a health challenge to discover that his or her malady has been ably explained by an author who has faced the same situation in life. Although I still don’t understand the full implications of taking on the discipline of vision therapy, starting the book has triggered numerous memories and personal observations about my sensory experiences since childhood. Dr. G had been particularly struck by my statement that I knew from an early age I was a two-dimensional thinker, preferring the flat surface over volumetric or architectural forms. It caused me to think about whether I have ever possessed “normal” depth perception. For the longest time, foreshortening has bedeviled me as an artist. I’ve always been a slow reader, never been a good driver, nor been favorably inclined to certain eye-hand motor skills, even though it’s clear I had a natural manual dexterity from the beginning. As a marksman, I excel at single-eye target shooting, but ask me to hit something on the move with a shotgun and the results prove embarrassing. 
Saddest of all is when I realized that the awe of star-gazing had slipped away, as my ability to perceive the dimensionality of the night heavens declined. The optimistic hope for improvement, given the functional plasticity of brain neurons, is emphasized by both Susan Barry, Dr. G., and Debra (my therapist). I accept that, in spite of having no comprehension of the difficulties that lie ahead, or how “one must learn to align the eyes and fuse their images, while unlearning the unconscious habit of suppressing vision, which has been occurring perhaps for decades,” or how therapy “requires high motivation and self-awareness, as well as enormous perseverance, practice, and determination.”
We shall see…
Various & Sundry, part eighty-four
Thursday, December 31st, 2009— Year of 2009 workout totals: Swim-43; Bike-38; Run-1; Lift-3; Pilates-16; Lupus Drill-3
— Back spasms and muscle injuries shut down my gym time early in the year, and I never could recapture the momentum. Eventually had to curtail the Pilates work, too, but assigned myself an improved swimming and cycling pattern. Running played no part in the annual effort. My new hope is that 2010 will take on a more balanced character, otherwise my long-held exercise habit could turn into a flab-it.
— An even more regular fitness regimen is on my list of New Year’s resolutions. I also need to:
• Partake of the great writers—
Conrad, Hugo, Dickens, plus more Hemingway, Kipling, Tolstoy
• Gain new levels of skill with hand, eye, and mind—
Brush Stroke, Graver Line, Digital Effect, Options Trade, Chess Move
• Spend more time in the knobs with Marty
• Take Dana to the west coast — somehow . . .
— Another year has passed, and it is ever gratifying to create things which satisfy one’s own artistic urge, while promoting commercial activity that helps provide abundance and livelihoods to others. But, as always, it is never pleasant to continually justify the role of the design professional in an environment of declining visual literacy, where everyone can stand their uninformed, subjective ground to affirm the inappropriate, or declare that mediocrity is “good enough.”
— An unexpected viral assault has threatened my long-anticipated year-end participation in Louisville, but a counter-barrage of immune system boosters is under way, and, so far, I successfully made it to the city intact for the wonderful rehearsal dinner last night. The final day of the year is a bedridden affair, with fifteen back-to-back Twilight Zone episodes to suitably infuse the atmosphere with surreality.
To Caitlan and Kyle— Happy New Year!
De jure belli ac pacis
Tuesday, December 8th, 2009I was disappointed to discover that my copy of War and Peace is “edited for the modern reader.” Should have realized it much sooner, since it’s “only” 741 pages long. Nevertheless, I’m feasting on the translation with immense pleasure, while at the same time skimming General Armand de Caulaincourt’s memoir, With Napoleon in Russia. I don’t know why I dart around like this, just when I was beginning to take a new interest in the American Revolution. Perhaps this will bring me around again to our second war with Great Britain, or a fresh look at Tecumseh. 1812 was certainly a landmark year, and right at the heart of my favorite period in our national story. I shall never exhaust my curiosity with this era. But here’s the real question— How can I turn my attention away from the works of Tolstoy? He understood, as Shakespeare did, just about everything there was to know about anything.
Team approach
Saturday, November 7th, 2009I’ve come to the end of a outstanding week that began last Friday when I headed to Monterey for my fifth workshop with Wesley Bates. I didn’t pitch a tent this year, but had the familiar loft at Larkspur Press to myself each night. The opportunity to concentrate on wood engraving for three days in that extraordinary environment made sleeping on a wood floor seem like the ultimate in accommodations. I continue to learn more about the art form with every retreat, and I now face the breakthrough act of finally acquiring my own set of customized tools, so I can maintain a year-round practice to replace my once-a-year introductory learning curve. On Saturday night, Wes, Juanita, Leslie, and I drove over to Hanna’s “house concert” by Kraig Kenning, at the home Prajna Design created for her (builder Garry Murphy was there, and I chatted with him). I’m prepared to say that Kenning is the best steel guitar performer that I’ve heard live (and I once watched David Lindley tape a Soundstage concert with Jackson Browne in Chicago). An enjoyable nightcap with Wes extended deep into the night as both of us discovered that we have even more in common as creative professionals. It was nice this time around to balance social enjoyment with lots of one-on-one time with Wes.
The subject of my block was a pair of handsome mules that worked the Realm of Greystone when James brought in low-tech loggers after the ice storm of 1994. I managed to get some decent slides while they were in the Valley—undoubtedly the last high-level transparencies I may ever take. It wasn’t a bad note on which to end my slide-shooting era. I’ve always wanted to begin exploiting those images for my art, and so I selected a shot of two mules with the tobacco barn in the background (a suitable tribute to the recently fallen landmark). My goal was to chose a style that would enable me to complete the block and print it within the weekend constraint, and that meant consulting with Wes about how to use an approach that didn’t rely on time-intensive technique (the path I found myself on last year, resulting in a missed deadline). I may not ultimately like “Logger’s Team” as much as my 2008 print, but I learned much about the medium, with a big step closer to understanding the elegantly minimal line quality that Bates has truly mastered.
Last night I headed north again with Dana and Joan for Richard’s First Friday event in Old Frankfort. Wesley’s wife, Juanita Wilkins, performed and Richard read poems from his new volume about Abraham Lincoln (commissioned for the bicentennial observation). Everything about the evening was splendid, and there was a magical moment when the unknown “Harmonica Man” appeared from nowhere with his “harp belt” to jam with Juanita. I’ve been so fortunate to hear her a number of times now, and she never sounded better to me than last night; nor had she conversed with her audience so impressively or in such a personally revealing way. Absolutely wonderful…
Eating a novel Dadbo style . . .
Wednesday, September 2nd, 2009I took more than a mild interest after learning Wes was a dedicated reader of Cormac McCarthy, but didn’t act on it until Bruce brought home The Crossing from Half Priced Books. Lordy. Haven’t let this kind of undertow take me down since I read everything I could get my hands on by Paul Watkins. Hollywood’s fixation aside, the man can flat out write.
Your houses . . .
Monday, August 17th, 2009Help me into some house, Benvolio,
Or I shall faint. A plague o’ both your houses!
They have made worms’ meat of me: I have it,
And soundly too. Your houses!—MERCUTIO, Romeo and Juliet: Act 3, Scene 1
If the president was the “real deal,” he would forcefully declare that it is dead wrong for members of Congress to characterize those opposed to his health care reforms as un-American, just as it was dead wrong to have claimed that anti-Bush protesters were unpatriotic in their objections to the war in Iraq. Thus, he would likely mitigate his declining popularity, but he seems more interested in his relationship with the House Left. Presumably, he won’t invite anyone to portray him as a critic of Democrat leaders. He must be worried about their prospects in next year’s mid-term elections, but, ironically, his allowing them to blunder forward unchecked is precisely what will lose seats for his party.
. . . and now this story can be told.
Tuesday, August 11th, 2009
“There is no substantial difference by which we can attribute a higher aesthetic value to one choice or the other. Our preference is a question of a personal, irrepressible urge.”
—Leo Lionni
D a n n y D
at a recording studio
somewhere in Lexington
After years of friendship built on untold hours of front porch discourse and coffee shop dialectic, Danny and I finally had the opportunity to work together on a creative project before his family’s chapter in Danville came to an end with the sale of their nearby house on West Broadway. However, it would be beneficial to back up and start my account at a more logical beginning:
The story begins at a typical sighting of our familiar Graybeard Prospector—a Chamber-sponsored networking event hosted by a newly organized bank. My pal David was in a conversation with the president of the bank when they looked my way and motioned me to join them. Within a few moments I was one of the first to learn about the imminent signing of a one-year endorsement contract with local football hero Jacob T, who had completed his NFL rookie year with the Colts after an accolade-studded career at UK. I gathered my wits as the short briefing came to a head. “We have to get a year’s worth of photographs and radio spots before he goes into training camp.”
A question flashed internally. “How would a true Ad Man reply?” With his stainless steel gaze fixed to observe my response, an imaginary Donald Draper was standing off to one side, a deftly balanced Lucky in hand. I heard myself say, “If I understand correctly, you need creative direction, and you need it fast.”
Before the impact registered, the project was in my lap and the countdown to Jacob’s departure had begun. The photo part almost felt easy. I had a solid list of pros in my head and the first one took the assignment when contacted. In a matter of days we were shooting Jacob at a personal appearance. On the other hand, it had been over a decade since Dana and I had produced any radio advertising. I felt rusty. Audio technology had moved to desktop digital since then, and there were other important factors, too. I knew the default setting would be to handle this at the hometown radio station, and my gut told me that I had to find a way to pull this into a slicker technical environment. I was confident our print advertising would look first-rate, but to stand apart on the radio would be a different kind of challenge.
The last thing I wanted was to generate “more of the same” junk so typical of local radio. If at all possible, I hoped to accomplish two things: a) create scripts that would promote the bank with words that rang true for Jacob’s personality, and b) grab the listener’s attention with music at the same level of production quality that motivated them to listen to the radio in the first place. Anything less might simply be brushed off as “some bank paying Jacob to read stuff on the air.” It made sense for me to consult someone who knew more than I did about this sort of thing. I needed to talk it over with Danny.
When I delicately raised these issues with him at the Hub one evening over a tall “haf-caf,” his response astonished me. Literally poking me in the shoulder, he mentally grabbed hold of my ideas and offered to write some music with lyrics that would help carry the campaign I envisioned. He gave me so much good advice that retaining barely a third of it enabled me to get a green light from the bank to book a recording studio and capture Danny’s work. He seemed delighted to do this favor for me, given the fact that he’d watched Jacob grow up and had a high regard for his family. I couldn’t believe my good fortune. Danny said all he wanted was to have the bank guys buy him a dinner, and I wasn’t sure whether he was joking about that part of it. I knew he was dead serious about the rest.
It took some digging, but I tracked down a sound pro named Kevin J that I’d met through Eric C in the 90s. He was the best in Lexington at the time, and, more importantly, he was worthy of my total trust. Our session together with Danny came off with flying colors and I walked out the door with everything I’d hoped for. It was exactly what I needed for the type of spots I wanted to produce. Kevin and I mixed a disc of various musical tracks at :60, :30, and :15 lengths. Now all I had to do was close the deal by winning the bank’s approval to combine Danny’s distinctive sound with Jacob’s natural voice.
Ideally suited to Jacob’s character and reputation, there was something powerfully authentic about Danny’s original words and music. Dana and I made a supreme effort to pitch those tracks to the CEO, but he fundamentally could not envision the effectiveness of my concept— to contrast a relaxed, down-home style against the typically phony-sounding chatter on the radio.
When I told Kevin that the head of the bank had thrown out Danny’s music as an element of the radio advertising, he didn’t seem surprised. Although understanding and supporting the approach I’d proposed, the experienced audio engineer and producer observed, “John, I have known people who tried to combine art with advertising, but it is rarely possible to convince the buyer. Clients have a tendency to play it too safe, do what every other similar business is doing, and then wonder why it doesn’t work better.”
Having failed to sell my idea of making the music be an equal partner in the message, the success of the production would now depend entirely on Jacob’s vocal sincerity. I pushed for the same Lexington studio we’d used to record Danny, arguing that to merely bring Jacob to the local radio station where he’d interned as a student would work against our effort to enhance his self-image as a professional. Having him rise to the challenge of his first major voice-over gig was the only hope of capturing the genuine personality on which we could hang the campaign, and I also needed Kevin’s technical expertise to produce high-quality, finished spots.
The “homework” I’d done to ensure that Dana’s scripting would naturally sync with Jacob’s values paid off with a smooth, comfortable recording session. He praised her scripts. His gifted ability to focus on task, along with his easy-going confidence, sense of humor, and considerable breath control, left us all rather impressed. After getting the go-ahead to use some appropriate background music I discovered on the Web, Dana, Kevin, and I brought the project in on budget with seven :30 spots, two :15 spots, and the ingredients for yet-to-be-written, Jacob-introduced spots that could rely on adjunct voice talent.
Much to our surprise and disappointment, a recommended introductory newspaper ad with Jacob’s image was drastically reduced without our knowledge. It looked terrible when published and put us into the position of explaining why it was not only illegible but also quite ignorable. This took place after Jacob’s sports agent endorsed our work when he saw the preliminary design. Playing catch-up, I adjusted the photo density to compensate for the poor reproduction, and we encouraged the bank to enlarge the ad for two follow-up insertions. The third time around it was printed well enough to look respectable, even though it was still significantly smaller than what we’d suggested was required to create a sufficient level of impact for an effective campaign kick-off.
Football season is getting under way and we anticipate a bigger splash to draw the market’s attention to our new client bank. So far, people “in the know” have made positive remarks to me, but I await the first clear indication that we’re putting something out there that is doing the job. Over 70 banks have already failed in the USA since January 1st. Clearly, this isn’t the most advantageous time to open a financial institution, but I like to think of our situation this way: Here’s an enterprising group that wasn’t forced to think outside the box because it was never inside the box. Time will tell if the innovations they’ve brought to Danville will meet with consumer satisfaction. Hey, if they hired me, they’re obviously not stuck in the status quo. Let’s hope some good things start to happen!
So there’s my tale about how an exciting chance to compose a stand-out piece of promotion can turn into another missed opportunity. Nevertheless, we have an entire year to pull this campaign up a few notches, and our client has already expressed an interest in using the song Danny wrote for us to anchor some kind of Web video or podcast. To be honest, the main reason I put together this detailed account is so I can remember it myself as part of an unusually interesting summer. With everything going on, including the latest round of major abdominal surgery for Bruce, this e-log is undoubtedly the best memory chip I have going for me.
Wildcards and constants
Friday, June 19th, 2009
Unconditional Surrender
John Andrew Dixon
Mixed media collage, 2009
Collection of Nancy and Charles Martindale
In a fashion more defined than recent memory serves, life unfolds with a stark blend of pleasing familiarity and jarring novelty. I take refuge in the naturally comfortable—collage, reading, friendship, bicycling, my cherished clan—while confronting strange and daunting challenges that offer few points of easy reference. The latter include new projects that require me to produce radio advertising, materials for patent registration, and a client-managed Website that relies on code I haven’t learned to speak. It’s helpful to remind myself that everything I’ve ever done—and a bit of it rather well—began with the unfamiliar. At times it was stimulating or even exhilarating, and at other times it was intimidating or actually frightening. I realize now that the difference was rooted in nothing but my own attitude toward the unknown.
Marks made
Friday, March 27th, 2009March exercise—day twenty-seven— It’s been a supportive day for my aspirations as a wood engraver. I sold two prints to Dave the collector, and then Gray phoned to let me know that he’s finished the limited edition press run of Manning poems with my block illustration, Boss’s Bucket. I felt a surge of profound satisfaction. Earlier today I asked myself why I tend to study writers for insight into the heart of creative motivation, and the answer came to mind quickly enough to make me feel a bit silly—writers are obviously better than visual artists at verbalizing. Faulkner told an interviewer that “really the writer doesn’t want success, that he knows he has a short span of life, that the day will come when he must pass through the wall of oblivion, and he wants to leave a scratch on that wall—Kilroy was here—that somebody a hundred, a thousand years later will see.” Nabokov wrote that a work of art existed for him “only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.”
Today’s sight bite— A worker high up on the new dome of the expanded library —c-l-i-c-k— nailing a layer of roofing with the evident skill of a specialist.
Tomorrow— A working weekend…