Gifted performances

March 7th, 2010

March Exercise V —day seven— I completed most of the items on my checklist, including treating the lawn with about a hundred pounds of pulverized limestone that I got from the library construction site when they drilled bedrock for the geothermal system. After that, I spread a bag of grass seed, counting on it to rain before the birds get to picking away at the yard. As usual, the day went by too fast, and I found myself settling down to watch the Academy Awards show. I hadn’t found it watchable since John Stewart played host a few years back. I was disappointed when Plummer lost, but I liked it when UP got the Oscar for best original score—that theme had me emotionally hooked within the first five minutes. I also dug the dance number used to exhibit the soundtrack nominees. Clearly the best outcome of the night was the statuette for Jeff Bridges, one of my favorite guys since The Last Picture Show. I was a big fan of his dad, and it was so cool when he mentioned the Sea Hunt series, which probably influenced my lifelong desire to spend time in the water. His remarks giving credit to his parents were an uncanny parallel to Mombo’s sentiments of Friday evening. Indeed, personal achievements are an extension of our mother’s and father’s character, but especially if they have admirably performed their roles.

Today’s sight bite— A craftsman holds high his token of recognition —c-l-i-c-k— and demonstates true sincerity in a shrine to false humility.

Previously on M-Ex— I balance real progress with out-of-reach ambitions. (3/7/07)

Tomorrow— Back to the weekday regimen…

Sea Hunt

Gathering promise

March 6th, 2010

March Exercise V —day six— After an evening with the Clan Night Owls, I needed to sleep in a bit. When I was outside collecting rain water from our big receptacles, I was moved by the look of the library facade against a blue sky. I was longing for mild weather, but the wind was still too brisk for comfort. My main feeling today was pride in how well Marty is handling all his recent changes. Very few young guys understand that it’s really not about the big stuff, but about stringing together a whole series of small, consistently smart decisions. This is a prerequisite for the desire to seek advice, and to learn from the experiences and mistakes of others—which many people never manage to do. I believe this lad is determined to avoid the wasted effort of aimless folly. He has already been witness to enough of it.

Today’s sight bite— The warmth of brilliant sunlight against brick —c-l-i-c-k— in contrast to a deep and deceptive azure backdrop.

Previously on M-Ex— I learn about safeguarding the inertia. (3/6/06)

Tomorrow— Full “to do” slate…

At the Straits

Renaissance man

March 5th, 2010

March Exercise V —day five— It began as a typical M-Ex day, feeling deprived of sleep, but eager to harness an elusive stream of motivation. The Shadow Trader was on his game, and by late morning I’d made some key portfolio adjustments before heading to the pool for a workout. In the afternoon, the ever-present tug-of-war between concentration and interruption presented itself when Bruce needed my help with his car repairs, just as I was hitting my stride with the bank campaign. For me the emotional challenge of capturing an idea is nothing compared to dealing with the threat of losing momentum in the midst of a successful creative process. I don’t work on cars. I’ve never worked on cars. I hate to work on cars. But there you have it—what the exercise is all about—because this is what every artistic individual has faced since that first cave-wall painter was furiously dragged by his hair to the mastodon-skinning site. Just think of all the distractions my Grandfather Seitz experienced as a father of eleven children (seven boys!) while he was involved in painting murals, organizing choirs, directing plays, or practicing the organ. I think of this now, after listening to Mombo give credit to her parents when we all gathered as a Clan to honor her as a truly exceptional mother. She measures herself against them in the same way we hold our own wisdom and maturity up to her example. How many more March rituals shall I require to meet that high standard?

Today’s sight bite— My mother in front of her birthday candles —c-l-i-c-k— as diminutive as her sisters before her.

Previously on M-Ex— Rest, focus, distraction, flexibility—some things don’t change. (3/5/07)

Tomorrow— Rest and regroup…

John “Pop” Seitz

Idea grinders

March 4th, 2010

March Exercise V —day four— Sometimes I think that on any given day, there is one primary lesson that the universe is trying to drive home with me. At breakfast I was flipping through Twyla Tharp’s The Creative Habit, searching for her discussion about generating ideas. She explains her adherence to “the unshakable rule that you don’t have a really good idea until you combine two little ideas,” and goes on to say, “That is why you scratch for little ideas. Without the little ideas, there are no big ideas.” Later, during our typical tray lunch watching Charlie Rose, General David Patraeus said, “I wish that great ideas dropped from a tree like Newton’s apple, but it doesn’t work that way for me. We have to bang around a lot of small ideas to come up with the big idea.” So there you have it. It’s all about the grind.

Today’s sight bite— The dark-suited undertaker carefully placing a quilt on the rear seat —c-l-i-c-k— as a chill wind gusts from out of the north.

Previously on M-Ex— I am unexpectedly “in the pit” as Bruce regains some of his equilibrium. (3/4/09)

Tomorrow— A celebration for Grammo…

tt_dp.gif

Avian augury

March 3rd, 2010

March Exercise V —day three— This time around, the discipline is less about the rigor of the clock and more about concentration and dispatch. My “vision homework” has become a key daily ritual, but hasn’t locked onto a consistent time yet. I have an alarm hopelessly stuck in my cell phone that nobody can figure out how to cancel, so I think that 11:30 am will likely become the scheduled time. Departure for a lap swim was upon me before I realized the morning was spent, and on my walk to Centre I saw an omen of oncoming spring, high up in my favorite tree at McDowell Park. In the afternoon I learned about a new advertising assignment in the “Jacob Series” for our bank client. Later, at the gathering of cycling advocates, I failed again to conceal my frustration concerning local officials. I’ve lost the fire for all the bureaucratic orchestration that I once found so intriguing.

Today’s sight bite— A treetop speckled with crows against a cotton-ball sky —c-l-i-c-k— and their robust “haw-haw” as the creatures salute me with a propitious fly-by.

Previously on M-Ex— Coffee-shop consultation with a friend no longer so close at hand. (3/3/07)

Tomorrow— Library time in my chambre serein…

The Elusive Red Crow

Bustin’ out

March 2nd, 2010

March Exercise V —day two— Yesterday I had to remind myself that the exercise is not about pace, but focused awareness. There’s nobody I know who is undergoing a more intense transition of awareness than Marty. Most of my thoughts about this should be reserved for the private journal. He moved out of his mother’s abode and is living with two of our best friends in Danville. On top of that, Joan gave him a hand-me-down car, he quit smoking, and also started a new job at Arby’s today. Now, that’s a March for the record books!

Today’s sight bite— Every patch of grass as brown and lifeless as a door mat —c-l-i-c-k— triggering the desire for warmth, sun, and those quiet miracles of springtime.

Previously on M-Ex— Bruce has a severe reaction to the wrong medication. (3/2/09)

Tomorrow— First B.I.K.E. meeting of the year…

Young Marty

Negative splits

March 1st, 2010

March Exercise V —day one— After a fantastic weekend packed with friendship, today began with a mood of glum dissatisfaction because the initial cadence of my regimen left something to be desired. By afternoon my attitude had shifted, and I found myself in a mode more characteristic of my best 5k-run experiences: start out with a comfortable pace and successfully pick up speed. In the running world it’s called negative splits. Why didn’t I think of that sooner?

Today’s sight bite— Concentric rings of vivid vessels suspended overhead —c-l-i-c-k— with each globe of pure color reflecting the terrazzo compass at my feet.

Previously on M-Ex— With a few finishing touches, “Spellbound By Brass” is complete. (3/1/07)

Tomorrow— Seventh vision therapy session…

Library Rotunda

Rescued from oblivion . . .

February 28th, 2010

Barley Meat Stew
2 quarts spring-house water
3/4 cup walnut juice
2-1/2 cups barley meat
1/2 cup mashed hedge apple
1/4 cup horsetail seed
1/4 cup Uncle Curly Tree berries
1/4 cup fine chicken dirt
garnish with chopped makko bird

A Visual Journey — chapter the fifth

February 27th, 2010

If my misaligned eyes had been straight and looked at the same object, then neurons carrying information from each eye would have delivered the same input to binocular neurons in my visual cortex. Since my eyes were not straight and saw different things, the binocular neurons in my brain received conflicting input. This situation set up a competition between my two eyes, and for each neuron, one or the other eye won out. Each neuron in my brain now responded to input from only one eye. My brain was wired in a way that prevented sterovision. While reading in college about “critical periods” in vision development, I had to conclude that it was too late for my vision to change. Yet, much more recent scientific research indicates that the adult brain may be more “plastic,” or capable of rewiring, than previously realized.
— Susan R. Barry, Fixing my Gaze

I went to the eye center early, before my fifth therapy session, to have a prism film applied to the right lens of my glasses. The prism corrects the misalignment to a limited degree, so I still must make an effort to fuse the double vision on my own. It’s a crutch of sorts, bringing images into a zone that deters my ingrained tendency to suppress the vision in one eye. Because of this, things usually look chaotic when I put on these glasses because they force my perceptions to deal with the lack of fusion. During therapy we had a bit of a breakthrough when Mary Ellen at last identified the precise configuration of prisms that seemed to provide for me vision that was fully singular. Pow. Suddenly I had a non-jumbled picture before me, without regard to head position or directional glance. But as appealing as that sounds, wearing this configuration of corrective lenses would do nothing to reverse the underlying brain-eye disorder. So the emphasis remains on integrated therapy, including a new pattern of exercises I do with a metronome. When I tried my first metronome task, I thought, “I don’t think I’ll ever be able to do this.” I kept at it, and when I noticed the first shade of progress, I experienced a startling shift in mindset— “I’m wrong. This is possible. For too long I’ve told myself that I can’t do things.” This awareness has now become the standard when a new exercise seems difficult. I don’t trust that initial feeling of insurmountability. Instead, I begin to anticipate some indication of partial success, and then I accept that daily practice will turn the tide. In other cases, the exercises have seemed too easy. I’ve learned to tell myself that there must be various kinds of neuron activity necessary to the overall brain rewiring. Easy or hard probably has nothing to do with it. At the sixth session, the “breakthrough” prism-set didn’t work at first, but then everything sort of snapped into place after a delay. I had noticed this phenomenon before when using the “crutch glasses.” Clearly there is more to this than getting a new pair of spectacles. It’s more like acquiring a new wiring diagram for my gray matter, synapse by synapse.

Who dat?

February 7th, 2010

There have been years in the past when I couldn’t have told you the teams competing in the Super Bowl, even if the fate of my eternal soul had depended on it. Fast forward to today, when I awaited the big game with immense anticipation. What changed? First of all, I spent enough time with a great football-watching friend to understand that NFL players are the most amazing athletes in the world. Jacob, 2010And then, when Bruce was gravely ill and we spent a good portion of a year hanging out around Indianapolis, I began to favor the Colts. The clincher took place last year, when I worked professionally with local star Jacob T, a second-year back-up tight end and special team starter for the team, following his brilliant career at the University of Kentucky. After that I was hooked on Indy, deriving much pleasure from watching their “almost-perfect” season and playoff success. Nevertheless, despite my desire to see Jacob be part of a Super Bowl victory, I’m not sad that the Colts fell short against the Saints tonight, because my heart is with Kristi and the Hornsby family as they enjoy a wonderful celebration in New Orleans.

A Visual Journey — chapter the fourth

February 6th, 2010

When I undertook optometric vision therapy at age forty-eight, I could see the misalign-and-suppress mechanism at work in my own visual system. With therapy procedures, I learned to bring the images from both eyes into consciousness and could therefore discover where my two eyes were aiming. Throughout life, an unconscious action had moved the image from one eye out of alignment, making it easier for me to discount the image from the nonfixating eye.
— Susan R. Barry, Fixing my Gaze

Yesterday I had my third session with Mary Ellen, the therapist selected to work with me on a program of weekly eye exercises. The disciplines are both challenging and tiring. Let me explain that. They are difficult because they necessitate a kind of exertion unlike physical or mental effort. Nevertheless, it does involve muscle and brain activity, which is tiring, but the kind of fatigue that results is unlike anything I’ve known—a dull pressure in the middle of my head. I don’t feel exhausted, but noticeably depleted in a way I can’t put my finger on. So far, any progress I’ve noticed has made me even more aware of the dysfunction. In other words, the double vision is more obvious at times because I’m training myself not to suppress the vision in one eye to accommodate the misalignment. Does that make sense? It’s frustrating and stressful to have my vision more chaotic, but I understand the need to strengthen my singular vision in each eye before I develop an improvement in its ability to “team.” This will require more fusion exercises that rely on 3D glasses. I also have to do daily patching for individual-eye isolation work. It’s probably best that I avoid “overthinking” all of it and concentrate on applying myself to the assignments. I don’t know what I’d feel if I didn’t have confidence in the benefits of the process.

A Visual Journey — chapter the third

January 21st, 2010

Our conventional and limited view of adult neuronal plasticity derives in part from the specific ways that scientists and physicians have designed laboratory experiments and clinical therapies. We cannot understand neuronal plasticity by studying brain circuits in isolation from the whole person. Only by considering a person’s adaptations and response to her condition can we really explore the amazing plasticity of the human brain to rewire itself throughout life in order to recover from injury, learn new skills, improve perception, and even gain new qualia.
— Susan R. Barry, Fixing my Gaze

Susan Barry’s book is certainly not for everyone, but like many works that explain a long misunderstood aspect of human health, reading it has been invaluable to someone who must personally face the unknown, accept a daunting challenge, and believe that one’s own body has the capacity to respond positively to a holistic, self-corrective discipline. I’m thankful that the book was recommended and glad that I read it before undergoing my first therapy session tomorrow morning at the Vision and Learning Center. I feel fully committed and as prepared as possible for 30 weeks of treatment. I’ve placed my confidence in people who might be dismissed as charlatans by some medical specialists, but that’s nothing new for me. I even heard a top expert on the Charlie Rose Brain Series recently insist that there is a “critical period” during childhood that governs the development of visual perception, which makes it impossible to correct some eye disorders later in life, a misinterpretation of research that Barry says has been long discredited by scientists and vision therapists. Well, I’m about to conduct my own experiment, under the guidance of individuals I consider to be knowledgeable, trustworthy professionals, and I’m eager to get started. Enough preliminaries! I’m fortunate to have the Center within a reasonable driving distance. Sure, I wish it wasn’t so dang expensive, but isn’t that why The Guy in the Sky grew plenty of oak trees on my knobs? Onward…

A Visual Journey — chapter the second

January 13th, 2010

A strabismic’s eyes are not aimed at the same point in space. The difference between the left- and right-eye views is too great for the brain to combine the images into a single picture. A person with non-aligned eyes is confronted with a serious perceptual problem; she must somehow create a single, coherent worldview from conflicting input from the two eyes. To solve this problem, many strabismics suppress the information from one eye and look through the other. Some always use the same eye, while others continually switch between the two eyes, but in either case, they may never see normally through the two eyes together. As a result, most strabismics have reduced or absent stereovision.
— Susan R. Barry, Fixing my Gaze

Spending time with the View-Master as a child was a deeply moving experience. But, after all, it was just a toy, and I was embarrassed enough about my strong emotional responses that I kept them to myself. I recall being so affected by the Flash Gordon reel that knowing there was a finite limit of images nearly brought me to tears. What was it about seeing those 3D impressions that was so profound? Was it because my natural depth perception was already deficient or in decline? I knew I wasn’t very good at hitting or catching a ball. Did I simply lack an athletic reflex, or could it have had more to do with an inability to place objects in space, a known characteristic of monocular vision? How flat has my world been all along?

Yesterday I went to the Vision and Learning Center for a battery of diagnostics that measured and benchmarked the current state of the eye disorder. I’m starting to get more comfortable with phrases like a) Vertical Strabismus (eyeballs out of alignment), b) Oculomotor Pursuits (something to do with how cognitive function enables the eye to move smoothly), and c) Binocular Fusional Disfunction (inability of brain neurons to coordinate dual-eye vision). Actually, it’s wrong to think of it as an eye problem. A “brain glitch” is probably a more accurate way to understand it. Some of the tests seemed ridiculously easy, while others were very difficult and exhausting for me to perform. At the end of my session came a discussion about the details of therapy, timetable, and costs. Once-a-week sessions at the Center for 30 consecutive weeks, plus daily home practice, 30 minutes minimum. For some reason, I wasn’t expecting such a long program, and the sticker price knocked me for a loop. I left with doubts about whether I could take on the economic commitment, even though I knew I had enough discipline to make the approach work. Dana and I had a long discussion. We kept arriving at the same conclusion: I simply had to get this fixed, and somehow we would manage our finances to pay for it out of pocket.

Awesome?

January 11th, 2010

Tonight was the most enjoyable hour of Chuck that has ever aired. Might have made it worth sitting through all those lousy ‘Buy More’ episodes. NBC probably wishes it still had Life and Journeyman on the shelf, now that the Leno-at-10 idea has collapsed.

A Visual Journey — chapter the first

January 9th, 2010

I’ve made entries before that allude to my progressive vision problem, but I’ve only now decided to formally record some of my experiences during this new year, when I undertake a therapeutic course of action. While learning about this disorder—a form of misalignment generally known as strabismus—I may need to correct some of the information conveyed, as I gain greater or more specific knowledge. At first, I recall noticing an odd head position and disturbing look in my eyes when I closely examined photos of myself. Initially I could dismiss it as an aberration, or comfortably deny that anything meaningful was indicated. Eventually, I came to accept it as my “pirate eye,” and began to avoid looking at others with a leftward glance, which seemed to bring the misalignment into play. Joan mentioned her optometrist to me, but I wasn’t prepared to seriously tackle the situation. By and by, more realizations that the condition was getting worse convinced me I could no longer put off the idea of professional intervention. Dr. Graebe turned out to be a highly capable diagnostician and engaging clinician. He said that I had already lost 60% of my depth perception, with a deficient ability to process uncoordinated binocular movements. Every symptom I described seemed to just reinforce the obvious for him, and I was mildly surprised that I didn’t have some unique or difficult to define condition. And so he prescribed “vision therapy,” based on the awareness that my root problem is not muscular, but involves the brain’s ability to make sense of neurological input from two organs—our source of three-dimensional vision. In addition to setting up an appointment with the Vision and Learning Center, he urged me to read Susan Barry’s Fixing My Gaze. I’m sure it’s not unusual for a person with a health challenge to discover that his or her malady has been ably explained by an author who has faced the same situation in life. Although I still don’t understand the full implications of taking on the discipline of vision therapy, starting the book has triggered numerous memories and personal observations about my sensory experiences since childhood. Dr. G had been particularly struck by my statement that I knew from an early age I was a two-dimensional thinker, preferring the flat surface over volumetric or architectural forms. It caused me to think about whether I have ever possessed “normal” depth perception. For the longest time, foreshortening has bedeviled me as an artist. I’ve always been a slow reader, never been a good driver, nor been favorably inclined to certain eye-hand motor skills, even though it’s clear I had a natural manual dexterity from the beginning. As a marksman, I excel at single-eye target shooting, but ask me to hit something on the move with a shotgun and the results prove embarrassing. 2DmeSaddest of all is when I realized that the awe of star-gazing had slipped away, as my ability to perceive the dimensionality of the night heavens declined. The optimistic hope for improvement, given the functional plasticity of brain neurons, is emphasized by both Susan Barry, Dr. G., and Debra (my therapist). I accept that, in spite of having no comprehension of the difficulties that lie ahead, or how “one must learn to align the eyes and fuse their images, while unlearning the unconscious habit of suppressing vision, which has been occurring perhaps for decades,” or how therapy “requires high motivation and self-awareness, as well as enormous perseverance, practice, and determination.”

We shall see…

“Jonrik” is no more . . .

January 8th, 2010

jonrik cartoon

This is the last image I created in a partially successful effort to provide “cartoons to the editor,” in partnership with my pal, Rick. It’s from 2003, when several improbable events converged: Kentucky elected the first Republican governor in a generation, Saddam was captured in Iraq, Boyle County and Danville football teams concurrently won state championships for the third time, and local voters passed a liquor-by-the-drink ballot measure. The cartoon was rejected for unknown reasons. In retrospect, it does seen to violate one of the basic rules of editorial drawing— focus on a single, easy-to-grasp idea. Oh well, I still like that style, but it was too much work to continue for free.

2010 — Empty nest?

January 7th, 2010

kan.jpg

 
“Time for you to leave…”
  — Master Kan
 
 
 

Various & Sundry, part eighty-four

December 31st, 2009

— Year of 2009 workout totals: Swim-43; Bike-38; Run-1; Lift-3; Pilates-16; Lupus Drill-3

— Back spasms and muscle injuries shut down my gym time early in the year, and I never could recapture the momentum. Eventually had to curtail the Pilates work, too, but assigned myself an improved swimming and cycling pattern. Running played no part in the annual effort. My new hope is that 2010 will take on a more balanced character, otherwise my long-held exercise habit could turn into a flab-it.

— An even more regular fitness regimen is on my list of New Year’s resolutions. I also need to:

•   Partake of the great writers—
     Conrad, Hugo, Dickens, plus more Hemingway, Kipling, Tolstoy
•   Gain new levels of skill with hand, eye, and mind—
     Brush Stroke, Graver Line, Digital Effect, Options Trade, Chess Move
•   Spend more time in the knobs with Marty
•   Take Dana to the west coast — somehow . . .

— Another year has passed, and it is ever gratifying to create things which satisfy one’s own artistic urge, while promoting commercial activity that helps provide abundance and livelihoods to others. But, as always, it is never pleasant to continually justify the role of the design professional in an environment of declining visual literacy, where everyone can stand their uninformed, subjective ground to affirm the inappropriate, or declare that mediocrity is “good enough.”

— An unexpected viral assault has threatened my long-anticipated year-end participation in Louisville, but a counter-barrage of immune system boosters is under way, and, so far, I successfully made it to the city intact for the wonderful rehearsal dinner last night. The final day of the year is a bedridden affair, with fifteen back-to-back Twilight Zone episodes to suitably infuse the atmosphere with surreality.

To Caitlan and Kyle— Happy New Year!

V & S

J O H N

December 27th, 2009

Fisherman, Disciple, Evangelist, Visionary

apostle_john.jpg

“. . . peace to men on whom His favor rests.”

December 26th, 2009

“To be politically correct, I can say
that I’m scoping out the Norwegians
when I get on a plane, but face it,
if there’s a shaky Muslim cat near me,
I’m going to be keeping my eye on him.”

        —Dennis Miller

News of a thwarted terrorist act has popped the bubble of holiday euphoria, and yet, to maintain a festive mood is remarkably easy for those of us who weren’t called upon to celebrate Christmas by clambering over an airline seat to subdue a suicidal fanatic.

Yesterday morning found us at Terie and Marty’s for Christmas brunch gift giving. After arriving home we had some private time (I got a new bicycle helmet from Santa), before relaxing with afternoon victuals, enjoying the company of our dear friends, David and Lee, and a sensational Sonoma County Zinfandel from Dana’s brother Bill. A trip to Lexington followed, where we watched the new Eastwood picture and shared our evening at The Pub. Not surprisingly, “Invictus” pushed my buttons, but the editorial pacing of the World Cup championship match fell a bit short of my expectations. In any case, Freeman’s portrayal of Mandela was outstanding, and it’s my understanding that he has wanted to play the character for many years, having brought the adaptation to Clint while developing the property himself.

Today is Boxing Day, so it’s off to Kelley Ridge for more conviviality. Things just keep getting better during this splendid countdown to a landmark New Year’s Eve wedding in Louisville!

December 25th, 2009

Merry Christmas!

(A tip o’ the hat to Johnny Crawford for this uplifting holiday link.)

Eventidings

December 24th, 2009

Our Christmas Eve celebration with Clan is over. Joan captures it best.

Earlier today I was trying to locate a print for us to give as a gift and ran across a collage that I barely remembered creating. Interestingly, I was not overly impressed, although I had to admit the piece is visually striking. So much of my life involves the effort to exact compensation for my creative abilities. My impressions have given rise to the typical holiday-season musings:

First thought . . .
I’ve neglected mixed media for inappropriate reasons.

Second thought . . .
My original investigations were unrelated to economics.

Third thought . . .
I must reject any temptation to invite commercialism.

Fourth thought . . .
I am capable of pushing this medium beyond previous levels.