When Dana and I walked to campus for our midday workout, I claimed it as official “birthday weather.” It was sunny and warm, with just a touch of coolness in the breeze—perfect. I even asked the pool lady to unlock the patio door at the natatorium, just so I could go outside in my speedos for a bit and inaugurate the season. One must be dutiful in attending to these annual rituals. Bruce rode his bike in the afternoon, and we did some garage reorganizing together before the rain clouds blew in. He gave me an early gift of Gene Wolfe editions, since Dana and I intend to spend the day in Lexington tomorrow. Terie stopped by to hug her Pop. Later, the mayor called, and we had a long conversation about his efforts to establish a bicyclist/pedestrian committee for the city. Curious how some in the community choose to balk at such a straightforward idea. Three new art projects have just come my way, and I’m finally positioned to make the push to complete the Brady portrait, so there is much room for gratitude on the eve of my “exceeding the speed limit,” as a certain senior companion likes to characterize it.
Archive for the ‘Art’ Category
Birthday weather! (for a spell . . .)
Monday, April 28th, 2008Various & Sundry, part seventy-two
Saturday, March 1st, 2008My log is currently suspended for the annual March Experiment.
— Month of February workout totals: Swim-3; Bike-2; Run-3; Lift-2; Yoga-0; Pilates-3; Lupus-1
— If I accomplish nothing else over the next 30 days, I must find “the means.” I won’t try to define exactly what that means (hey, is that a pun?), but most of you know what I’m talking about. It can look like ferocity, but mere ferocity is no match for the kind of unrelenting competitive intensity that Uncle Don held out as mark of the victorious spirit. Well, maybe I did just define it. All I know right now is that I need to regain the source of it, and the man who coined the term is in the hospital and probably dying. He is my Godfather, and from him I inherit the challenge of “the means.” James and I were talking about him this morning when we accompanied Joan to inspect Joe’s Riverland. It was a wonderful outing that combined the gentle Lamb of March and memories of our lost Clansmen with an enduring camaraderie that is too rarely enjoyed (and I don’t mean scarce, but rare). I’m so glad we did it.
— Speaking of Joan: she uncovered this NPR feature that makes me think we might have been among the last of the “Oldenday Players.” This closing thought sums up the sad, ironic state of current affairs:
…in the rush to give children every advantage—to protect them, to stimulate them, to enrich them—our culture has unwittingly compromised one of the activities that helped children most. All that wasted time was not such a waste after all.
— Wow, did I ever miss the mark at the end of January when I failed to predict that the majority of Democrats were finally ready to kick their Clinton habit! Rather than Senator Obama’s campaign suffering from too many losses in too many states, it appears that the exact reverse has taken place, and now Hillary faces the need to complete an urgent end-zone bomb to stay in contention. Too bad that more conservative Republicans didn’t rally to Romney sooner and offer to the nation the kind of clear ideological choice that a Barack-vs-Mitt face-off would provide.
— Dadbo once gave us an item of firm advice: never work through a general contractor. He learned that lesson the hard way when he and Mombo built our house on the Shoop Road lot. The truth of his warning was born out last week by my experience with one of our clients who’s completing a new dental office. Due to the construction manager’s faulty information and his cover-my-butt attitude, what could have been a perfectly handsome interior wall treatment will fall short of what we worked to achieve on our client’s behalf. It makes me wonder how many other compromises they were forced to swallow in order to get the doors open on time. But maybe I’m missing the whole point—they did what they needed to do to achieve a massive relocation, with a net gain of significant improvement. What’s wrong with me? Done is better than perfect!
— On Saturday, March 8th, the Community Arts Center will hold its annual benefit and live art auction. According to the Center’s promotional material, the artwork is from some of the area’s top artists, and I can’t disagree with that, even if the list includes your humble correspondent. The online photo gallery offers sneak previews of artwork that will be on the block, and they did a good job of putting together that feature for the Website. The mixed-media collage I donated, Then Sings My Soul, was created nearly a year ago for KOSMOS: Discovery and Disclosure.
— Go back another year to the first March-X and that’s when I helped organize some local cyclists that would form the B.I.K.E. | Boyle County group. On March 11th, the local organization devoted to cleaning up and preserving Clark’s Run (C.R.E.E.C.) will host a community forum that will focus on trails and greenways. B.I.K.E. has not only promoted the idea of safer, more bicycle-friendly streets and roads in Boyle County, but has always hoped to collaborate with community partners as a catalyst for planning a network of shared-use byways and connecting trails.
Yesterday I finished a draft of our comprehensive recommendations to kick-start the development of a community master plan that envisions much more than the construction of a few off-street recreational trails. The process will take leadership, commitment, and years of effort. Available funding will go to the localities which combine a strategic vision with constituent support. It’s a challenging goal, but many places have already done it. Some of you know that from your travels and vacations. Those communities improved the quality of life for their populations and, at the same time, attracted visitors, new residents, and employers. Can we do it here? Stay tuned. Bye, everybody!
For the despondent, every day brings trouble;
for the happy heart, life is a continual feast.
—Proverbs 15:15 (New Living Translation)
Various & Sundry, part seventy-one
Friday, February 1st, 2008— Month of January workout totals: Swim-1; Bike-2; Run-0; Lift-2; Yoga-5; Pilates-4
— I’m barely hanging on to athletic respectability, thanks to Yoga/Pilates, but that doesn’t do much for my aerobic fitness. This hasn’t been one of my better annual kick-offs, “exercise-wise,” compared to the past few years. My hope is that our traditional Super Sunday mountain-bike ride will help me turn this around, because I have no intention of not being in decent shape this year. Good. That’s settled.
— “Health is wealth,” but here’s another important reason I need to stay in noticeably sound condition: the mayor asked me to think through the idea of establishing a permanent Bicyclist/Pedestrian Advisory Committee for the city of Danville. Sounds like he intends to take my recommendations to the Board of Commissioners as soon as I finish my homework. It came out of nowhere, but seems in sync with my desire to disengage at the state level to focus more on local action. As I’ve probably said before, my days as a Kentucky Commissioner are undoubtedly numbered, since the governor who appointed me wasn’t re-elected, and my term on the KBBC will expire before long.
— Seeing Ken Watanabe in Clint’s Letters reminded me of his other emotional performances in Geisha and Samurai. And then I became even more sad, because I recently found out that Hollywood set decorator Gretchen Rau died of a brain tumor. I was really wanting to enjoy more of her exceptional work.
— I’ve been hearing funny things about The Producers since I was a college student, but it never occurred to me that it would take 35 years before I finally saw the show. This evening Dana and I had fabulous seats at Norton Center for the excellent national touring production, and I don’t know if I’ve laughed that hard since I first saw Blazing Saddles. When I’m in the right mood, nothing is more hilarious to me than Mel Brooks at his very best. I’ve always figured he was a comedic genius, but after experiencing “Springtime for Hitler” tonight, I must appreciate that he’s a genius—period. I was reminded that, when facing down the wicked, many unavoidable things are required by our warriors, but art is the best—the only true—revenge, and satiric comedy may be the ultimate—the most difficult?—form of that. Would that every aspiring dictator could look ahead only to having his personality cult reduced to an object of ridicule and gut-cramping laughter.
There is no safety for honest men except
by believing all possible evil of evil men.
—Edmund BurkeRhetoric does not get you anywhere, because
Hitler and Mussolini are just as good at rhetoric.
But if you can bring these people down with
comedy, they stand no chance.
—Mel Brooks
Come on in, the ink’s fine…
Friday, January 25th, 2008Some things catch me off guard when they shouldn’t, like Brendan’s revelation that my visual style influenced his knack for strong image making. Well, there’s been plenty of artistic cross-pollination occurring within our extended family for quite some time, and his effect on the way I communicate with words has been equally significant—otherwise, nobody could stand reading anything at this site.
Brendan has his own way of describing the contemporary high-contrast style under discussion, but I’ve always called it “graphic illustration.” I’m no scholar, but it certainly has its historical pedigree in the printing arts (the anonymous masters of the 1400s, Dürer, Grien, up through the centuries: Rembrandt, Thomas Bewick, Rockwell Kent, Munch, the Expressionists, the Arts-and-Crafts printmakers, and the Bauhaus designers). Of course, the “look” has been radically influenced by photomechanical techniques (including cinema), and their appropriation by innovative artists and legendary illustrators (Warhol, Glaser, Otnes, Holland, Schwab). Few may give credit to the nameless pulp or movie-poster artists, but they also made their contribution to the style, as did the legendary comic artists, such as Harold Foster and Milton Caniff (genre exemplars of chiaroscuro, who probably had a more formative influence over generations of creative youngsters than the art history books).
I see it all as a moving stream of visual development in Western art, periodically spiced with Asian influences, but always a binary interpretation of how highlight and shadow define form. It’s how a visual decision maker has always tried to give the most simplified illusion of volumetric reality, by the handling of light sources, minimizing modeling, and harshly controlling the equilibrium of figure-ground relationships on a two-dimensional plane, culminating today in the ubiquitous tool of Adobe Photoshop (just as a reminder, I reserve the right, without warning, to squirt India ink in the face of anyone who uses Photoshop as a verb).
Wow, that’s an awfully wordy bit of rambling, and it could really use some editorial refinement. Naah. I’ll just click the “Publish” button instead…
Various & Sundry, part seventy
Tuesday, January 1st, 2008— Month of December workout totals: Swim-2; Bike-2; Run-3; Lift-3; Yoga-8; Pilates-2
— Year of 2007 workout totals: Swim-23; Bike-58; Run-25; Lift-33; Yoga-21; Pilates-16
— This is the 70th installment of a series that has no meaning, other than it precludes me from using the word “sundry” within any other post. I was part of the Class of ’70 when I finished high school, and the seven has always been significant for me, since it’s my destiny number. This is the 763rd entry in this journal, which is a seven, since numbers always reduce to the single-digit sum for numerological analysis. For me, this is also the first day of a new year governed by the number seven. Other practitioners of numerology have marveled at the fact that Dana and I share the same annual number—not rare, but somewhat uncommon for married partners.
— The recent violent unrest in Kenya has provided days of concern for Dan and Sheryl’s Elizabeth, but word has arrived from Neil that she and her group are safe. It will be good to hear from her directly, and hopefully that will happen soon.
— I completed a twelfth work in my series of “Grandy-bo Variations,” but I won’t be including another in the current format for our Christmas exchange, because, for the past two years, my painting has ended up in the hands of a household that already had a “G-bo.” I’ve got to think of a better way to disseminate new pieces to those who haven’t received one, or switch to a medium that accommodates limited-edition printmaking for wider distribution.
(Variations on a Theme by
Grandy-bo, Part Eleven)
— NBC lives up to its reputation for prematurely yanking some of the best dramas on TV. In the spirit of keeping profanity to a minimum at this site, I’ll let another blogger express my profound dismay.
— During my recent morgue reorganization, I came across a post card written by Dana’s father in 1932 to his younger brother. Clearly, it was one of those items we’d rescued from a spasm of “movin’ madness,” before Aunt Marian and Uncle Dick gave up their home in Dayton and moved to San Diego. The card is from the Art Institute of Chicago and depicts a Vermont landscape Rockwell Kent painted in 1921— Mount Equinox, Winter. Almost twenty years after coming into our possession, neither of us remembers how it ended up in the reference files, but we both deemed it too valuable to exclude from the family archives. I put it on the scanner earlier today, never imagining that tonight we’d stumble upon Part One of the PBS documentary about Kent that I missed seeing earlier this year. Familiar with his work as a book illustrator and wood engraver, I knew little about his paintings, nor did I have a coherent appreciation for his life as an artist and adventurer. The man certainly had his flaws (addicted to infidelity and cruel practical jokes), but, Good Lord, what an amazingly prolific creative genius!
— Well, I’d better quit. Tomorrow begins a new cycle of productivity, and 2008 should be a great year. Nic and Michelle will marry, Marty will begin to drive, Peat will finish her degree, Bruce will get a place of his own, Brendan will publish his book, and the “Bay-bo Gril” will make her way to Yorkshire Estate. Follow it all here at Uncle John’s!
Various & Sundry, part sixty-nine
Thursday, December 27th, 2007“Art is to take from life something real, then to build it anew with your imagination.”
—Taha Muhammad Ali
— I made good on the recent advice from Irina to paint fast and complete a work within one day—I spent most of Christmas Eve executing a heron in watercolors for Nic, my Godson. It turned out rather nicely, so I’m encouraged about continuing with a series of single-day images for display at Wilma’s new gallery. Nic likes it, using the term, “shagpoke,” which he learned from Dadbo. Since I was unfamiliar with that name, I dug into its background and came up with this: It’s a variation of shitepoke, which made reference to a bird’s habit of defecating when disturbed, but is generally applied to the green heron (Butorides virescens), the black-crowned night heron (Nycticorax nycticorax) or the American bittern (Botaurus lentiginosus), none of which is the bird I painted, the great blue heron (Ardea herodias), that familiar creature which, for me, is always a symbol of good fortune. Interestingly, nicknames for the great blue include “long john” and “poor joe.” Perhaps Dadbo called any heron he saw a shagpoke, or hadn’t thought it necessary to make distinctions with a young lad developing his fondness for the world of animals. I can’t help but think of my father’s early days fishing the Stillwater, and wonder if great blues populated that part of Ohio in the 1930s. One more curious observation is that double ‘nyc’ in the scientific name for the night heron.
— I finally got to meet Jerry R at Kelley Ridge, and was happy to see him again when we gathered for Clan Stew. Does this make him an official ”sweetie?” I enjoy hearing him share his historical knowledge. This is the kind of man that has the capacity to unlock Marty’s natural desire to study history. Dana and I have resolved to take the lad on a visit to Boonesborough in 2008.
— Although there are numerous commercial tasks facing me in the studio right now, I can’t help but spend a good portion of my energy this time of year looking ahead to the coming cycle and getting organized. Rather than get caught up in an assessment of past months, I tend to flush all my thoughts and feelings about what’s behind in favor of anticipation for what lies before me. Januaries are full of hope and fresh confidence, with my mind turning to “Max Organ.” Now, don’t let visions of spam-email lewdness dance in your head, because I’m talking about my age-old effort to sort and categorize my morgue of visual materials and other personal papers, along with structuring my work space, and, in general, just dealing with all my accumulated stuff—Maximum Organization. It’s an ideal that can’t actually be reached (if you intend to accomplish anything else), but always remains a worthy goal. It makes me think about the mathematical concept of the asymptote. Max Organ shall always remain the valiant endeavor that draws one closer and closer to the unattainable standard. Nevertheless, “finished is better than perfect.”
— There should be a strong contingent of Clan at the game tonight, rooting for #3. Tomorrow is Belle’s 17th birthday, and I think she’s due for a good performance on her home court. Like a knucklehead, I got so worked up about watching her play last night that I drove us out to the high school before it became obvious I had the date wrong.
On finishing “Happy Ever After”
Sunday, December 23rd, 2007At last night’s deeply satisfying Kelley Ridge Open House, people were talking about Russia, and I said that I had no desire to go there, even as my long fascination with Russian art, music, and literature continues to grow.
Today I read the last chapter of Happy Ever After. If there was anything Tolstoy did not understand about life and human relationships, it is probably not worth knowing.
Maybe I just don’t know how to paint.
Wednesday, December 19th, 2007As I prepare to execute the portrait of Mr. Brady, I’m using every bit of illustrator’s trickery that I have, especially the old illusion where I convince myself that I know how to paint. The facial study and color rendering are both finished, but I hesitate to commence the final piece without a reaction from Mrs. Brady. I suppose the typical fine artist would plunge ahead, but I’m too accustomed to a process that involves client interaction.
I haven’t devoted much time to anything else over the past week, other than some Christmas decorating and our annual Clan\Power bell-ringing contribution to the Liberty kettle campaign. We covered all ten hours, with the nastiest weather staying north for the day, thankfully. I couldn’t hang around town all day, unlike past years, so Rita and Seth were the only members of the family I got to see. They both looked great. It fills me with anticipation for Christmas Eve Stew at the Hall.
The overall Salvation Army fundraising effort for our five-county area of service is running behind where we were at this time last year, and it’s difficult to put a finger on the reasons. I think the Liberty kettles are doing fine, but the big difference is the Wal-Mart locations in Danville. Marty and I rang for a couple hours in front of the grocery entrance and it did seem less active that in the past. The Advocate-Messenger is sponsoring an online kettle that anyone can use to make a contribution to our local campaign, so maybe that will kick in during the closing days. The Captains are optimistic that the community will come through to meet the goal. It always has.
On Sunday I called Barefoot, my best chum from high school, and, because I hadn’t spoken to him since summer, I found myself giving a “state of the life” summary. It made me feel ill at ease. I can’t understand why. And yet I believe that my household has successfully crossed a challenging divide. Perhaps it’s taken so long that I’ve forgotten how to be at peace. If so, it’s the perfect season to work on that. Father, grant me the peace of Christ, Your newborn Son, who fulfills every requirement.
Tomorrow is a new day in the studio, and all shall be well.
(Of course I don’t know how to paint. Only Andrew Wyeth does.)
Various & Sundry, part sixty-eight
Sunday, December 9th, 2007— Each time this year I’ve run the 5+ miles back downtown from the cabin, the time has felt shorter, even though I’m running pretty slowly these days. The silence transpired more quickly for me this morning, too. Milton handed out his periodic survey to the group, and I discovered a 1961 Horizon in Mack’s studio that had an interview with Andrew Wyeth, famous at the time, and now the greatest living American painter. I’ll have to digest the whole article during another visit, but I was able to scan a few stimulating quotations, and then Sara Jane offered me a new commission, with the freedom to interpret a photographic image with my choice of style—the perfect assignment. Everything conspired to boost my motivation to aggressively advance the Brady and Eckerle projects, plus my fine-arts enterprise in general. I couldn’t think about anything else as I ran home. So, why am I sitting here with this log entry?
— Cliff and I had a conversation about blogging the other day and it got me thinking about my string of 616 or 617 consecutive posts, and how important making daily entries used to seem. Brendan still refers to this site as a daily journal, but that hasn’t been true for well over a year. Once again, time is malleable, and, as Arnold has said, there’s adequate time each day for everything meaningful enough to do. Blogging isn’t about the time, but about having something worth saying to yourself, maybe worth recording, possibly worth sharing. I eventually figured out that doesn’t happen every day. When it does, not much time is required to get it down.
— Terie and Marty bought the M:I:3 DVD and left it at our house, so, late last night, I watched the J.J. Abrams picture for the second time, and I liked it a bit more this time around. I think Tom Cruise is the Burt Lancaster of his generation. Regardless of what I might think of his personal life, his work product demands respect. (Hey, not all celebrities can be a James Stewart or Charlton Heston; Lance Armstrong falls into the same category.) If Cruise had not become an actor, he would surely have been an Olympic or professional athlete in some discipline. He has the mentality and natural capacity for high-performance physical achievement. Although one of the least flamboyant stunts, his Chinese-village tile-roof footwork is probably the riskiest choreography in the movie. As I’ve declared before, I think he squandered the full potential of the classic franchise and put its longevity at risk, but this sequel is the best of the lot, the most team-oriented, and it fits nicely into our ancient family idea of an M:I Saga Series. In my opinion, Abrams is a creative, meticulous director with a feel for the spy genre compatible to Mission: Impossible—Cruise certainly can’t be faulted with his selection—but Abrams will need to have further honed his story-telling skills to do justice to his upcoming Star Trek feature, another Desilu-originated concept from the “silver age” of television.
— Local historian, R.C. Brown, is dead at 90. He once saluted me on a Danville street as, “Mr. Dixon, the Spin Doctor!” We often held different political perspectives, but shared a fascination with local heritage. I recruited him in 1991 to expound before a camera, as part of a fundraising documentary (the same program in which we cast Alyx as a child actress). He was in his 70s then, and I was young enough to think I might have a future directing videos (as close as I got to being Ken Burns when I grew up). Brown was the doctor, not me. He was from Ohio, too, but went on to get a Ph.D. from the University of Wisconsin. He taught history at Buffalo State College for 28 years. When he retired to our area, he rapidly became an authority and wrote The History of Danville and Boyle County. I’ll always believe that Professor Brown respected me as a talent, even though I consider his remark shaded by a mild one-upmanship. Perhaps he did understand better than most the true nature of my commercial craft, but I hope he wasn’t thinking of Victor Papanek’s quotation:
“In persuading people to buy things they don’t need, with money they don’t have, in order to impress others that don’t care, advertising is probably the phoniest field in existence today.”
I prefer this one:
“The only important thing about design is how it relates to people.”
— Thomas Bewick, my newest hero, couldn’t escape the ongoing necessity of making money with “coarse work” (as his daughter called it), despite his artistic reputation and unmatched skill as a wood engraver. I wanted to return the library book and avoid fines, but couldn’t help myself, and finished the biography by Jenny Uglow this week. As I said previously, learning more about his life has reinforced for me the notion that, although everything changes on outward levels, nothing really changes in the human dynamics of making a living as an independent, creative craftsman. I was notably saddened when I learned that he never fulfilled his dream of having the cottage workshop close to nature described in his memoir:
“The artist ought if possible to have his dwelling in the country where he could follow his business undisturbed, surrounded by pleasing rural scenery & the fresh air and as ‘all work & no play, makes Jack a dull Boy,’ he ought not to sit at it, too long at a time, but to unbend his mind with some variety of employment — for which purpose, it is desireable, that Artists, with their little Cots, should also have each a Garden attached in which they might find both exercise & amusement — and only occasionally visit the City or the smokey Town & that chiefly for the purpose of meetings with their Brother Artists.”
Dana reminded me that we all tend to get what we desire if we want it badly enough.
Various & Sundry, part sixty-seven
Saturday, December 1st, 2007— Month of November workout totals: Swim-3; Bike-2; Run-5; Lift-4; Yoga-1; Pilates-7
— The eleventh month rushed by too swiftly, and tumbling in its wake is my disposition of alarm at the churning pace. Nothing to do but accept that it’s gone and take stock of my affairs. On Friday I pinch-hit for David as a Rotary greeter. Saying grace is one task of the greeter, and perhaps I was a bit too creative with my public invocation. That I’m less self-conscious about such things is a sign of something meaningful, but I’m not in a mood to muse beyond that vague notion. After David got back from Georgetown, the four of us convened for a round of Mhing. Dana played as splendidly as I did poorly (couldn’t seem to get out of my nervous system Frank’s Shanghai from the holiday). Even so, it was an enjoyable evening because Mhing is such a great game.
— David, Greg, and I gathered at Simpson Knob the weekend prior to Thanksgiving, hoping for a significant whitetail harvest, but all we came up with among us was a little button buck that I took on Saturday morning. At first I thought his ear flicking at 50-60 yards was simply more wild turkeys at play, but then I could see his head, and eventually figured out that he was preparing to bed down for the day. I watched him for a while and knew his location on the ground would not afford a proper shot (actually, I thought it was a doe at that point in my observation). Before much long, I grew a bit impatient and decided to climb down from my stand to approach through the woods on foot like a true hunter. After carefully trimming off 10-15 yards from the total distance, keeping a tree between our positions, I crept around the oak and saw him stand up in alert. My Marlin .44-magnum lever-action carbine (the only Dadbo-owned rifle for which I held any interest) cracked in reaction to the animal’s movement, and he leaped away. “Missed,” flashed through my mind, with the thought lingering, especially after I reached the spot he’d just been, and just then I heard Greg call out my name. “Don’t think I hit him,” was my response. “Well, there’s a deer over here,” he replied in a matter-of-fact voice. Within an hour, I had given a chant to the Great Spirit and skinned my game with the new knife Greg had presented to me the night before. Later in the week, David reported that Greg claimed a button buck of his own at his brother’s farm a couple days before Thanksgiving.
— It doesn’t look like I’ll finish the biography of Thomas Bewick before it’s due back at the library, but I’m not sure I want to read about his demise anyway—I’ve grown much too fond of the fellow. For anyone who doesn’t recognize the name, I’m certain that his work will appear familiar. He single-handedly restored wood engraving to universal esteem in his lifetime and sparked the advancement of printing technology for the next century. He was perhaps the greatest graphic artist of his era—certainly in Britain—and, although he had flaws (as most men), he seems to have been a remarkably fine person worthy of emulation in numerous respects. Reading about his rise to artistic immortality reinforces two vital lessons that continue to clobber me across the skull like a ball bat: each individual who makes a constructive mark on culture inevitably deals with all the same nonsense, hassles, heartbreaks, and vicissitudes of fortune that everyone encounters, and through it all, continues to work his or her ass off.
Thanks for nothing
Thursday, November 22nd, 2007“A wiseacre on the Oakland to Los Angeles shuttle this week said the next technological leap would be implanting cell phones into people’s heads. He was kidding—we think.”
—Chuck Raasch, USA Today
Someone on the news said recently that 80% of Americans have a cell phone. I suppose I shouldn’t have been shocked at that, but I was, and it made me feel distinctly in the societal minority, since I don’t carry one. Not that it makes me uncomfortable. I’ve been mildly concerned from the beginning that their use might eventually cause adverse health effects, but if somebody gave me a free iPhone, I would bear-hug them and then find a private spot to dance in my underpants.
Last night, Dana created a wonderful meal with crab-stuffed shrimp for Marty’s 16th birthday, and he showed us his new iPod nano. We got to talking about Apple, with me speculating that the company might be planning to enter the game market. Marty said that idea sounded logical to him, and he predicted it might make its move when Sony inevitably faltered. I suggested that it would probably be a radical leap forward in graphic technology and user interface. He said Apple was sure to compete in that sector eventually, but wondered if they also might decide to make cars. That notion took me by surprise. “Think about it, GrandyJohn,” he added. “Before too long, a car will be basically a computer.”
Sixteen years old. Unbelievable. What kind of a nano-world will exist when he’s my age, and will I make it to age 96 to share it with him? Of course—I need at least another 40 years to figure things out. Will I still be able to get on a bike? Maybe not, but perhaps I shall have created at least one enduring work of art that will have made my life’s journey worthwhile. Hey, if I’ve made it this far, there’s no reason why I can’t declare my personal mid-point and tackle the second half of my expedition.
Joan sent me a delightful poem about becoming an old man who wouldn’t have “a computer or a clock or a phone in the house,” and the desire to “learn something just watching the birds and the weather.” I’d be that guy tomorrow if I had the nest egg, but I don’t, and I won’t anytime soon. Yeah, I know the reasons why. Most of Dana’s contemporaries are beyond their careers, and even I have classmates that retired years ago. I intend to keep working as long as someone will hire me, and, if I’m being honest with myself, I probably wouldn’t have it any other way, because I know I have a lot to learn. A day doesn’t pass without my seeing some creative thing to which I still aspire.
There are times when I think I’m the world’s most miserable excuse for a “multi-tasker,” even though I’m supposed to be able to handle numerous creative goals simultaneously. I was reminded again of this over the past week when I tried to make progress on more than one thing, but the only checklist item I could focus on was my digital illustration for our client in Lexington—which she loved. I was successful in getting past an initial creative block, and brought the process to a very satisfactory conclusion. Something in which to take pride, but all I could think about is what I hadn’t gotten done. In addition to my other assignments, I was hoping to compose a holiday-related “Joe Box,” as part of the local Art Center’s “White Christmas” exhibition, and I also expected to put in another productive session as an amateur stonemason before gathering with my Clan later today. Both of those deadlines slipped by. I’m learning to let them go—to release the sense of perpetual failure—to maintain some modest momentum of accomplishment—to forget about how far short I fall, compared to my expectations. When I grapple with these frustrations, I reckon that most high-performance multi-taskers have a personal assistant or an apparatus of managers, and then I flirt with regrets about not having built an organization around myself, but I have to stop and remind myself to avoid pointless rationalizations. I remind myself that I have an invaluable partner who supports me, and the freedom to achieve any level of personal discipline that I set my heart and mind to attain.
Today is the day set aside to give thanks, and I’m inclined to say, “Thanks for nothing.”
I give thanks for nothing new, because I already have what I need. I have my health, my talent, my independence, and people who love me. When it comes right down to it, that old man in the poem has nothing on me. I can discover delicious food on my plate every day. I can put Häagen-Dazs in my holiday-morning coffee (now, that’s why I exercise!). I can still weep when I listen to beautiful music. I don’t have to take medicine, and I can do virtually any physical thing I can think of wanting to do, and perhaps a few that I shouldn’t, being old enough to know better. I can spend a morning in the woods with a lever-action carbine and bring home to my mate a harvest of young, whitetail buck. I can marvel at my new friend’s ability to extrapolate that primal experience as an entire book of verse written in the voice of Kentucky’s most revered pioneer. I can coax my hand to execute just about any visual style that I can harness my perceptions to absorb. I can express my ideas and longings to others who care about what goes on in my head. I can dream. And I can still tell my mom that I love her.
Thank you, Father, for nothing different than all those blessings from Thee.
“Art is worthless unless it plants a measure of splendor in people’s hearts.”
—Taha Muhammad Ali
= Nephew Alert =
Monday, November 19th, 2007• What’s the latest news from Ian? Be there. Aloha!
• Two dozen years of Godfatherhood. Happy 24th Birthday to Nic. This lad is on a roll.
• Can Brendan’s The Diamond Saga be condensed to 101 words?
• Cole didn’t get his “Space Monkey” greetings from me on November 7th this year. That, dear readers, is how mired in torpidity Uncle John’s Haus of Cards has become.
Various & Sundry, part sixty-six
Friday, November 9th, 2007Broadway Report
— The Library closed its doors on West Broadway for the next 13 months or so, and I don’t think it’s entirely sunk in for me yet. It’s almost as though somebody boarded up a room of your house and said you couldn’t use it for a year. Meanwhile, the noise and dust levels are increasing, as construction on the new addition accelerates. One bright spot—I got permission to scrounge ten wheelbarrow loads of limestone powder left over from the work of the big bedrock drills (necessary for the innovative geothermal system they’re installing). I’m not certain how it will come into play when I move forward on our brick and stone driveway, but a scrounge is a scrounge.
Graybeard Alert
— My sharp disappointment at having our Website proposal rejected by the Great American Brass Band Festival was assuaged by an unexpected packaging assignment from Burkmann. On top of that, the Graybeard Prospector had a productive outing yesterday after the Medicine Woman concocted another one of her marketing potions. Glad to inform all that things are percolating again in the studio, and I’m almost prepared to say we’re busy.
Mokrabo Safari
— This past weekend, I helped make good on Dana’s long-held vision for a “safari dinner” at the Blue Bank Farm. The weather was a bit chilly and windy, but what could anyone expect on the first Sunday in November? The evening sky was perfect, and the Milky Way was visible before the diminishing light of day was gone. I can’t imagine it was any more spectacular in Africa that night. With us were Joan, Janet, Jerome, Lee, and David. Good food, good wine, good music, good campfire, good friends. Sure, it turned out to be a lot of work, but a memorable time was had by all. Greg Brown gave us a scare when he disappeared, but showed up the next morning, thank goodness.
Art Update
— Participated in my third wood engraving workshop at Larkspur Press, and, to avoid the tiring shuttle, I pitched a tent between the shop and Sawdridge Creek, which gave me four days of immersion that yielded two finished blocks. It’s hard to describe, but I broke through to a new comfort level with Wesley, his indomitable wife Juanita, and all the regulars who return year after year, including Richard, well-known force in the literary scene. Juanita soloed Saturday night at the Elk Creek Vineyards, and then came back to the area the following week to perform at Richard’s traditional “First Friday” gathering in the cafe next to his Frankfort bookstore, which I was able to attend because I’d spent the afternoon at the Transportation Cabinet with my fellow bicycle commissioners. Wes and Juanita had gone up to Cincinnati for another workshop sponsored there by Jack, the former international banana-shipping executive who’s expert at so many things (including printmaking) that I can’t keep track. The evening of music and poetry was exceptional. Juanita, Kate, and I sat at a table reserved by Laura Lee, one of the most versatile designer-artists in Kentucky, who just finished illustrating a book for children. Richard acknowledged us as part of the Larkspur wood-engraving gang. Gosh, to be around this circle of talents is one of the most stimulating resources in my life, and I owe it to Gray and his rare hospitality.
Various & Sundry, part sixty-five
Tuesday, November 6th, 2007— Month of October workout totals: Swim-3; Bike-5; Run-2; Lift-3; Yoga-1; Pilates-5
— The ongoing exercise program is finally back in balance, but I need to boost the total workouts per month to reach an optimum level. Exercising five to six times per week has become the new target for fitness and health. Anyone who combines that with a smart diet and minimal toxic challenges can achieve significant benefits of disease prevention, weight management, injury resistance, and a greater sense of well-being. It’s an absolute must for people with a sedentary occupation like mine.
— My Pilates class at the college is shaping up to be a satisfactory ritual. The best thing I’ve learned is that I can actually do it well enough to notice some improvement. Like many physical practices, one can take it as far as individual discipline and determination permit. So far, I like it enough to want to get better, and that’s the motivational fuel I need to keep coming back. It’s tough stuff, and I usually hit a muscular fatigue point or cramp before the hour is complete, but my hope is that I’ll move beyond that by and by. I still have a lot to learn about the techniques and philosophy that underlie the right approach to this. I’ve learned from swimming, cycling, and running that I tend to avoid research at first, because the complexity overwhelms my initial enthusiasm. I prefer assimilating things with a natural receptivity, but also realize that I might develop inefficiencies and poor habits that are more difficult to unravel later, if I don’t educate myself on the fundamentals fairly soon in the learning process.
— I have Jerome and Janet to thank for my getting a large portrait commission—one of the Brady Brothers. I met with his widow last week, and we sorted through reference photos. She showed me an example of his artisanship, and it’s clear he was quite skilled with metal tooling and woodworking, even though he’d lost much of his left hand fighting the Germans in North Africa. She told me she’d never heard him complain or say he couldn’t do something. I guess that isn’t unusual for guys of that generation who came back maimed. They considered themselves the lucky ones. I’m glad to get this project as a launch-point for my portrait business, and what better way to kick-start this venture than to accept the honor of painting a Purple-Heart veteran?
— Today is election day, and I’m struggling to stay optimistic in the face of the overwhelming momentum to toss out a decent leader. Dana and I probably invested too much time in crafting our joint letter to the editor. Obviously, we remain loyal to a governor who kept plugging ahead during a difficult term in office. If Ernie is turned out, it will be in spite of his numerous contributions to improving our state government. If he wins, it will be one of the most remarkable political upsets of recent years. We’re hoping for a Harry Truman moment early tomorrow morning.
Various & Sundry, part sixty-four
Friday, October 5th, 2007— Month of September workout totals: Swim-0; Bike-10; Run-5; Lift-7; Yoga-0; Pilates-2
— My exercise regimen is starting to come back into balance after a mighty season of cycling. The Wednesday evening rides are winding down. This week we barely got in a 20-miler before the light failed. Ernst and I managed an all-out sprint battle down Lebanon Road as a final salute to summer, but I still didn’t have enough to best him. It was a nice kicker to Sunday’s long ride. Although it was more windy than we expected, I got in a total of 60 miles, after I split off from the “Bardstown-to-Berea Century” group at Burgin. Ernst and the others continued east for the full 100. On another note, I’m making good on a challenge to myself by tackling the Tuesday-Thursday Pilates class at Centre. If I stick it out, I’ll eventually file an official report in this space.
— A huge Website proposal has kept us busy in the studio for a week or so, although I did temporarily fall under the spell of Ken Burns and watched a few series pilots, too (I may stick with a couple new shows if they aren’t yanked). For many years, Dana and I maintained a standard policy of refusing to propose visual concepts on a speculative basis. First of all, it seemed rather presumptuous to offer design solutions without adequate research and client consultation. Beyond that, it also seemed an unfair expectation—asking us to render our core creative service before making a commitment to hire us. Well, unfortunately, we’ve had to discard that practice during our lingering project drought, even though these types of competitive appraisals rarely involve comparing apples to apples. These days, everyone wants to shop for ideas and low fees, and it’s getting harder to remember when we could get retained strictly on the basis of our qualifications and past honors. It’s just one more aspect of our industry that’s changed radically in the new century. Many of the others are equally distressing. Meanwhile, I navigate the choppy waters and avoid hair dye, unlike Creed at Dunder Mifflin.
— Arts Across Kentucky finally updated its site with the fall issue, but offers no peek at my featured work. I continue to rotate layerist collages at the “Tree” without my first score. Wilma accepted my Band Festival painting at her new gallery on Main Street, and I’m optimistic about the potential for a sale. The “Egg” is the best downtown enhancement of the year, but the most exciting news item is the recent decision by Larkspur to upgrade the Manning job to a book project, with my most recent wood engraving, “Boss’s Bucket,” as the frontispiece illustration.
— Bruce has improved dramatically since he came home to Danville six months ago. The imminent surgery is a good measure of his progress, although the side-effects of dialysis are a continuous challenge for him. He’s able to exercise increasingly, and is much more energetic on a daily basis, both mentally and physically. To see him helping with the household drudgery, building a routine of creative writing, working on his car, composing letters to the newspaper, and more actively moving around the community is deeply satisfying to witness.
Various & Sundry, part sixty-three
Wednesday, September 19th, 2007Call it Nine-One-One
— Needless to say, our wedding anniversaries now tend to start out with a somber mood, but that’s just part of being an American, so we put it aside to begin our own joyous observance. We took a nice drive up Highway 33 after stopping at Shaker Village and then spent part of the day in Midway, where I made arrangements for the Damselfly gallery to display my wood engravings. We enjoyed the sunny afternoon together and had a delicious dinner at the Heirloom restaurant. In downtown Lexington we discovered the same spot that Dana’s parents stood for a wedding photo, when they eloped to Lexington many years ago. Several times, leading up to the event, we talked about having a picture made on our milestone day, but we didn’t even have a camera with us, so we had dessert, did a bit of shopping at Wild Oats, and then headed home.
Lalo the Magnificent
— Joan paid a visit and made a closing installment of anniversary gifts, even though she’d given us a new Mhing game back at the Seitz Reunion. She told me about the recent NPR interview with Schifrin. My favorite part was when the interviewer asked how he was able to move effortlessly from one type of music to another. Describing himself as a “chameleon,” he said he can do it because he’s able to see the “essence” of each form. That idea speaks powerfully to me.
Lust for Lit
— To have discovered the joy and consolation of literature at this stage of life is an unexpected blessing. I recently read my first story by Paul Horgan. Joan gave me a copy of Flannery O’Connor writings. Both are masters of the short story who happen to have been Catholic. A good friend of artist Peter Hurd (brother-in-law of Andrew Wyeth), Horgan also created little hand-made library-card pockets that now sell to collectors for $500 each. He died in 1995. I don’t know anything yet about O’Connor, but I read one of her stories and found it interesting, but just a bit creepy.
Lucky’s Day Wasn’t Lucky’s Lucky Day
— I didn’t even know about Smoked Mullet until the recent BillyBlues concert at the Constitution Square Festival. James and Susan urged us to come back and catch Aaron’s performance the next day. He’s obviously looking for that elusive “hit” for which nearly all young songwriters yearn. It reminds me of my conversations with Danny D about his long haul through the music industry. Danny hit paydirt overnight when he wasn’t much older than Aaron; he hasn’t seen anything quite like it since. I also remember how a friend of mine from Yellow Springs watched his son go to Nashville to strike gold, only to see him throw away the whole opportunity when the lad couldn’t steer clear of the whiskey bottle.
Kelly Watch
— Urban Picnic received a slideshow highlight by The New York Times, and the young talent from Danville was mentioned by name. Not bad. She’s one to keep watching.
Still Crankin’ Forward
— I’ve been ingrained with the committee approach through my board service and community involvement (Band Festival, Chamber of Commerce, Salvation Army, Rotary Club, etc.), but I’ve picked up resistance about going that direction with the B.I.K.E. group. The “c-word” doesn’t seem to have taken hold as a positive idea. Too many meetings. Perhaps a more workable approach is to have a volunteer “project manager” for each objective. Those people can “take ownership,” rally a few helpers to move the ball, and then get back to the steering group with a progress report. The whole thing reminds me too much of the foundering honcho system within the Dixon Clan Council. Hopefully Mombo’s new trust will be a better context for a workable committee arrangement. To be honest, I have diminishing enthusiasm for attempting to structure the cycling-advocacy team. I’d rather devote myself to individual creative and lobbying efforts, like our area master plan, a “share the road” promotional effort, and the planned multi-use trail along the new bypass connector. Although we’ve made some great progress, I’m somewhat weary after 18 months at the helm. I’d like to see a different leader with more management skill to succeed. This would free me up to work on actual projects instead of administration. Meanwhile, the need for studio activity outweighs all these other considerations. Where’s that old Graybeard when we need him?
Various & Sundry, part sixty-two
Friday, September 7th, 2007— My cycling chum Bill S commissioned a hand-made card for his mother’s one-hundredth birthday. He’s a great guy who shares a lot in common with me. His daughter is a terrific designer that works for Lenox. Her new Urban Picnic design is being handled by Macy’s. When she was getting her education she asked me to give her an internship, but the workload couldn’t support it. I regret the missed opportunity to have experienced her talent firsthand.
— One of my primary community-service mentors, Carl M, who originally proposed me for Rotary membership, recently asked if I played golf, as we left our weekly luncheon at the Danville Country Club. I told him that when I had the available time, I much preferred to be on a bicycle. It was clear from our conversation that he didn’t think much of the sport, but remarked that I thought it was a “great game,” and, from time to time, I did enjoy watching the best players on TV. Well, I reinforced that viewpoint for myself over the holiday when I glued down with the head-to-head play of Mickelson and Woods. Anyone who can witness that level of psychological combat without total fascination should steer clear of golf in any shape or form.
— I’m not sure when I became hooked on short stories. Maybe had something to do with Brendan getting me addicted to very concise ones. I shall never read all the great American novels, but I do hope to eventually read all the best short stories ever written by Americans. If you have some favorites, let me know. I can’t get over the variety: Wharton — James — Hemingway — Thurber — Faulkner. And I’m discovering others new to me: Walter Van Tilburg Clark — Katherine Anne Porter. I’ve been aware of The Ox-Bow Incident and Noon Wine (Peckinpah’s lost rendition with Jason Robards is remembered by some who saw it as the finest television ever broadcast), but didn’t recognize those names. Yes, I know… I’m a late arrival at the grand old house of our national literature.
— I have to admit that, after 13 years of conditioning, all I want to do after Labor Day is draw, fish, swim, relax, and enjoy myself. Seeing the picture of the Adkins Family makes me realize how much my nervous system craves some sort of vacation. I decided not to make the trip to Upper Michigan this year. Being with Dana on our silver anniversary is more important. If we can pull ourselves away from the studio, we’re due for our own getaway. What can one say about a quarter century of marriage? I can write a bit, but not well enough to tackle such an assignment. It’s been more than that, too. A working partnership on all levels. An uncommon occurrence in human relationships. Beyond my capacity to summarize.
Various & Sundry, part sixty-one
Saturday, September 1st, 2007— Month of August workout totals: Swim-0; Bike-9; Run-0; Lift-2; Yoga-0
— When I first participated in the Pound & Pedal 20-miler, it started in downtown Danville and ended at Turtle in the Night Farm, the Morgan family homestead in Forkland. With a climb up Catholic Knob, plus its 30-to-40-mph descent, the course was tough and exciting. As we gathered this morning for the annual challenge, which now has a long-established course that extends into Mercer County and back, nobody remembered exactly how long a history the event has, but Ernst thought today might be the 20th anniversary. The current course is not as dramatic, but it’s still rigorous and far from flat. The best athletes took part in the traditional run-bike team competition, so I managed to win the bicycle-only division with a time of 1:05:41. Once again it fell short of the elusive 20-mph average, but only 19 seconds slower than my 2001 finish. Hey, I can live with three seconds a year. Dick B told me I was “aging gracefully.”
— If I could make a living doing what I did yesterday… Well, I don’t know how to complete that sentence. After spending the morning with graver tools, I pulled a crude proof to see if my block was nearly done. It was the best print I could produce at home, but it told me it was time to head to Larkspur. We made the trip to Monterey and I spent the rest of the day alternating proofs on the Vandercook with more clean-up and finishing touches. I wasn’t sure if Dana was getting bored, but it turned out to be an opportunity for her to spend some time with Gray and get a better sense of his rare individuality. I left the block in his capable hands with a sense of satisfaction, looking forward to his broadside composition of the Manning poem with my illustration.
— I don’t want to sound like I’m complaining, but the Arts Across Kentucky article about me was published with a disappointing number of errors and poor visual decisions, but that seems to be somewhat typical of the magazine. Nevertheless, it’s good publicity and is apparently seen by many high-level people. They still haven’t updated the Website to reflect the current issue that contains my profile. It’s up to me to leverage this constructively, otherwise it may offer little on its own to enhance my situation.
From black board to spitzsticker
Tuesday, August 28th, 2007Forgive me for yesterday’s wacky post. I’m rounding the final turn of a new wood block—the first I’ve executed outside the workshop environment. The spot I’ve set up in the little galley kitchen on the second floor is ideal. Painters need soft northern light, but the way the afternoon sun from the small window streams by my left shoulder is perfect for engraving wood. I can see each minute detail with total, three-dimensional clarity. Gray loaned me a magnifying visor, but I prefer the naked eye, as long as I have the proper light.
Why does wood engraving appeal to me? There’s something about the precision that satisfies an inner aspect, much in the same way that the spontaneity of collage appeals to another part of me. Perhaps Wesley put it best when he wrote, “Engraving is like drawing on a black board. Every line you make is a white mark on a black surface. You are adding light to darkness.” That hits pretty close to home for me.
On the other hand, it’s widely acknowledged that wood engraving is a demanding, unforgiving medium. I’m considered fairly decent for a “beginner,” but that’s because I can tap a lifetime of graphic investigation as I make each binary decision—black or white? I still have a significant mark-making technique to learn and “muscle memory” to acquire. I must also develop an even deeper resistance to haste. There are no shortcuts, “happy accidents,” or undo keys in wood engraving. Every mark must be deliberate. The process does not reward chance; it yields only to planning and tenacity. I find a challenge in all that, obviously, but I wish I’d been more strongly captivated by it earlier in my artistic life. After creating the lino block for Joan and Wayne’s wedding invitation, I abandoned printmaking for nearly 30 years. So be it. I’m slowly making up for a bit of lost time.
Spooky music
Wednesday, August 22nd, 2007I continue to have a powerful belief in the synchronicities of life, but, for some reason, I’m astonished when they occur.
The wood engraving I’m working on will accompany a poem by a teaching artist who also wrote a book of verse about Daniel Boone, and it will be printed in Monterey, Kentucky.
Joan had a blind date with a teaching artist from Monterey, Kentucky, who is also the curator of the museum about Daniel Boone at Boonesborough.
Dana and I have talked for several years about the possibility of bartering for a painting by Irina, the extraordinary Russian artist who lives in Danville. 
Recently she chose Dana as the person to provide her personal assistance while recuperating from a broken hip. When we visited to pick out one of her works, she offered to loan me an art book from her collection. The first one I saw had КРАВЧЕНКО on the spine, a name that meant nothing to me. I thought it might be pronounced “Kravchenko,” but Irina seemed to be saying, “Kravkinkja,” so I looked inside. I was stunned by the reproductions. Who was the artist Кравченко? Without a doubt, one of the greatest Russian wood engravers of the early 20th Century.
Various & Sundry, part fifty-eight
Friday, July 27th, 2007— I just had my first meeting with Maurice the Poet about my wood engraving, and it’s such a privilege to be collaborating with someone of his intense perceptions and literary abilities. Not surprisingly, I’m battling those silly old currents of inadequacy. In a moment of weakness, I told Gray I hadn’t expected to be invited in at this level for my first Larkspur commission. He let out his characteristic laugh and said, “John, there’s only one level around here!”
— Brendan must be very busy getting ready to come back to the States, but he took time to send me a cool link about Haruo Suekichi, the Japanese timepiece artist. If, like me, you’re fascinated by the creative process, the interview is full of insights. You can form your own judgments about his watches. Brendan knew I would agree with him that they’re awesome. These are watches a mad villain from The Wild Wild West would wear with sinister pride while defiantly counting off the final seconds of Jim and Artie’s lives.
— After my presentation last night before the Boyle County Planning and Zoning Commission, I believe there’s significantly better than a 50-50 chance that the authority will adopt stronger language in its Comprehensive Plan Update to acknowledge the future needs of bicyclists and pedestrians. If nothing else, the level of public awareness had been raised another big notch, and our group, B.I.K.E. | Boyle County, received a “thumbs up” from the Advocate-Messenger editorial page today.
— Anyone who knows me, knows my affection for cycling, and appreciates how much time I swipe from other activities to advocate for a more bike-accommodating Kentucky… Well, you have to read this article about a recent tragic loss in Louisville. That’s all I can write about it.
— Discovery’s Contador is now wearing the yellow jersey, leading a dispirited corps of the world’s top cyclists. It may take years for the Tour to recover from the scandalous developments of the past week. The Spaniard says he’s clean, but that’s what they all say, whether they are or not. Tomorrow’s time trial will determine the winner, but Evans and Leipheimer both are now in a position to challenge. Unfortunately, whoever wins will stand at the pinnacle of a tarnished sport. It’s nearly impossible to remain an exuberant fan of pro cycling. On the other hand, ask yourself this: What other professional sport would be willing to undergo such zero-tolerance scrutiny, and, if it were, could emerge any less ruined in the eyes of the spectator public?
Various & Sundry, part fifty-seven
Thursday, July 19th, 2007Brandon (not Brendan)
— Brandon mentioned me in his CAC Director’s Blog, so I seized my opportunity to yap a bit about Kurt Schwitters. I appreciate the job Brandon is doing here in Downtown Danville and I like him a lot—not because he really does understand collage, but because he’s just cool. Many moons ago, I taught a Saturday art class for children in Willmette called WeakEnds. The center there was managed by someone Joan introduced me to, a young guy named George, who was probably about the same age Brandon is now. I thought George was cool, too.
Where’s the buzz?
— Pretending like I know how to juggle, I do my best to keep as many balls as possible in the air at all times. This means continuing to promote cycling on a local, regional, and state-wide level (painfully aware that it has nothing to do with earning a living). In addition to circulating our KBBC Recommendations for 2007, I made public remarks at a local hearing before the Planning and Zoning Commission, as they prepare to adopt an updated Comprehensive Plan. I also followed up with written material to their director. To keep the community in step with emerging trends, and to boost opportunities for grants and development funding, the comp-plan requires stronger language to acknowledge the future needs of bicyclists, walkers, runners, and multi-modal users. I was told that my recommended language to beef up the transportation section has been included in the revised draft. I also used the WordPress site to set up a public forum for local advocates called B.I.K.E. buzz. It’s intended as a space to promote new ideas and stimulate communication within our community of cycling enthusiasts. So far, nobody else has made comments or posted any topics for discussion.
Brendan (not Brandon)
— Although I was a reader of Anacrusis from the beginning, I understood how great an admirer of Brendan’s prose I’d become by the end of December, 2005. Now, as a devoted follower of his remarkable site, I can witness to the progressive improvement that’s taken place over hundreds of constrained exercises. Like a literary bodybuilder, he can flex this or that and make it look too easy—make you forget the 1000+ trips to the weight room. That’s why The Implicit (a long way from The Explicit) is such a huge deal, and why I’m flattered about my small contribution to the celebration. Don’t stop. They say it all turns to flab if you stop…
Speaking of good writers…
— I feel like I’m in the middle of something much bigger than I can fully comprehend. Being asked by Gray to illustrate a Manning poem without realizing who he was or that he’d grown up in Danville. Having his mother stop me on the street and awkwardly admitting to her I hadn’t read the book of verse that won his prize from Yale. Finding myself immersed in his vivid literary visions while knowing that my deadline was looming, the remaining time relentlessly ticking away. But, on the other hand, I know things are going to work out. Engraving wood has never been about labor or struggle. It’s always been about convincing myself to trust in the outcome. Acknowledging to myself that everything I’ve learned about the essence of graphic interpretation will find its own way to fruition when I make that first mark…