Although my mom provided a truly rich atmosphere for mental play and my dad revealed for me his familiar world of nature, I look back at times with wonder and some amusement that I ever arrived at any sort of creative legitimacy, given the odd character of my early visual stimuli. I always had chalk and my own blackboard, and was given free reign to inhabit the world of my own imagination, sharing it with a captive sibling audience. I suppose we were rather sheltered. It was no surprise they thought I was a real artist. I recall almost no access to books with “serious” artwork. A bound collection of Currier and Ives reproductions was about as close as it got. I don’t remember any childhood visits to art museums or even going to a library before attending school. There was really nothing about art to learn on television, except for the exposure to Walt Disney, or a glimpse of illustrations in the books read by Captain Kangaroo, or, eventually, Jon Gnagy’s “Learn to Draw.” At least I understood that Yogi Bear and the Flintstones wasn’t about art. We didn’t get a daily newspaper. And so it was a monumental event in my life when Uncle Art delivered a stack of Saturday Evening Post magazines and a year’s worth of old Sunday comics. I must not have had a bit of interest in anything else until it was fully absorbed. For a time, that was the pinnacle: Walt Kelly, Al Capp, Milton Caniff, and, of course, those magnificent Rockwell covers…