Three Girlfriends
John Andrew Dixon
Tinted acrylic glazes and colored pencil on wood panel, 2008
Collection of Sara Jane Montgomery
This business of creating things can be an odd affair. There are times when I employ a high degree of focused passion that shoves everything to the periphery. Putting things into perspective when finished, I recognize faults or miscalculations in my approach to the work, especially when the client indicates “back to the drawing board.” Nevertheless, I often must be fully in that place of positive intensity to do justice to the task, even to the point of believing that it will be the most sensational thing ever done. And then there are other times when I struggle through a process fraught with doubts about the idea or quality of the execution, finding scant grist for satisfaction. Strangely enough, the client can be joyous at the outcome, while I continue to perceive flaws. It takes weeks or months to arrive at a new state of observation, only to discover that I very much like the result.
So it is with Three Girlfriends. A package of pleasure arrives after a long delay, and I ask myself, “How did that get lost in delivery?”