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Pokéblog: For Scott McCloud’s sake, if nothing else

Seriously, why hasn’t anybody put a scrollball on top of a mouse yet? They’ve had tiny trackballs on keyboards for decades, so it can’t be technically challenging, and we all know tiltwheels are nonoptimal–tilting is inferior to scrolling because it’s a fixed rate of movement (unless maybe there are analog tilters), and what’s more you can’t tilt and scroll simultaneously.

Further Keyhole obsession: I’ve finally proved to my satisfaction that New Circle Road in Lexington is not a circle, but a teardrop-shaped gob of snot headed southeast to Richmond.

For the record, I am SO WATCHING YOU.

Update 1040 hrs: I just spent like half a damn hour playing with this thing, flying all over Louisville and trying to figure out what looks like what from the air. I never properly understood how huge the (now-closed) Showcase Cinema parking lot was. Is. Also, if you get driving directions and superimpose them on the satellite images instead of the map? Things don’t quite line up, so to get anywhere it is apparently necessary to tear up a lot of lawns and drive directly down the median of the highway.

The National Geographic Explorer we’re watching right now (“Lost Treasures of Afghanistan,” I think) is pretty amazing. The focus of the episode is on the possible recovery of a thousand-foot-long sleeping Buddha and the definite recovery of a cache of Bactrian tomb gold bigger than Tutankhamen’s. The smaller stories are what get to me, though. The librarians at the Afghan Film Archive handed over all their printed film to the Taliban to burn, but hid the negatives in a secret room behind a false wall. The curators of the art museum in Kabul knew that the depiction of living beings was forbidden, so they altered oil portraits to still lifes by painting watercolors on top; when the regime fell, they just wiped away the watercolor layers, and the originals were unharmed. Desperate genius.

Nobody in the church actually calls it “the last rites,” you know, although nobody had any doubt what it was when the Pope received it. The sacrament is most commonly called the Anointing of the Sick, and it’s performed in many cases of serious illness that incur the danger of death, not just terminal conditions. It’s a ritual of enlightenment, comfort and cleansing, not a funeral rite. My father received his Anointing while he could still walk and feed himself.

Maria brought it to my attention some time ago that I tend to assume everybody knows the story of my family in the early part of the last decade, when in fact I know a lot of you only through the interweb, and I’ve never actually written it up here. I’m correcting that omission today. I’m not entirely sure about all these dates, but I’ll change them if I’m wrong.

My dad, Ivan Wayne Adkins, was born on January 4th, 1950. He joined the Navy after high school, and was an engineer; he served and worked on both cruise ships and nuclear submarines, and was a noncombatant in the Vietnam War (his service was mostly in the Mediterranean). He and my mom went to antiwar rallies together during his shore leave.

When his time in the service ended, he earned a technical degree in engineering at DeVry University. He and my mom were married in August of 1975, and they moved to Georgetown, Kentucky, in 1978. I was born in May of 1981, my brother Ian in October of 1982, and my sister Caitlan in August of 1984.

The house we lived in was called Ivangrad, pronounced like a Russian city (although everybody called my dad “Wayne”). It was a big old place with an ancient well on one side, lots of stovepipes and no working chimneys. It was falling apart when they bought it; my extended family rebuilt it from the inside out before and during my childhood. Some of my earliest visual memories are of heat shimmering off the paint strippers held by my uncles and aunts, and of watching my toy cars disappear as Ben McBrayer and I dropped them between the studs where the drywall was missing.

In 1987, my dad was diagnosed with non-Hodgkin’s lymphoma. He pursued several avenues of treatment, including both traditional and holistic medicine. I think it was also around this time that he became a vegetarian. I don’t remember a time when I wasn’t aware that Dad was sick, nor do I remember any particular disambiguation on the subject, so I assume that my parents told me from the start what was happening–not that I, at six, had any solid grasp on the concept of metastatic cancer.

We moved to Richmond in the fall of 1989, in part because it meant a shorter commute to Dad’s job at the Lexington-Bluegrass Army Depot, in part because it was also a shorter trip to the hospital where he was undergoing outpatient chemotherapy, and in part because my parents wanted a newer home where my allergies to dust and mold wouldn’t be as much of a problem. The new house was called Two Trees. It was the only house with any trees at all in our subdivision–a huge, beautiful sycamore and a smaller catalpa.

Dad joined the RCIA program at St. Mark parish not long after we moved, and was confirmed Catholic at the Easter Vigil mass in 1990 (he’d already been attending Mass for years). He received his Anointing of the Sick near the end of 1992, on his feet, at the university’s Newman Center in Richmond–none of us can remember why it was there instead of at St. Mark, but we’re sure of that.

He entered St. Joseph hospital in Lexington as an inpatient in January of 1993, where his condition steadily declined. He’d been bald for some time by that point, but his facial hair was growing back, which seemed to bother him. He wasn’t allowed to shave, of course; the chemo kept his red cell count very low, so any nick would have been dangerous. He had my grandfather sneak him an electric razor, so he could surprise us with a smooth face. It worked, but his skin was so tender that he cut himself anyway.

He lost the ability to feed himself, and to speak clearly. He was always hot and thirsty. There was a cup of chipped ice next to his bed, and when I came in to sit with him I’d feed him from it with a plastic spoon. My mother taught me how to let it melt a little first. One chip at a time, she’d tell me. Be careful. Go slow.

It’s little surprise to anyone, I think, how much my siblings and I hate the smell of hospitals.

My father is very large in all my memories. He was quiet, and spoke most often with his great strong hands, which knew perfectly how to hold tools and keyboards and children. It must have been heavy irony to see me, small even for eleven, feeding him with a spoon he couldn’t lift anymore. I wasn’t conscious of it.

Dad died on February 17, 1993. Other than the normal blankness, I don’t remember any strong symptoms of denial, though I certainly made my share of mental bargains. My sister, more classically, spent some time after his death believing that Dad was a heroic covert agent, undercover and far away, on secret missions. She was eight. It’s not hard to guess that she’s always been a person of tremendous faith.

I’ve only ever had three dreams about him that I remember: one in high school, one in college, and one a couple of months ago. The first two times I was suspicious of him, untrusting; I knew he was an impostor.

I had a comic-book biography of the John Paul II when I was younger. Its most affecting part was its description of his life during and after the second World War. He had a great deal of contact with the Jewish community-turned-ghetto in Krakow, and he worked with underground resistance to the German occupation.

Hitler wanted badly to eliminate the literate and cultural power of Krakow. He failed. I didn’t understand the symbolism of this image when I read the biography, and I’m sure now that it’s not literal. It’s remained with me anyway: Karol Wojtyla, postulant priest, stealing into a bombed-out library to pull books from the rubble. Covert. A hero.

It occurs to me that I would have liked Sin City better if they had made all the comic’s monologue boxes into subtitles instead of voice-overs.

Sin City

Yeah, I saw it already, because I’m better than you.

And I gotta tell you… man, there’s a great movie in that footage, but that wasn’t it. It was a decent movie, an extraordinarily pretty one, and resolutely faithful to the original (as everyone’s pointed out). Cut all the voice-over monologues, I mean all of them, and you’d have a good movie. Cut the length of every shot in half, shrink Michael Madsen’s speaking parts (why, Michael, why? He sounded, as Maria pointed out, like community theatre), lose the stiff wire work and actually put the music from the trailers on the soundtrack–then you’d have a fucking magnificent balls-out bug-eyed noir-fu motion picture. I would watch that movie every night.

I hope there’s a director’s cut, or an editor’s cut, or a pirate renegade interweb cut, or something; I don’t think I’ve seen anything that needed it worse. Last night people were giggling when they should have been gasping, and all it would take to fix that would be a sharp knife and time.

It turns out I actually did go to school.

I just had a stupiphany that would have been great if it had happened six months ago, when I had the option of submitting a thesis. Whoops!

See, you could store bitmap indices on a varchar field in a database as a two-dimensional black-and-white image for each character position! Normally you wouldn’t use bitmaps for text because the density would be less than 1%, but what if you compressed them like PNGs? You could save a huge amount of disk space, because sparsity would improve the compression ratio, and clock cycles aren’t nearly as valuable as disk access in this kind of situation so the decompression would be parallelizable. The binary operations would reduce wildcard search time by like an order of magnitude! Hell, you could probably store an average-value flattened composite for returning more relevant results faster, and since varchars only go to 256 you could do it as a standard grayscale image! And imagine the data mining you could do on a map like that, pattern recognition, domain linguistics, not to mention just rasterizing it and putting it on your wall…

I promise there are people out there to whom this makes sense. Oh well. Maybe someday I’ll write a paper.

What I would like

Music that manages to combine bossa nova with breakbeats in a non-annoying manner. I’m not sure this is possible, although I’m sure people have tried (I discovered last night that “electrobossa” is already a pretty strong subgenre, but everything I heard was a bit milquetoast, even for me).

I’m not honestly sure I like either bossa or break, but everything I’ve heard of either genre I liked, which I think is encouraging. One of my favorite albums ever is a bossa nova album! Kind of. Most of the breakbeats I like are off soundtracks.