Category: Obsessions

Leonard says that it was in fact Zappa, and offers further quotage:

“In every language, the first word after ‘Mama!’ that every kid learns to say is ‘Mine!’ A system that doesn’t allow ownership, that doesn’t allow you to say ‘Mine!’ when you grow up, has — to put it mildly — a fatal design flaw.”

Maria notes that in fact it’s usually more like “no,” then “mine,” then “mama.” I think that only makes the quote more interesting, as does the fact that it relates not at all to free culture, and very well to the MPAA/RIAA model of purchasing and licensing. To quote Leonard himself, “‘own’ ‘it’ ‘on’ ‘DVD!'”

More on this later.

Update 12.09.2004 1615 hrs: Maria wishes me to state that though she has studied development, she is not in fact a developmental psychology student, and that I have never stated any facts about her or quoted her accurately, and also that I should be dragged out in the street and shot.

See? I did it again!

Some things are fascinating to me that are boring to other people

Via Copyfight, an excellent article at Legal Affairs about Larry Lessig’s speech at Swarthmore. Okay, it’s not actually about that at all: it’s about the background of the whole jumbled movement, its ties to and distinctions from Marxism, and how and why these things are happening now. It’s an excellent primer on free culture, and I learned some things from it myself.

My favorite part, which I like because it’s so clearly and simply stated:

“If you give people the opportunity to create, they will do so, even without economic incentives. The core justification for intellectual property protection is that, without it, no one would have any reason to produce cultural, creative content. They would undertake a rational calculus and go off to become tax attorneys. But the dynamism of the open source movement shows that this fundamental justification doesn’t hold.”

I’m sorry, I just need to repeat that a couple times.

“If you give people the opportunity to create, they will do so, even without economic incentives.”

“If you give people the opportunity to create, they will do so.”

My brother had an AIM away message for a long time that was a quote from one of his professors, er, Woody Allen or Frank Zappa or somebody, like “Communism didn’t work because people like to own stuff.” I liked that quote, and I agree with it. I like owning, just for me, my computer and my backpack. I like owning a collection of nice felt-tip pens and original cartoon art. I like owning some ice cream.

But the best thing about reproducible art–text, comics, software or music–is that everybody with an appropriate container can own it at the same time. The infinite advantage of bits over atoms is that you can give them without giving them away.

Put another way, free culture works because people like to own stuff.

And I pretend I don’t care about having an audience

The NFD LJ feed and the Anacrusis LJ feed each have exactly 32 subscribers. Of those, 23 of the NFD subscribers are on my LJ friends list, whereas 12 of the Anacrusis subscribers are. Only 10 people on said friends list subscribe to both.

Interesting, but probably only to me.

I would like to have similar statistics for the regular RSS feeds, but of course there’s no big site organizing and tracking who hits those. Does anybody know a way to parse Apache log files and see who’s hitting a given location? My current (weak) webstats software won’t do it.

Somebody Fark this

Lisa came over tonight, and two things happened.

  1. We thawed some pre-cooked shrimp and, lacking cocktail sauce, attempted to make our own. You need horseradish to make cocktail sauce; we lacked horseradish as well. The ingredients we did have were ketchup, lemon juice and worcestershire sauce. We decided to attempt to make it, with something (garlic? cayenne?) substituting for horseradish.

    Extrapolation of how this went is left as an exercise for the reader.

  2. We played some Halo 2, the first chance I’ve had to play co-op and a lot of fun. At one point, near the end, we witnessed something so fantastic that it forced the two of us to drag out my vidcapping equipment and record it for posterity. This is maybe the most important thing I have ever done.

    Ladies, gentlemen, I give you: Headless, Breakdancing Master Chief.

Master Chief Breakdancing in .MP4 (4.23 MB)

Master Chief Breakdancing in .MOV (10.9 MB)

Screencap 1

Screencap 2

Screencap 3

Screencap 4

Screencap 1 Zoom

Screencap 3 Zoom

Post script: the above video formats are the only ones in which I can get a workable file size. If you can convert to .wmv, .mpg or .avi (and either get it under 10MB or host it), write me and I’ll arrange to get you a copy of the 30-meg source file.

Gibson Strikes Back

“… I see from a post that Neal Stephenson has evidently used it as well. I would have liked to have gotten him permanently out of the way shortly after reading Snow Crash, of course, but I could already see that I would need him one day to help battle Bruce Sterling. Literature is a long game.”

–William Gibson

It was true!

I love constrained writing, and I checked Constrained today and got reminded why.

While I recognize that neither of the two stories I’m about to link is particularly original, I admire them because they are brilliant exercises in form (some people use that term as a pejorative; I don’t). You can read them very quickly, and I recommend them to you with this note: read the stories before you click to see which challenges inspired them.

Okay, I have to concede that even if I don’t know what it means, “winglike alary processes” is a beautiful set of words. Winglike alary processes. It’s not a band name… maybe it’s a song name. It’s better than that, though. Accidental poetry.

Winglike alary processes.