Category: Connections

My friend Joe is committing some thoughtcrime

And he’s doing a Kickstarter thing to fund the print run. It’s a game called Perfect, and it’s one of the best, most effective story games I’ve ever played: a Clockwork Orange-meets-Fahrenheit 451-meets-actual Victorian evil premise that the mechanics support to a startling degree. Playing it, you find yourself alternately drawn toward becoming a violent enemy of the state, and seduced by power like a guard in the Stanford prison experiment. It’s a nasty game, and I really, really like it. Joe talks more about it here.

If you’re interested by this kind of thing, you should chip in $5! If Joe meets his goal, you get a PDF of the game, and if he doesn’t, you get your money back (well, technically, it never even leaves your account).

Tasha Robinson is great and you should read everything she writes

But just to be clear, the above statements are not causally connected:

“Separating artist and art can just plain be difficult. More than a decade ago, I talked over this issue with a prominent, veteran science-fiction author who’s won every major award in the field. He came down firmly on the side of the importance of the art over the artist. And then he paused, thought about it for a minute, and added something to the effect of ‘Except when it comes to Harlan Ellison. Ever since I met him, I can’t read anything he’s written without hearing it all in that high-pitched, angry little voice of his.'”

“Like a zombie, it keeps on living”

I was bagging on the Washington Post the other day for letting itself bend to the government’s whim. I stand by that, but I also want to give the institution its due: their two-year investigation of the American intelligence industry is amazing, and terrifies me.

“When hired, a typical analyst knows very little about the priority countries – Iraq, Iran, Afghanistan and Pakistan – and is not fluent in their languages. Still, the number of intelligence reports they produce on these key countries is overwhelming, say current and former intelligence officials who try to cull them every day. The ODNI doesn’t know exactly how many reports are issued each year, but in the process of trying to find out, the chief of analysis discovered 60 classified analytic Web sites still in operation that were supposed to have been closed down for lack of usefulness.

Even the analysts at the National Counterterrorism Center (NCTC), which is supposed to be where the most sensitive, most difficult-to-obtain nuggets of information are fused together, get low marks from intelligence officials for not producing reports that are original, or at least better than the reports already written by the CIA, FBI, National Security Agency or Defense Intelligence Agency.

When Maj. Gen. John M. Custer was the director of intelligence at U.S. Central Command, he grew angry at how little helpful information came out of the NCTC. In 2007, he visited its director at the time, retired Vice Adm. John Scott Redd, to tell him so. “I told him that after 41/2 years, this organization had never produced one shred of information that helped me prosecute three wars!” he said loudly, leaning over the table during an interview.

Two years later, Custer, now head of the Army’s intelligence school at Fort Huachuca, Ariz., still gets red-faced recalling that day, which reminds him of his frustration with Washington’s bureaucracy. “Who has the mission of reducing redundancy and ensuring everybody doesn’t gravitate to the lowest-hanging fruit?” he said. “Who orchestrates what is produced so that everybody doesn’t produce the same thing?”

After seeing it on LJ a couple times, I put some stuff from my blogs into the I Write Like tool. Different NFD entries came back as Stephen King, Douglas Adams and (oh God) Dan Brown. Anacrusis consistently gets tagged as Margaret Atwood.

I was prepared to disclaim this whole post, but I cannot argue with that at all. “The world’s longest-running Atwood microhomage” is a painfully accurate description of Anacrusis. You win, Mémoires.

Pathetic

Hey, remember how the Washington Post took down a president thirty-five years ago? They’re still riding on that little laurelmobile, and yet their current policy, Ta-Nehisi Coates points out, is to censor themselves based on the likelihood of an argument from the administration. The merit of that argument is never even considered. Cameron W. Barr:

“After the use of the term ‘torture’ became contentious, we decided that we wouldn’t use it in our voice to describe waterboarding.”

Coates says these are the compromises one makes for a marriage. He’s right, and there was a shotgun-equivalent at the wedding, namely the threat of access withheld. Even Coates’s own house is a bit glassy in this regard, with Atlantic Political Editor Marc Ambinder bouncing around in castles with the Bidens. (Yes, castles. I’m not sure these people know what symbolism is.)

Among the biggest exposés of the past year was Matt Hastings’ infamous McChrystal article, published in Rolling Stone, of all places. Hastings is a freelance reporter whose highest-profile work was in covering the Iraq war for Newsweek, yet his piece ended up in Rolling Stone, which has spent the past decade sucking heartily on anything you have available.

The loudest media reaction to that article was not “oh hey, there’s dissension in the highest ranks of our government about the running of the longest war in American history,” it was “how could he risk losing his access?” When our military actually murders journalists, the people who tell us about it get arrested; meanwhile, news outlets are astonished at the use of journalistic currency to actually do it for a change.

This is the junkie’s mindset–I can’t do anything they wouldn’t like with it, or they might take it away! Access generates pageviews, and pageviews sell ads, and ad sales are an addiction as hard to kick as heroin or oil. This is what I was trying to say in my post about comments last month: a race for the bottom is a race we lose.

90% of the links I send to the team mailing list at work are sourced from Daring Fireball, though

Standard boilerplate about not necessarily buying everything in the article I’m about to link, but:

“Comments, at least on popular websites, aren’t conversations. They’re cacophonous shouting matches.”

Yes, yes, infinite yes. It’s an iron rule. I know they drive pageviews, but if your business model relies on sacrificing the level of discourse to achieve pageviews, you’re in a bad business.

I, of course, have cleverly routed around this problem by never becoming popular, but this is the reason I’ll never turn on the comments on this blog or Ommatidia. (I honestly can’t remember why they’re on at the CHK, but that website is not a sole proprietorship.) The technology of blog comments is a net negative for the human race. If you want to talk publicly about a blog article, do it in your goddamn blog.

I liked it this much despite the fact that it takes place in Kentucky

Recommended: Underground, by Jeff Parker and Steve Lieber. Those of us who are always demanding clever, tough ladies in lead roles will enjoy meeting cave geek Wesley Fischer, and those of you who want exciting comics without superheroes and lasersharking will be equally happy. (I could have stood a little more lasersharking, but my weaknesses are common knowledge.) There’s a hint of a sequel in the afterword, which is an idea I heartily endorse!