I love Nathan Rabin. I’m just going to quote this whole thing, from his ongoing retrospective on the endless NOW THAT’S WHAT I CALL MUSIC series of chart-topper compilations:
Like The New Radicals, Semisonic will forever be tarnished with the one-hit-wonder tag. That’s a shame, because it was a fantastic power-pop group, a trio of eggheads with a gift for monster hooks, passionate vocals, and sincerity that never lapsed into sentimentality. Their 1996 album debut Great Divide is a minor power-pop masterpiece, but the trio’s follow-up birthed “Closing Time,” the group’s unlikely contribution to the NOW pantheon.
At a time when much of what passed for alternative music was steeped in rage, angst, and sneering irony, Semisonic frontman Dan Wilson was refreshingly willing to be romantic and sincere. He wrote great love songs like “Secret Smile” and “Singing In My Sleep,” and songs that weren’t what they appeared to be, like “Closing Time.”
On the surface, the song finds the romance in barflies scrambling for a closing-time hookup, but according to So You Wanna Be A Rock & Roll Star, the likeable memoir of Semisonic drummer Jacob Slichter, it was written about the birth of Wilson’s first child. The song’s key line is purloined from the Roman philosopher Seneca, who originally wrote, “Every new beginning comes from some other beginning’s end.” It’s a line with multiple meanings; there’s the end of life in the womb and the beginning of life outside, but also a father and mother forsaking the pleasures of youth for the responsibilities of parenthood.
Dear everyone who has mocked my Semisonic completism: YEAH, FUCKERS.