{"id":1726,"date":"2008-01-07T16:24:44","date_gmt":"2008-01-07T21:24:44","guid":{"rendered":"http:\/\/www.xorph.com\/nfd\/2008\/01\/07\/the-cryptid-epiphany\/"},"modified":"2008-01-07T16:27:39","modified_gmt":"2008-01-07T21:27:39","slug":"the-cryptid-epiphany","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/nfd\/2008\/01\/07\/the-cryptid-epiphany\/","title":{"rendered":"The Cryptid Epiphany"},"content":{"rendered":"<p>I know this is the kind of thing you&#8217;re supposed to smugly bury, when you&#8217;re writing, but I have this obsession with <a href=\"\/nfd\/2005\/06\/29\/toward-transparency\/\" title=\"Sumana has written good stuff on this topic, but I think it's all in her emails?  I can't find anything on CES.\">transparency<\/a>?  So here&#8217;s an example of how sometimes the world just drops stuff into your lap.<\/p>\n<p>Almost a year ago I started writing stories about <a href=\"\/anacrusis\/category\/proserpina\/\">Proserpina<\/a>, another name for Persephone, probably most well-known for <a href=\"http:\/\/en.wikipedia.org\/wiki\/Hades#Persephone\">the thing with Hades<\/a>.  In the <a href=\"\/anacrusis\/2007\/02\/06\/proserpina-7\/\">very first one<\/a> I threw in a remark about &#8220;her faded black tattoos.&#8221;<\/p>\n<p>Later I decided to add <a href=\"\/anacrusis\/2007\/09\/27\/proserpina-14\/\">an Australian of European descent<\/a>, and only later did it occur to me that I&#8217;d set up her semi-suitor as an older man from <a href=\"\/anacrusis\/2007\/11\/01\/proserpina-16\/\" title=\"Who 'probably killed someone.'  WITH DEATH.\">&#8220;down there.&#8221;<\/a>  Right?<\/p>\n<p>Then last week I decided to bring the <a href=\"\/anacrusis\/2007\/12\/27\/proserpina-20\/\">tattoo thing<\/a> back in, so I had to come up with a rationale for it.  Poking around on Wikipedia led me to <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ta_moko\">t\u0101 moko<\/a>, traditional Maori tattooing; apparently New Zealand was becoming more economically entwined with Australia toward the end of the 19th century, so that&#8217;s a reasonable connection.  Then I looked up the origin story of t\u0101 moko.<\/p>\n<p>It&#8217;s about <a href=\"http:\/\/teaohou.natlib.govt.nz\/teaohou\/issue\/Mao50TeA\/c12.html\">a man who descends into the underworld<\/a> to find the wife he drove away.  Persephone inverted.<\/p>\n<p>I have traditionally viewed with skepticism the English-lit platform of divorcing the author from the work, but man, I could not have done this on purpose.  The title of this entry comes from a discussion I had with Leonard a while back about his writing process; apparently this kind of thing happens to him all the damn time.  I understood the sensation of epiphanic writing when he described it, but I couldn&#8217;t find any examples to hold up from my own corpus.  This is about as close as I&#8217;ve come.<\/p>\n<p>Mild ethical issues here:  there&#8217;s a growing concern among Maori that moko is being appropriated by whites who have neither full grasp of nor entitlement to the art form, and, well, I&#8217;m kind of doing that.  My defense is that I do plan to set it up with an explicit Maori connection, somehow, and to respect the source.  I&#8217;m not sure whether recontextualization of a minority culture&#8217;s mythology is inherently evil or not, but I do think it&#8217;s inevitable.  Origin stories are virulently memetic because they&#8217;re <i>supposed<\/i> to be.  Eventually I&#8217;ll have to do a theme-post about how often I rip off and mash up mythology I don&#8217;t really understand.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I know this is the kind of thing you&#8217;re supposed to smugly bury, when you&#8217;re writing, but I have this obsession with transparency? So here&#8217;s an example of how sometimes the world just drops stuff into your lap. Almost a year ago I started writing stories about Proserpina, another name for Persephone, probably most well-known [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,27,13,28,7],"tags":[],"class_list":["post-1726","post","type-post","status-publish","format-standard","hentry","category-discoveries","category-leonard-richardson","category-obsessions","category-sumana-harihareswara","category-writing"],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/posts\/1726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/comments?post=1726"}],"version-history":[{"count":0,"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/posts\/1726\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/media?parent=1726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/categories?post=1726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/nfd\/wp-json\/wp\/v2\/tags?post=1726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}