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I don’t really guess I’m qualified for this. But sometimes you have to write, and sometimes you have to speak for thedead.

I was in love with Alycia Smith for a long time. She knew it, and she teased me about it, and then she was in love with me for a while but nothing ever came of it except friendship, because that’s how things like that work out most of the time. We stopped talking as much after I graduated–I came here to Centre, and a year later she went to U of L. We saw each other at church sometimes, on weekends home.

Maybe a couple months ago, she IMed me again out of nowhere, and we talked and it was sweet and beautiful and we were starting to get to be good friends again. I missed talking to her in real life. I was looking forward to this summer,and maybe seeing her again.

You know this is coming by now, I guess. She drove over the median sometime yesterday, or last night, and ran head-o ninto another car. She, her boyfriend in the passenger seat and the other driver were all killed.

Alycia would hate reading this. She was a much better writer than me, and she wouldn’t stand for this kind of cliche. Especially the part where I tell you that it’s sitting on my brain now, like I think I’m going to wake up; where I tellyou that she was alive, more alive than anyone; where I tell you that she of all people…

She lived a little outside the lines. She wrote brilliant sad stuff that yes, was amateurish, but showed every sign of blossoming into real brilliant mature poetry and fiction. She drew pictures with the touchpad on her laptop. She had sex with more people than are usually in one bed at the same time.

She had beautiful long black hair that she cut to a bob after high school. I asked her to mail me a lock when I foundout she’d gotten rid of it all, and she promised she would. She never did. She loved manga and black and Poe and girls and boys and English. She sent me a bunch of naked pictures of herself the other day, half as a joke. She’s beautiful in every one of them.

She beat me out of a spot in the Governor’s School for the Arts once, and I was a little disappointed but mostly proud. I went to GSP instead of GSA, and we left around the same time, and while she was gone she started writing me letters–stories and jokes and cartoons and brilliance. I got them all in a box from my mom one day, and I sat in the library and read through them and could barely believe that people like her existed. That was four years ago, less one month.

Alycia didn’t really want to get old. I always hoped her life would outlast her lifestyle. It didn’t, and now the people who loved her have only who she was to love, and not who she would have been. I wish it were enough.

The first time I kissed her it was magic, real honest to God magic: starlight, and streetlight, and trees shaking their leftover rain down on us. Everyone on campus disappeared, and every car in the city stopped, and there wasn’t a sound except a little wind and the silver of her laugh.

There’s a wonderful little book I have called Rats Saw God. Everyone who was ever in high school should read it. It’s about relationships, and people, and love and being kids; one of the most resonant lines in it, for me, was “why ruin something so perfect by trying to make it last forever?”

The first time that question appears, it’s being asked of the protagonist; the second time, he’s asking it himself. I always thought I’d understand it if I had the chance. I think tonight I did.

Magic doesn’t last forever; it doesn’t last, period. I get that now. I’m glad I do. I’m glad I just had the only good breakup I’ve ever had, and that it wasn’t really a breakup at all, just an understanding.

I’m going to miss Emily a lot this summer, but that just means it’ll be even better when I see her again in the fall. And after all, why ruin something so perfect by trying to make it last forever?

Saw Spider-Man (who needs links anyway?). Good; fun; could have been better. Tobey Maguire kicks the appropriate amount of ass, but it’s that infernal Koepp at the dialogue controls again. I kind of hope he dies.

And again, courtesy of Ken and Yahoo! News, comes a brilliant “What’s Wrong With This Picture” (click for a bigger version):

one of these things...

Look carefully. Well, not too carefully. Full article is here. And now I have to go close out a play.

turn all of the lights on
over every boy and every girl

Super Super Thick!

Scanned from the back of a box containing a supercheesy sweatband my primary roommate bought. I want to name an acoustic techno album “Super Super Thick.” Also, itcould be applied to lots of people I know in an entirely different sense, and in fact to the people who designed thisbox, because guess what, kids? “Ultimate” actually means “last.”

FREE HAT

Possibly the most exciting spam offer I’ve ever gotten. And succinct!

not taken!

I think that about says it all. Watch this space!

Yesterday morning, my uncle John got up at some ridiculous hour and ran fifty kilometers. Fifty kilometers. Then he kept walking until he had done fifty miles. Then he went home, had something to eat and went to an unusual retrospective of his work.

Uncle John makes custom birthday cards, and has done so since he was a teenager. A few weeks ago, my aunt Dana started sending letters to friends and family asking to borrow any cards we might have saved. Of course, everybody had saved everything–you don’t get a personal work of art in the mail and throw it away when you’re done.

They got enough cards to fill four rooms full of shelves (and they had leftovers). During the day it was an exhibition for clients; that night, when I got there, it was food and a jazz band and my uncle’s fiftieth birthday party.

It was one of the best gallery shows I’ve ever seen. The sheer volume of work and creativity and originality was humbling and inspiring and it still stuns me a little to think that I own at least a dozen of those original pieces myself.

I think it was my tenth birthday when I got the foldout card. It was a huge battle scene my uncle had drawn and then left half-empty, inviting me to fill in the rest. It was perfect. It was one of the best presents I’ve ever received, and I could probably redraw it from memory.

I was a weird little kid, and if I’d been born to different parents I probably would have been a Ritalin poster child.The only things that could get me to sit still for ten minutes were a big fat fantasy book or a chance to draw with my uncle. I didn’t quite get all the genes that give him his talent, or maybe his dedication–he did better stuff at fifteen than I can hope for now–but everything I love about sequential art comes from trading panels with him on “Captain Zero” and “The Adventures of Petey.” That this site exists as more than a blog is due to him.

A dozen cards, a million comic strips. Happy birthday, Uncle John, and thanks for all my presents.

HELL YEAH

I said HELL YEAH. Show was amazing. Last time Angie played inCincinatti, 60 people showed up (the club can hold 140). This time there were maybe 40. That is a tragedy, what with him having a wife and daughter to feed, but for us it was kind of a treat too.

Angie–it was just him and his drummer (Derek?)–played for at least two hours, sans set list, taking requests from the crowd. About two of us, as I recall, were actually from Cincinatti; most of the rest were apparently just following him along the Ohio River. And then there were the four college students sitting on the floor two feet from the stage, grinning like idiots. We would have danced, but then the people behind us wouldn’t have been able to see.

So yeah, basically they played whatever we asked for–all but two tracks on this album, plus good chunks of his first indie CD (seen above, autographed) and his new covers album. And it was great. It was incredible. They got the fullest sound out of one guitar and a Junior Miss drum kit I’ve ever heard. Angie was wearing a Ramones t-shirt, which was kind of (situationally) ironic,because… Well. Bono always says the reason he started U2 was because he saw the Ramones and wanted to be in a rock band. I saw Angie Aparo, and now I want nothing more than to pack up my drums and piano and move into a van and play in a club every night for a hundred years.

(No worries, Mom. I can’t drive a van yet.)

Two guys are driving past a field populated by a large number of cows. One of the guys turns to the other and says”What a big herd of cows! How many do you think there are?”

“Eighty-four,” says the second guy.

“Wow!” says the first guy, stunned. “How’d you figure that out so fast?”

“Easy,” says the second guy, “I counted their legs and divided by four.”

This is my Discrete professor’s idea of a joke.

Somebody’s been searching a lot for “xorph.com” on Yahoo, repeatedly and regularly–like twenty times in less than amonth. A fine thing, in my opinion, but how long is it going to take him or her to figure out the address bar? Also,somebody found this site by searching for “elephant dildo” the other day. Believe it or not, that exact phrase has cropped up in here before. All the same, I’m hoping it was one of my friends who’s in on that particular joke; if not, I hope it was someone who’s going to get help soon.

Speaking of help:


THAT MISTER HYPNOSIS IS A VERY BAD INFLUENCE YOUNG LADY!!!

So, um, this looks a little different. In case you didn’t notice.

Short Story rode (rode) again last night, for the first time since, um, last May. It was impromptu, and it wasn’t all of us–Darren was tutoring and Garret was in this “other city”–but we picked up instruments together for the first time in almost a year, and we sounded fine.The MC girl called for a second round of applause, and later that night there was a post clamoring for a Short Storyreturn on the Centre phorums. I think people liked it.

The thing is, though, that’s not what felt best about it. I’ve tried my hands at a lot of different ways of making music–choir, piano lessons, snare–and the fact is I’m not a natural. I accept that. But within what ability I have, it’s about the best high I can get. Saying “I play bongos” sounds a bit silly, which is why I try to class it up by saying “percussion,” but either way it’s raw and visceral and soulful and cool. I love acting because it entertains people. I love writing code when it’s for designs like this, or for games, because they entertain people too. But beating the hell out of my hands on rawhide is something I could just do forever, for no audience but four other guys on guitars.

That’s what felt good last night, down in the basement, guessing at how to play “Psycho Killer” and doing it live ten minutes later. The pretty girls in the dark didn’t matter. The applause didn’t matter. What mattered was that playing with my band still feels like dancing and knowing how.

So I’m watching this commercial for a wondrous new cooking gadget and a few things strike me. First of all, why do allthe cooking gadgets for our generation suck so hard? Does anybody remember seeing cooking gadget ads in the earlyEighties? There was nothing they couldn’t do! No commercial was complete without a list of “it slices! It dices! Itgrates! It files! It sorts socks! It eats your children!” There are yellowing reams of comedy writing devoted entirelyto making fun of this phenomenon, and now it’s gone. What do we get instead? Vacuum-sealers–which were stupid before Iwas born–and that “Egg Fucker” or whatever it’s called, the thing that takes delicious, ordinary fried eggs and makesthem into perfect little circles of horror. I hate that thing.

Also! Have you ever noticed that every cable commercial trying to sell a new and purportedly brilliant gadget has thesame guy doing the voice-over? How old is he? I remember hearing his voice in the late Eighties, and it hasn’t changeda whit. Maybe there are actually dozens of guys who all grew up listening to the original, and they have formed a corpsdevoted entirely to sounding exactly like him, renting themselves out for cheap commercial voice-overs. What would theycall themselves? How would you know where to find them? What kind of horrible things must they do to themselves, orhave done to them, to be able to get that enthused about (I am not making this up) a batter dispenser?

Announcer: And that’s not all! You’ll also get–

Director: Not good enough. Back in the Eel Chamber.

Announcer: No! NO! And that’s not all you also get AAAGH SWEET JESUS NOW AVAILABLE IN HARVEST GOLD

Glorious, hellish, surprising, panicked, funny, awful, done. Except not really surprising at all. I’m starting to recognize that there’s a reason people rave about this kind of timed project–the artificial limits bring out ability you otherwise have no reason to use. Anyway, it was worth it, and this is what I got.

“Grant Marlowe Saves The Day”

That’s there to read only if you’re well beyond “bored” into “catatonic.” This is not to say it wasn’t entertaining; I was lucky to be assigned an incredible director and a great cast who made the play into more than I could have hoped for.

There is a full account of the whole process that led to the play, but it’s freakishly long and boring. I wrote that and I’m keeping it for myself; I don’t recommend it for human consumption. I just wanted to have a good record by which to measure all future periods of stress (“Rescuing my pregnant sister from a burning house with my arm broken in three places? I give it .6 Playfests”).

Also, my stomach’s all better now.