Category: Writing

Sense Memory

In the spring of last year I was very ill. It got bad enough for long enough that I actually made and went to a doctor’s appointment, which found nothing wrong in any actionable way. Keep resting, drink fluids. As I lay wrung out on my couch, too sapped even to watch television, I stared at the tall ceiling above me and listened to the whining in my ears surge and fade, amplified by fever. For the first time, and at last, it occurred to me: I have had tinnitus my entire conscious life.

The next time I went to my doctor I asked about it, and she nodded. “Did you have a lot of ear infections as a kid?” she asked. I had. One of my earliest memories is of resting my head on the kitchen counter and feeling hot fluid drip out of my ear as my parents discussed what to do in low, worried tones. I ended up having surgery to implant temporary tubes in my eardrums. The infections stopped, but the damage lingered.

Tinnitus is usually called a “ringing” in one’s ears, but that makes me think of a bell or a telephone, which is why I never thought it described me. (Are you one of the people who can hear a persistent, faint eeeee when a CRT monitor or television turns on on? It’s like that, all the time.) The diagnosis explains a lot, actually—my preference for bass-heavy music, the way white noise helps me sleep, the staticky rush and roar I sometimes get in noisy crowds. My hearing is pretty good, considering, but the sound will be with me for the rest of my life, long after age takes that hearing from me. I’m listening to it right now, writing this. I will be as you read it. I will probably never experience silence. Yet I spent decades unaware, unable to distinguish this aspect of my life from that of everyone around me.

I am ashamed of much of what I’ve written here.

The consequence of publishing the things you think when you are twenty is that, later, people can read the things you thought when you were twenty. Most of these things were stupid. Some are toxic. Some are harmful. All were willfully deaf and blind to my own privilege. Several dear friends have turned up here in the last few years and started reading from the beginning, only to be embarrassed or repulsed by what they found. Despite the unbearable kindness of Sumana’s retrospective about this blog, I flinch to think of what it says about me.

All of this is a strong argument for the most obvious action, which is to delete nfd, or at least lock it: for the right to forget my previous self. I think I’m a better self than I used to be, and better at being human. But part of being better is honesty about everyone I’ve been. Ten years on, I still believe in transparency. To wipe this all away would be to brush out the trail marks I’ve left behind me, the stumbling footprint path from ignorance to… well, partial awareness of ignorance.

So I am letting the record stand. Maybe someone will read it and pick up a few of the things that cost me so much time and so much of others’ patience. Maybe you will read it, and grant me your own patience; or maybe you won’t. I wouldn’t blame you. I am flawed in every sense, but I will keep trying to learn to listen.

Peer to Peer

I worked for the Centre College IT department during my senior year. It was 2002. BitTorrent hadn’t reached critical mass yet, and the filescape was fragmented: finding music or software cracks meant risking your boot sector on Kazaa or Limewire or eMule, and I spent weeks cleaning malware off the computers of those who tried. Even so, I knew I had it easy. Just a couple years beforehand, IT had been dealing with Napster.

I had been part of the problem myself, then. Music is so ubiquitous now, from so many services, that it’s hard to remember when it only came in physical form. I only brought a couple dozen CDs with me to college; they, and what my friends would loan me, were all the music I could listen to. Then I downloaded this piece of software, and—while the network creaked and shuddered—my Dell became a boundless playground.

There was so much weird stuff out there, and so many obscene delights: old TV themes, rap skits, Prince B-sides, that wildly misattributed cover of “Gin and Juice.” Oh, also every song I’d ever wanted. Before the advent of decent portable MP3 players, we burned teetering stacks of sharpied CDs, or stuffed them into fat binders; we blew out car stereos and hijacked theater sound boards. Most people go through some kind of music epiphany in college, but I’ll never be able to separate my own from the opening floodgates of P2P distribution. It couldn’t last.

The courts didn’t really kill Napster: money did. I’m afraid for Twitter.

Twitter has to start making money. They’ve decided to make money via advertising. Faruk Ateş can explain why that’s a bad idea, both in selling one’s users and in stifling innovation. I wish I could just pay Twitter to let me keep posting from my third-party client and stop serving ads.

Yet I regret intensely paying to join app.net. Everything I love about Twitter comes from the fact that it’s free, anonymous, open and inclusive: my broke friends won’t be on app.net, nor will the horse books or identity thieves or psychotropic stumble-spelling genius joke poets. But will they be on Twitter? Or will Twitter fuck this up and immolate itself by cash?

It’s mindlessly easy to get music now: free if you want it, fast if you pay. But there’s no playground. The weird is dead. I have no doubt that we will retain the ability to type out 140-character sentences in any number of places for some time to come, and I know that the (vast, vast) bulk of those sentences are throwaways. But some of them are the best sentences we have yet made in English, and they can only exist in the atmosphere of Twitter, the alacrity and transience and irony and fierce, fleeting joy.

Right now, I can carry 281 people I love in my pocket, and pull them up whenever I need to learn something new. Twitter is how I talk to the world. I know this isn’t entirely healthy, but intoxication rarely is. For the second time in my life, I’m high on sharing, and I don’t want it to end.

Story Hacks: Tenth in a Series

Did you know that when you describe something in terms of a color, you are also describing it in terms of symbolically? It’s true! Here are the many things that colors can represent in fiction.

  • Black: awesome death stuff, bad people, sex workers
  • Red: blood, bad people, sex workers
  • White: non-sex-workers (don’t overdo this)

That’s all! You can go home now.

Today’s Hack in a Nutshell: WHAT other colors

Story Hacks: Ninth in a Series

Bear with me, because this S is about to get C, but there are times when—by sheer demographic necessity, or just to be different—you may want to write about a female protagonist. “What?” I hear you say. “But then how will I make my readers care about anything that happens to her?” I know it seems impossible! But there is a simple solution to this problem: Sexism.

It seems hilarious now, but in the misty past of yore, Sexists ruled the land and would frequently make girls feel bad for not being as good as men. To subtly indicate that this controversy will be your subject matter, have a man smack your protagonist on purpose in her butt area, then join his friends for a group smirk over cigarettes. I bet your spunky chick blows her hair out of her face and looks mad to show that she didn’t like it! This is classic Sexisy, one of the three unforgivable narrative sins. (The other two are kicking a dog and saying the “f-word”) (“fat”)

Now that we know who the bad guys are—the Sexisms—and who the good guy is—the girl—have her secretly practice being just as good as a man at something only men are good at. She wants to show everyone what she can do, of course, but how can she? She has too many female emotions!

Fortunately she will meet her savior: a bad boy with a good man inside him, who can learn that women are people too once she beats him at archery or boxing or whatever. Then, when the evil sexist goes crazy but not exactly because of our heroine because she’s really not a troublemaker, she and her new boyfriend can team up to defeat the metaphor once and for all! Now your audience has learned that females can solve almost all their problems, with help from men. No more sexistry ever! GIRL POWER!

Did I mention that she should be super hot but in a kind of tomboy-y way? That’s important.

For bonus points, make the villain a mean lady, to show that really the whole problem is chick-on-chick violence. Now that you’ve solved sex, you can do the same thing with racism! Instead of a heroine, just substitute a hero who is not white, then whoops I am being thrown from a moving car at freeway speed

Today’s Hack in a Nutshell: UNGH thudthudthudthud thud thud scraaaaape, CRACK

whoooshhh

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whoooshhh

Technoir

Matthew is running a cyberpunk story game called Technoir for Harry, Alex and myself. It’s very good, and I’m not just saying that because it cites Brick in its inspirations. Here’s part of the mechanic for healing damage: when your character has been tagged with something that describes permanent physical, emotional or social harm to them, you have to get surgery to implant a piece of cybertech that “replaces what has been lost.”

Left implied is that of course it fucking doesn’t, nothing does, that’s not how loss works. But it is how cyberpunk works, in one elegant sentence that happens to be a functional rule. That is brilliant game design. Well done, Jeremy Keller.

While I’m talking about people who were already throwing off sparks like seven years ago when I started following them

Leigh Stein is very, very good at what she does:

ADDENDUM TO THE PREVIOUS DISPATCH

I just remembered every single thing I’ve ever done
and now I’m embarrassed. I want my afterlife

guaranteed, so I have ordered a tomb built at Giza

for my remains. They are as follows: all my clothes,
my harmonica, my body, letters to my enemies.

The dictionary says you can refer to everyone

who will be alive in the future as prosperity so
Dear Prosperity, I used to live in the future,

too, but I fear the past is a brushfire

and I am a prairie. Now that I have what I asked for
I see I should have been more specific.

How hot is that? Brushfire hot. It appears in the new book of hers I just got, The Future Comes to Those Who Wait, and you should get it too; it’s worth it for the poem on page 18 alone.

(Hillary Eason, can you read this in Mongolia? I hope you can, and are.)

The thematic similarities worry me

Longtime ommatidiadvocate Tikitu de Jager wrote a great signoff story that you should go read right now! And then there’s this metatextual gem, from Rachel Spitler:

I once had a dream about catching up on Anacrusis.

In the first story, some curiously dorky heroes went on safari. In the second, they all got captured by the black-skinned “King of the Amazon.”

The third was from the viewpoint of someone’s stripped and bare bones, watching the king lounge in his giant throne and gnaw thoughtfully on a comrade’s femur.

It was awesome, but I also remember going, geez, isn’t this a little racist? Random tribal cannibalism? You really went there?

Then I woke up and realized it was me all along, and thought these words: WHOA, TWIST ENDING.

Anacrusis

Anacrusis/Ommatidia is done! I started it in July of 2003, wrote 2003 stories, and now it is my 30th birthday and my present to myself is, I don’t have to do it anymore. (Landing on this date is only sort of a coincidence: I calculated the timing versus post count last summer, and you have probably noticed some bonus stories appearing on weekends since.)

The website won’t go away, but the every-weekday part of the project is over. You will probably see the occasional story pop up in future, if you keep the feed in your reader, and I’ll try to do a bit of curation and shuffling. I may end up keeping Anacrusis as the chronological record and Ommatidia as more of a categorized library. Or: not.

Now follows a list of things I got out of this deal.

  • About 266 subscribers on Google Reader, which is to say, by my estimate, 133 total readers
  • Some useful characters
  • A lot more confidence about my word choice
  • Very little confidence about my plotting
  • A great deal of evidence that I thought stupid things were clever at 1:30 in the morning
  • A name-drop in a doctoral dissertation that I’m not allowed to read
  • A gig writing for one of my favorite comic artists
  • Some really nice letters from cool people
  • Approximately 2003 fewer hours of free time

If you read and enjoyed this thing, thanks, and I’m glad. I owe a debt to Holly Gramazio, Sumana Harihareswara, Leonard Richardson, Andrew Cole, John Dixon, Stephen Heintz, William O’Neil, Kevan Davis, Ben Wray, Riana Pfefferkorn, Joe McDaldno, Tim Coe, Dave Michalak, Ben Carson, the indefatigable Geoffrey Pieper, Christin Clatterbuck, Kris Straub, Penny Arcade, and all the regulars from the LJ/FB feeds for putting the occasional gleam on my raw monument to doggedness. Many of these people have done me the additional kindness of writing guest stories! I’ll be posting them over the next couple of weeks.

I look forward to having my evenings back so I can devote more time to writing code and also homoerotic fanfiction about Inception characters. You think that’s a joke but it’s not.

It’s a threat.

Tracermancy

If you’re enjoying the Ashlock stories, you will definitely want to follow along with Wolverton, a fantastic series in the same world and format that Ben Carson is posting on a matching schedule. He also keeps coming up with cooler and more exciting twists, which is great, not at all like he’s making me look bad and had better WATCH HIS ASS OR ANYTHING CARSON