I’d read on Neil Gaiman’s blog some time ago that, in a press conference, Margaret Atwood had declared that Oryx and Crake was not speculative fiction, as everything in it was extrapolated from some current trend. Both Mr. Gaiman and myself thought that was a fairly strange statement to make, and I was a little disturbed to hear it from a writer I like so much, but it turns out that she does say it’s speculative fiction after all. So much for gossip.
This is pretty much a post just to reassure myself, actually. Sorry.
Last spring, I read Atwood’s Negotiating with the Dead, a series of transcribed lectures about writing. The themes of that book formed a large part of my senior statement, and had probably as much influence on the way I write structurally as her style has had on my actual prose. Which is to say a lot.
I often have difficulty liking things–books, music, visual art–without somebody else’s trusted opinion to back me up and give it cred. I don’t particularly like this about myself, but it has saved me from some embarrassing devotions (let’s remember that I was big into the Gin Blossoms). There are a few things, though, that I feel I came by honestly. Semisonic is one, Checkerboard Nightmare another, and Atwood is a third: the three of them form a rough but fairly clear portrait of my taste in nearly everything written.
More on writing, in probably a couple of days. (Oh, and thanks to Sumana for the O&C link.)
