“Will Twitter fuck this up and immolate itself by cash?” I asked, not quite ten years ago.
Welp.
is a blog by Brendan
“Will Twitter fuck this up and immolate itself by cash?” I asked, not quite ten years ago.
Welp.
I realized with mild startlement, this morning, that I’ve been using a Google Reader replacement called The Old Reader for over eight years—longer than I actually ever used Google Reader. One of the widely loved features of GR was its quiet, useful social function, allowing you to follow your friends and see what they wanted to surface and recommend. The idea of a social network that just unobtrusively shows you the things you want to see, in order, seems like a quaint and nostalgic dream these days.
I never actually made much use of the social feature—I just wanted a reader that persisted between computers—but today (after eight years!) I’ve realized that The Old Reader lets you follow people too, and I’m curious about trying it. Do you use it, dear Four People Who Read This Blog And Possibly A Lost Search Crawler Robot? I’m xorphus there and I’d be happy to connect.
In 2022 I want to work on that, and I want to finally kick off a project I’ve been threatening to undertake for years. Ready for my new blog’s inaugural 3300-word multimedia essay about Steven Soderbergh?
But two decades ago I used to host a little mini-site here for my college band with Jon, Ken and Darren. We called ourselves Short Story.
I’ve been a fan of Magnolia Porter Siddell for a long time. Today she posted the last page of Monster Pulse, making it one of the only webcomics I have ever seen tell a cohesive, consistent, and conclusively satisfying story via the steady mechanism of Monday-Wednesday-Friday updates over the course of years. Ten years! That’s an extraordinary achievement, even apart from the sheer wonder and grace of her storytelling, and I think it’s one of the great success stories of the medium in the 2010s. Porter Siddell pursued evolution and risk in her art, stayed true to her inspirations while exploring far beyond their boundaries, and never let her readers down. I can’t wait to buy the print editions all over again. Re-read Monster Pulse!
Last week I did something I’ve been putting off for six years: I went back through this entire blog, one page at at time, and locked away a few hundred of its two thousand entries. Most of those, but not all, were from the very early days of this millennium, when I still regularly listened to dialup noise before I could put a text file through a transfer protocol to publish things here. Some friends and I would eventually guess a few things right about the future of the internet. But I did not anticipate the future of Brendan. That’s in part because I didn’t know who Brendan was.
Reading through my public diary in full, for the first time in a long time, the feeling that emerged for me was… well, a bit less chagrin and resentment than has been there in the past. (Therapy!) In the past that feeling has obscured the text, preventing me from looking clearly at my own writing. What I saw this time was that through years of trying on different voices, whether projecting unearned assurance or closely imitating people whose assurance I envied, I was aching for an identity I had not found.
A lot of the things I would end up wincing at were attempts to write out ideas I didn’t even really support, just to practice thinking through them—things I then left to stand in the record while I moved on inside my own head. Many more were attempts to summon a Brendan who could achieve validation and love from the internet, the validation and love he didn’t know how to show himself, if he just put the right words in the right order. The blunt term for both cases, I think, is “sophistry.” But I’ve done enough excoriation over that. What I saw this time was that I had a lot of years of stumbling to do before I stubbed my toe on something that looked like self-knowledge. Starting to unearth it took years beyond that.
I think at least once a week, if not once a day, about the Web we lost. Right now I’m having complex and tangled feelings about the Web in which I started this thing. It was gentler, in some ways, than the milieu in which I’m writing this now—one where the idea of sudden attention makes me feel more fear than excitement. It was also exclusionary. The only reason I was able to start writing here, half my life ago, was my place at the pinnacle of privilege. That privilege has also extended me tremendous benefit of the doubt from all the people who have read this stuff and still decided to be my friends. I don’t plan to take either for granted anymore.
Deprecating a moment of pique I typed out about someone I dated for two weeks, which I then left on the whole internet for anyone in the world to read for twenty years, is not going to hide the search, the work, or the ache to figure out who I was. I’m not trying to polish my image here, or make it appear that I never held opinions I now reject. (I did! Lots of them! They might still be on the Wayback Machine!) What I’m trying to do instead is forgive the old Brendan for all the things he left for future Brendan to regret. And forgiveness means letting some of those things go to rest.
Sumana’s been on a pretty amazing run of posts, and this one struck me right through:
“We come together every once in a while to refill on trust and camaraderie and a shared understanding of what we’re trying to do and who we’re trying to do it for; I assume that, for some folks, those wells have now run dry.”
Eight years ago, I was already feeling a kind of nostalgia for my own version of con season, even though I was right there in the thick of it. A long summer is one thing, but a drought is another. I feel the ache for my friends as if it’s a loss, even though, by impossible fortune, I don’t think I have lost anyone yet. But the time we could have spent together is life we won’t get back.
Hi. I relaunched Sext Exchange, my twitter game from 2014, as a game you can play by text message or Whatsapp. I am almost at the point where the source code is cleaned up to release, for once. It’s overengineered for what it does but I’m proud of it. Anyway, email or text me if you want the number. I love you.
It’s possible there are people reading this blog from time to time who don’t really know me in person, so perhaps it will be nice to clarify something. The Kat person who comes up often in my writing these days, or sometimes without writing at all, the reason I moved back across the country, the light of my days, is the very same Kate who first popped up here a month shy of eight years ago. Did I have any idea back then that one day we’d be getting married and spending the rest of our lives together, you may ask rhetorically? And to that I can only say: yes, I did have that idea, in 2012. It was only an idea, but I had it, and then bit by bit and turn by turn the two of us made it steadily more real until it all came true.
If you are reading this, whether I know you or not, I’m glad that you are persisting. I hope, too, that you have the chance to persevere.
Hi, we’re alive and fine. My privilege is as evident as ever, as my daily routine of isolation with Kat resembles what Maria called “an extended snow day,” mostly but not entirely without snow. I hurt for the sick and grieving; I worry for the essential and vulnerable; I watch Bon Appetit and experiment with vegan baking; I do my internet job and I watch out my window and wait. Here are some things that have held my interest in the last little while.
Despite my limited dabbling in microelectronics, I can’t follow many of the technical specifics in this review of process and call for aid on a final, perfect Super Nintendo emulator. But the SNES was a system that still informs my design and aesthetic sensibilities, twenty-seven years later, and I respect the author’s work very much. The most striking quote to me:
“I can tell you why this is important to me: it’s my life’s work, and I don’t want to have to say I came this close to finishing without getting the last piece of it right. I’m getting older, and I won’t be around forever. I want this final piece solved.”
What an extraordinary thing it seems, to me, to know what your life’s work is. I hope one day I do.