All right, I freaking live with The Surrealists, it’s about time I memed it up, right?
This is all 30 Rock’s fault really, even if they didn’t invent the gag. I love 30 Rock.
On Sunday I was supposed to meet Caitlan here so she could drop some things off before she, Kristi and Melissa went touring in London. The original estimate was that she would show up at 1:00, give or take an hour. Kevan and Holly left to go to Kew Gardens at 2 and Caitlan still hadn’t made it. By 4:00 I figured they’d just decided to lug things around rather than spend time getting here and back, so I decided to try air-drying all my laundry simultaneously. In my small upstairs room, this means festooning every available protuberance (coathooks, shelf corners, light fixtures, etc) with my underpants.
By 6:00, Catriona was home and I went out running. Circa 6:50 I returned and was greeted by Kevan. “Oh,” he said, “your sister and her friends came by. They’re upstairs.”
My life is a sitcom, second in a series.
So some of you may remember that I like Hackers. I like it a lot. I realized some time ago that while I am not into Rocky Horror, if Rocky Horror was Hackers, I would be a full on costume-wearing hot-dog-throwing line-reciting fanboy. GET A JOB, I would shriek. YOU ARE IN THE BUTTER ZONE.
I recently moved to London and into a house where the function of the residents is, essentially, to egg each other on about goofy ideas. Catriona provided the idea of doing read-throughs of plays or movie scripts as a form of participatory recreation, and Holly asked if there was anything I’d like to toss in the prospective-script pile. Could it be really bad, I asked? Because there was one that could be funny.
Later, we were passing around emails about said read-throughs and a possible visit to a museum full of automata. Somehow Holly came up with the joke of steampunk “hackers” as “clockers,” constructing automata instead of programs. I laughed at it. Then I said “clock the Bigben!” Then I said “oh no,” because I really had more important things to do.
Instead, Holly and I spent a few weeks interpolating the movie script into 1860s London, replacing the absurd computer-feats with absurd clockwork and technobabble with Victorian slang. Then we revised and got it printed and got some friends to come over and wear funny hats, and this was the result: Clockers.
Of the people who did the read-through, only Holly and I had read the script or indeed seen the original movie beforehand, and they all did a fantastic job picking up multiple parts and figuring out what was going on. And putting up with my Matthew Lillard impression. Thanks again, guys, and let me know if you want a link under your name on that page.
Today Kevan, Holly and I play/acted in what turned out to be a kind of iterative playtest for A Small Town Anywhere, one of the games we missed at Hide and Seek Fest but whose description was really intriguing. We were asked to write up our personal accounts of the game/performance and email them to the organizers, but I figured I could get a blog entry out of it too.
Um, this turned out really long, and is not as exciting as the Hide and Seek post, and so is probably not interesting unless you’re a curious Dispatch contributor.
We showed up and were assigned town roles, pretty much as I would have expected. I got the Postmaster, which was possibly the most exciting thing that has ever happened to me at the beginning of a game, given that I knew the post office would be crucial to the workings of the game. Alas, a pesky sense of responsibility kept me from abusing the opportunities of my rank for fear of ruining the game for everyone else. As we would later learn that there was no explicit win condition, I kind of wish I’d been more ruthless in doing so now.
We filed into a pretty thoroughly set-up room centered around a schoolhouse, with desks for some people, beds for others, and a wheely post-cart thing for me. One quasi-fake wall had the mail slot and the big clock set into it, and the organizers were behind it, telling us about daily events over a PA system. They introduced each of the characters (Holly was the Samaritan, wife of the Psychiatrist, and Kevan was the Prosecutor), and we each had a letter to read. Mine contained essentially the following:
You’ll notice that the letter did not exactly specify my duties, responsibilities or what I could get away with as far as abuse-of-authority–not a big omission if you’re approaching this whole thing from an improv perspective, but a bit shocking to me. (One of the other players would later be excited to learn that we were attending not because of theater connections but just because we were “gamesters,” which made us very excited in turn.)
Next we took a class in letter-writing from the Headmaster: addressee and day of the week at the top, then body, then postscript, followed by signature, fold in half and write addressee again on the outside. Everyone wrote sample letters in which they followed these scrupulously, then immediately started sending anonymous and spoofed-header mail (Holly in particular got three different letters, all purportedly from the Doctor, all with different handwriting). I hadn’t realized at this point that I was supposed to be the only route to the mail slot, so everyone just kind of lined up and stuck theirs in. This was perhaps my worst choice of the game, from a selfish perspective. I really should have set an example by making them hand all the letters over to me first; as it was, they all decided I wasn’t necessary for sending mail for the remainder of the game and denied me a great many opportunities to spy.
Oh, and since I wasn’t sure at this point whether my lover (and potential ally) was the Invalid or Patient 13, I wrote a letter to the Priest asking about the biscuits. I thought this would be wasted, and indeed nothing ever came of the biscuit rumor, but the player of the Priest later said that it made her immediately paranoid and that she started taking my conversations with her more seriously. Point to me!
After the letter-writing, we sat down and put on blindfolds for the first “night,” in a manner clearly inspired by Mafia. Unlike Mafia, there was no accuse-murder-trial cycle after the night, and the organizers didn’t even sneak in and move things around while we were blindfolded, so I’m not sure why they were necessary except to give a more concrete sense of the separation of days. I suspect they were a holdover from a previous version of the game.
Monday morning, I delivered a lot of letters (assisted by the Teenager, as per the Town Crier’s PA announcement) and got a kind note about my nice hat and wheely cart from Kevan. Unfortunately, Kevan was the Prosecutor and I hated him, so I shredded his letter, folded it up in another piece of paper and sent it back. He later mentioned that this made him MUCH more paranoid, since it could have been a threat or indication that his mail had been intercepted and not delivered, so point two to me! Or maybe at this part of the game any action engendered paranoia, I don’t know.
The Headmaster quickly revealed that I was his assigned hatred, basically by chasing me out of his classroom a lot. At one point he threw a crumpled wad of paper in my wheely cart, and Holly glided by and picked it up before I could, which I thought was the coolest thing to happen in the game. The paper was just blank scrap, though.
At this point I began consulting and sharing hints with Patient 13, who turned out to be a pretty good ally, and was already sending spoofed mail (eg, To Doctor, From Nurse, I hate you I hope you leave town) just to stir things up. Last post was already almost upon us, and evening shortly thereafter. Blindfolds, Town Crier dream-monologue, end of Monday. I’m pretty sure Kevan’s shredded-return was the only mail I sent that day (or indeed for the rest of the game).
It must have been on Tuesday that I got the letter from “The Raven,” who was not a known player, hinting that I had a connection to the Headmaster. The Raven also gave some pretty explicit hints that the Doctor was performing abortions, and not very well. Since it wasn’t clear when or where the game took place, I just assumed that abortion would be illegal, or at least frowned upon, by dint of the Raven deeming it scandalous.
At this point we started to get some serious information-sharing done, and I picked up from one conversation that the Doctor was engaged in illicit activity, that there was morphine missing from the hospital and “he could have used it for that,” and that the Psychiatrist was concerned that his wife (Holly, the Samaritan) was over at his place an awful lot. Combined with my Raven letter, this led to some fairly obvious conclusions, especially in light of my metagame assumption that all players would have a more-or-less secret affair like mine.
Oh! There were a few coins in my wheely cart, and had been since the beginning of the game; there was never any instruction on what to do with them, and I think the Mayor was the only other person who started with money, or at least the only other money I saw. I mention this because at this point the Fireman pointed out how paper-filled and flammable the post office looked, and how I could possibly make it easier for him to provide some extra patrols in that area. It was nicely subtle and nasty, and I gave him a coin for it. Then I never did anything with the rest of the money. End of Tuesday.
On Wednesday, Kevan asked me with great concern why his letter to me had been returned in pieces; I wasn’t sure whether my hatred of him was valuable secret information, so I made up excuses about the machinery in the post office and failed completely to ease any of his suspicions of sabotage. There was a lot of huddled gathering and me peeking over people’s shoulders while they wrote letters, but the only thing I gained was somebody else accusing the Mayor of being a fellow communist.
At the end of Wednesday, the Cobbler tried to deliver a letter after last-post-call, and I callously told her she was too late and would have to wait until tomorrow. She glared at me and said she knew things about me, and I informed her that unless she told me exactly what those were, she might never send or receive a letter again. She huffed off. This was the only time I really exploited my position, and it was great!
On Thursday, Patient 13 died! What the hell, man! The player immediately assumed the role of Patient 13’s grieving mother, although I wouldn’t realize this until Friday. The Town Crier said that a razor blade had been found next to the body and that it was apparently suicide, and multiple people got letters from the Raven saying nope, it was clearly murder. I managed to snatch all my dead lover’s mail from her hospital bed and read through it, but gained little by this except that she had been instructed repeatedly to complain to the nurse. Motive? (No.)
At the end of Thursday the Cobbler humbly apologized and said she’d just heard a vague rumor that I was incompetent, so I made peace and delivered her mail. I only found out five minutes ago that she heard that from Kevan to begin with, which makes for a much better story.
Friday was the funeral at the church (throughout which the Teenager and I continued to deliver mail, a bit disrespectfully) and we sang an unscripted hymn and staged an unscripted shouting accusation-match. Given that the only structural prompt we were given to do so was “congregate in the church,” I thought that worked quite nicely. The Doctor admitted to performing abortions and there was some muttering about the Teenager stealing mail, but before we could really get underway, a letter to the entire town from the Raven descended from the ceiling to say that it was NOT a suicide. Then the Mayor got up to say something, but was interrupted by the Town Crier, telling everyone to write a final letter guessing who the Raven secretly was. (We were not asked to guess who the murderer was, which was a bit confusing–who cares about the Raven? Weren’t we more concerned abou the killer in our midst?) I wrote a “confession” from the rotten Headmaster but then screwed up the addressing and decided not to submit it. Everyone else put theirs in, and the game was suddenly done.
We gathered outside the town and the organizers read everyone’s accusations aloud, but didn’t reveal who the Raven actually was–apprently it was one of the characters, but that character’s player didn’t know about it, which makes it kind of impossible to guess. As I mentioned, there was no winner or loser declared, and the murder turned out to be a suicide after all.
The whole affair came off very much as game design by nongamers, which is not a slam–I think there are lots of neat broken assumptions in this kind of thing, and I’m certainly interested in the notion of games without victory conditions (although I don’t think arbitrary time-cutoffs are much of a substitute). There were a lot of things that could have made it a tighter game, and a lot of others that could have made it much more like a long-form improv play; I think the organizers are still not entirely sure whether they want to go either direction with it.
If we had time, I’d definitely go play a later iteration, preferably as a moral-free Postmaster who held the reins of the world in his cackling hands. I doubt they’ll let me once they read this, though.
On Saturday, Kevan, Holly, their friend Ramesh and I shot London in an event put together by Shoot Experience. As with Hide and Seek Fest the weekend before (only a week? Gosh), this was something that one of my housemates discovered through arcane metainternet means. This used to say that the discoverer was Kevan, but I am hereby correcting it: it was Holly. I was a liar before! I will burn.
We got ten “clues” related to London, water and the area around the Tate Modern; these were pretty obscure to me but much, much less so to my teammates. Our memory card was due in at 5:00, and they sent us out at around noon. That seems like a lot of time, but we were one of 66 teams, all of whom were trying to come up with unusual ideas for the same ten things and get to them on foot. The walking took longer than any clue, and our best shots took almost an hour apiece.
We spent the last hour in increasingly desperate attempts to get anything at all for the last four clues, and ended up frantically paring 232 shots down to the required 10 on-camera, while speedwalking back to the venue. We were lucky to have time to back up some of the better extraneous shots onto my iPod before the culling was complete, which is why there are 24 pictures in the Flickr set (half mine, half Holly’s or Kevan’s). If we did it again, we agreed, we’d concentrate on getting really good shots for half the clues and not bother with those that didn’t strike us–there was no completion requirement, as long as you didn’t have more than one shot per clue. (Nobody else knew that either, which is why there were fifty hasty pictures of toilets for Waterloo.)
Those striking clues really did yield the best results. We won the category prize for clue A, about the Tower-Bridge-leaping bus, for which I think everybody did exactly the same thing–but ours was the prettiest.
We got some Norton software we didn’t actually need as a prize, but the peer recognition was nicer; there were only thirteen prizes awarded, and Tiny Richard Dawkins and His Komodo Dragon Band got one of them. (Holly will be glad to explain our team name.) There’s an multiple-city Shoot Experience gallery show in August, so I won’t be here for it, but I’ll make my housemates blog about whether we make it into that too.
Speaking of Flickr, Maria wants me to mention that I’ve been slowly, disjointedly editing and posting some of the twelve mojillion pictures I’ve taken this year; recent additions include touristy ventures to the Tower of London, Kent and the British Museum.
Last Friday, Kevan, Holly, Josh and I journeyed to the end of the night as part of the 2007 Hide and Seek Fest, a city-spanning pervasive game, free to all 100+ participants because it was sponsored by a charitable foundation and Gideon Reeling, who may or may not exist.
We showed up at a condemned warehouse in Wapping at 7:30 pm,
We also got maps of central London with instructions on where to meet our contacts; those getting all six signatures would, at the end, get a handmade t-shirt. Each of the contacts was within a specific safe zone. Outside such zones, getting tagged meant you switched out your runner tape for a chaser ribbon and became one of the enemy. Josh spoke openly of his desire to make such a switch from the first five minutes of the game. It is perhaps difficult to explain why this landed him the de facto leadership of our little group. Mostly it has to do with decisiveness.
We split off from the other ninety-six humans and walked from the starting point to the first checkpoint (in an alley amidst curry restaurants) and the second (buskers playing Bob Dylan next to St. Paul’s); despite lots of eye-darting, walking backwards and mild panic at the sight of anything red, we didn’t actually see any chasers until we were nearing the third. The contact was in the basement of a pub in an alley, and the alley was the safe zone. Our acquired paranoia served us well here, as we assumed chasers would be lurking near both mouths of said alley. Josh wandered up to check while the other three of us hid in a bus shelter across the street. He disappeared behind traffic.
“Hey, is that Josh?” I said, just as a figure in a dark sweater came pelting back down the street. Four red ribbons followed hotly. Kevan, Holly and I slipped into the alley behind them. Josh would later inform us that the chasers’ faces when they glanced back at us were worth the effort.
He got away from them and met us downstairs, where a blind poet was stamping our signature sheets with green thumbprints (it was crowded and he took forever, so I tried to sneak my own thumb onto the inkpad, but it turned out he was not really blind). Having seen chasers in action, we were now even more paranoid, and ran from the alley exit to a bus stop (public transport waiting-places were also mini safe zones). I was the only one to see the ambush sprung on the man who walked out just after us. It was like one of those documentaries where the springbok does not get away.
The fourth checkpoint was a matter of walking into a phone box and having it suddenly start ringing; it was the last one we would all make together. We had passed the Zombie Inflection Point (ZIP). Despite all our watchfulness and circuitous routes, the available chasers had simply begun to outnumber the runners.
Have I mentioned how BIG this game was? The walk from the start point to the curry zone was 1.4 miles, and by the time we were approaching the fifth checkpoint in Hyde Park, we’d gone over ten; we’d taken a couple buses but were too paranoid to try the Tube. It was also after 2300 hours, and rainy. Holly had been running errands all day and had not sat down since around noon. This is probably why they got her first.
Jogging away, grieving for the loss of Code Name Cakebaker and knowing that she had already become one of them, we remaining three decided that stealth would no longer avail us: we had to make a frontal assault on the main park gate. Josh entered first and was immediately savaged. Kevan and I got in on the ruse that I was a chaser on his tail, but that didn’t last, and before long we had a pack behind us. We split up in the darkness, and I escaped my pursuers by simply running the wrong way until they got tired and gave up. I would later learn that Kevan had almost successfully peeled off and hidden behind a tree, until Josh turned back and found him.
I was now alone in a huge and very dark urban area at 11:30 pm. I had made it into the inner-park safe zone, but I had little idea where the remaining checkpoints were, and less of how to navigate to them. I was definitely the worst choice for lone-survivor status.
Clinging to the idea that the contact people were somewhere on the south bank of the Serpentine, I wandered back and forth until I ran into Paddy and Nora, who had survived entrance to the park by the considerably smarter avenue of hopping the fence. They had also rolled up their armbands into little strips and linked elbows to further conceal them. All about subtlety, Paddy and Nora.
Despite initial wariness until I had demonstrated my survivor armband from a safe distance, they let me tag along with them to the contacts (Russian dancers), who informed us that there was no safe zone around the final checkpoint. It was after midnight; we had to hop the fence again to get out of the park. I was lucky that they let me follow them again, this time onto the subway to Waterloo Bridge.
We left the Waterloo Tube station, our last vestige of safety, and climbed the entrance to the bridge; we descended to the semi-flooded beach. We could see the organizers who had sent us off from the warehouse standing amidst cameras and floodlights next to a moored party boat. Between them and us, red-beribboned, wearing an evil grin: Josh.
I swear I am not making this up.
The footrace away from the checkpoint, and the subsequent double-back, took just about everything I had left in me; the organizers were shouting “ah, let him go” by the time I started my final sprint, but only Josh knows whether he did or not. Either way, I made it there untagged and got a handshake for my trouble. Paddy and Nora, happily, had slipped in while I led the sentry away.
That is pretty much the whole story; I didn’t get a t-shirt (either the announcement was a joke or they ran out before we straggled in) but I don’t really care. We’ve all been sore and stiff-legged for two days.
If anyone ever asks me again why I wanted to move to London, I now have a very succinct answer.
Update 5.14.2007 1141 hrs: Kevan has made a mental leap farther than me and worked out that Gideon Reeling (or “giddy and reeling”) is a pun on the name of Punchdrunk, an avant-garde interactive theater company that is apparently quite good anyway.
After a TV show about Edwardian cuisine, the household tonight spent twenty minutes in goggling horror at the idea of a duck press. Here is what a duck press is used for: squishing a duck so hard that all the blood comes out. That’s it! Apparently they were later bastardized into lobster presses (do lobsters have blood? I thought they were insects) and now duck presses cost thousands of dollars and are impossible to find.
But the ones you can find have little webbed feet.
I have weird feelings about this movie. I first watched it at GSP, almost ten years ago, when HOLY SHIT TEN YEARS I’M OLD
Let’s try that again. I watched it and I thought it was hilarious, which was remarkable in itself, given my stupid prejudice against anything made before 1981. In 1998 that was the kind of thing you thought about it. On vacation in summer 2000, we watched it get named the funniest American film ever and I pretty much agreed (given AFI’s own stupid but inevitable prejudices). Since then I’ve only trotted it out to prove that yes, I do like something made before I was born.
I watched it again last night with Holly and Kevan, neither of whom had seen it before. Now I’m all jumbled.
There are a lot of one-liners, but does that make a funny movie? I think improv training, the Daily Show and Arrested Development have done something to my humor palate such that those didn’t satisfy me. So I didn’t laugh much at it. But I did find it stunningly subversive.
Now, was it subversive when it was released? Certainly–it helped end the Production Code–but not in the way I’m thinking. A lot of the jokes now can be read as sly commentary on gay marriage, “cures” for homosexuality, and, er, Marilyn Monroe’s death. I don’t know if I’m reaching too far to do that. An English major would say no, but I got my degree in theatre.