Category: Jon Brasfield and Amanda Richardson

June 20, 2003 /

There are a number of lyrical, rhythmic and tonal cheap tricks employed in pop music for which I am an absolute sucker. I started a list of those earlier this year, and eventually I’ll write an entry on it too. One of the most specific and fun to talk about, though, is hip-hop songs that define their own terms. They’re great! They’re extremely helpful to geeky white people like myself–you’re given a new cool slang term, and immediately know its usage and basic etymology–and moreover, they’re completely happy and unself-conscious about it. I think Radiohead would have a lot more fun if they took a few pages from the same book.

I first noticed the phenomenon quite some time ago, but I was holding off on writing about it until I had three examples I could remember all at the same time. Last night, Maria inadvertently provided the third, and they are as follows:

  • Nelly’s “Pimp Juice:” “She likes my pimp juice! Pimp juice is anything attract the opposite sex.”
  • Alicia Keys’s “Girlfriend:” “I think I’m jealous of your girlfriend, although she’s just a girl that is your friend.”
  • and the granddaddy, TLC’s “No Scrubs:” “I don’t want no scrubs. A scrub is a guy that can’t get no love from me–hanging out the passenger side of his best friend’s ride, trying to holler at me.”

When I told Jon about this, months ago, he immediately suggested that we start putting our own terms into general parlance via Rhythm Method songs, then created the first one on the spot: “She like mah mantelpiece! The mantelpiece is the bulge in the front of your pants.”

If anybody knows more of these, drop them off. With a little thought we could have our very own Rap Dictionary.

May 27, 2003 /

I want the last two shots to be the last Idiotcams© from in Rodes 2, but there’s a problem: apparently I spent all of senior week adding to the Plastic Mullet Series.

Yes, I am aware that thanks to the Fox network, mullets themselves have jumped the shark, but I still find the plastic mullet itself (which turns out to have belonged to Lisa all along, and which she ended up donating to me) a singularly baroque object. It possesses a level of absurdity above and beyond that of the standard mullet picture. It is, in short, a higher calling.

That I might better answer its siren song, I present to you Plastic Mullet Extravalooza 2K3! This unprecedented collection not only the mighty Darren at last, but new inanimate objects and the only girl who’s ever seemed happy to be wrangled into the headdress. If you order now, you’ll also get Jon’s whole entire dang family, not to mention a couple of Lallys (elder and younger). To top it all off, this one-time-only special captures the elusive Evan and–yes!–my own sister!

Back to bittersweet angst soon, I promise, but right now I’m going to have to glory in the possession of this much dirt on so many people. I hope none of you ever want to run for office, guys. I own you.

May 25, 2003 /

This is how I graduate: the only Centre commencement in living memory on which it has rained, in alphabetical order yet in the middle of the pack, ending up shivering in the library halfway to the auditorium, which was in neither the sunny nor rainy day plans. Our baccalaureate speaker was a fervent liberal and our keynote speaker a stolid conservative; hackles were raised at each and both. I tried to dry the rain off my glasses and found that polyester robes don’t soak up much.

My apartment has been messily slaughtered, furniture shoved and stolen and hidden mold revealed. One more time I’m the last one to move out. The walls are bare, and most of what I own is in piles on the floor. I’ll never live with Jon or Amanda or David again.

I said goodbye and soon to many, many people, and went to my uncle’s house to see Ken, Jon and Emily one more time and to be astounded by the generosity of my family. I fell asleep sitting up before we came back here. I’m going to pack all night and leave in the morning, which I was explicitly told not to do.

Those of you who know me from my first Governor’s Scholars Program will be gratified to know, I hope, that I brought an umbrella onstage with me at the ceremony. As we were leaving, I ended up facing the wrong way and didn’t notice I was supposed to be moving for several long seconds after the rest of my row had gone. I jumped and cursed onstage (at my own commencement) and scrambled out. I was so flustered I forgot the umbrella.

On my way out to meet my family I stood for a few minutes on the stage in Weisiger. That was the first place I found myself on the first day of GSP, here at Centre; I stood in the dark, having come in out of the rain, and wrote about quiet stages on a chalkboard. Later that night, Milton Reigelman would point it out in his opening convo speech, and I would feel a strange mix of shame and pride at having something I’d written read.

This is how I graduate: I am bone-deep nothing-left weary, and I have miles to go before I sleep. I know my time here is done and I am satisfied with it, and I’m ready and willing and glad to go. I’m hurt and hollow, childish and scared. I want desperately to put off the deep wrench I’m feeling, because it means I’m really leaving home.

May 16, 2003 /

I did it. Two finals and a scene analysis paper, today, on two hours of sleep. Smart? No. But when you’re Neo, you don’t have to be smart.

So I’ve only got one more final left in college, and it’s not until Monday, and even though noIdon’thavethecomicup I am still going to splurge. That’s right. Tonight, Nashville, Amanda and Jon and me and one more Angie show.

April 7, 2003 /

I went with Jon, Amanda, Amanda’s sister Kelly and the one and only Artdrey to a Legends game on Friday, then to see Spirited Away on Sunday, and in between…

There are apparently a lot of Beaux Arts Balls thrown by architecture departments all over the country, but the one in Lexington is the biggest, or so they tell me. People put on costumes and go underground and get physically rearranged by the music, and then there’s girls in fashion… things, and after that there are guys who are pretending to be girls.

I’d never been to a drag show before (although I have watched To Wong Foo several times), but I wasn’t really surprised. There were a couple of ladies who were definitely men, and then there was one who was fairly androgynous, and then… there was Jenna.

Jenna was beautiful.

Jenna is my soulmate.

Jenna, if you’re out there, know that I’m out here too, and no, I’m not single, but dammit I could be.

Next topic! I should emphasize more that this was a costume party, as in Halloween costumes, only in April, so with more skin. There were some intricate and pretty ones there, and then the size-over-intricacy ones (meet Mister Pez Dispenser!) and then there were just people out to make their fetishes public.

I came to the conclusion, that night, that costume parties exist to let people show off the way they really want other people to see them. The dude with the tux and the wolf mask wants to sweep you away; the girl with the angel wings and garter belt wants to be touched and untouchable; the guy with that much metal in his face… he’s just doin’ his thing, man.

So if this is the case, I find it terribly appropriate that Audrey and I wore brightly colored rayon old-person jogging suits. They were worth more than a few compliments from other partygoers, and they were the most comfortable things I’ve ever had the eye-grinding displeasure of wearing–the Secret of the Mallwalkers! They were also two terribly comfortable outfits on two terribly comfortable personalities. Even if, um, they did hurt to look at. The analogy breaks down there, I guess.

Part of me wanted to come back in jewelry and a big hat and my soon-to-be patchy pants, sure, but mostly I just had a great time in an elastic waistband, hovering next to my girl and being lifted bodily by the bass. Times that great in pants that swishy are few and far between.

(I’d like to cap off this entry by talking about Spirited Away, but really, can I say anything that hasn’t been said?)

March 13, 2003 /

Over the hump of the week now, I think. Wow. Coming back from SETC and going straight back into school things was like jumping out of a placid, cozy houseboat right into a sausage grinder (um, underwater). Makeup tests, makeup homework, Cento, road show, consultant meetings, old-computer hauling, more road show–it’s all been a bit ridiculous,and I’ve had fourteen hours of sleep in the last sixty.

Next couple of days are a bit of a breath, thankfully, and then it’s only a week until spring break. It looks as if Jon, Amanda and I are going to roll up to Bloomington to check out IU and maybe do some interviewing, even though Jon most likely won’t end up there–they apparently only give money to PhD students, and Wake Forest is still falling over itself to attach his name to cash for a Master’s.

Also, on the way up we might get to see Guster in Cincinnati! I want to visit people in Louisville, too, and I’m trying to figure out a way to get dropped off and just stay there on our way back from Indiana. Anybody have a room to let? I’m penniless, but I’m a right hard-working scullery boy, I have all my own teeth, and I reckon I can pick out a merry tune on my nose-flute.

February 28, 2003 /

In the past thirty-six hours, Jon has received offers of a) admission and b) large wads of cash from UNCG and Wake Forest, and thus I felt it incumbent on me to buy him steak tonight. (He got t-bone, I had fillet; I ordered mine medium rare, the bloodiest I’ve ever had it, and I think I can feel myself going over to the dark side.)

It’s a great feeling, being proud, buying someone expensive food because they really deserve it. I’m glad I have this group of friends, because I think I’m going to get to do it pretty often.

December 3, 2002 /

Three entries in one day? That’s crazy! But not as crazy as this: JON AND AMANDA GOT ENGAGED!WHOO!

(By “crazy” I mean “good.”)

October 30, 2002 /

So last night I accomplished one of my life goals: playing music, live, with both members of Grandma’s Genius! Jon and I have played together for years, of course, and Chris and I played several times during GSP 2001, but last night was the first time we’d all played together (literally–we went on sans practice).

We actually sounded really good, especially on the Guster covers (Demons and Airport Song). We all wished there was a way to record it, but none of us had the equipment handy (or in fact at all). I kind of messed up myfavorite Jon song, Tennessee, by trying to play keyboard on it; it may have been an omen when the sustain pedal on my piano broke a few hours before we went on.

Even so, there was nothing that sounded bad and quite a lot that sounded good. I think they might even hire me as their touring drummer! (Note that by “hire” I mean “permit.”)

every one of you is fired