Category: Roommates

Composition

Nineteen years ago my friends got together, led by Maria (hi Maria), and chipped in to buy me my first single-lens reflex camera: a Canon Digital Rebel.

Myself in a mirror, at a plant shop in San Francisco, early 2016.I’d played with cameras since I was a kid, but until that year, I never had a solid understanding of what to do with them. Coming to that understanding took many years of developing taste for what I liked in pictures, and then more time studying the techniques involved, but mostly what I needed was a good way to experiment. My goofy webcam selfies aside, the time between taking a photo and looking at it had always been measured in weeks and dollars. But things changed once I could just snap, and chimp, and gauge what I had wanted against what I got. I needed feedback to learn.

Self-portrait in shadow, reflected in shattered glass, somewhere on a Tube Walk in London.I’ve written about this in the past and I don’t want to keep retelling the same stories. But before I had a camera in my hand, I had no patience for the act of looking around me. It was only learning how to frame, evaluate light, and search for details to isolate that unlocked the pleasure of observation. After a while, I didn’t even need the camera to enjoy it! And now I prefer to shoot on film anyway, so the quick feedback loop is long gone. But the process of learning shaped me, and I still hold that shape.

My shadow, on the wall of a castle in Ireland, wearing a silly hat.Photography changed my world by making any moment, anywhere, into something I could interact with. You should email a blogger today.

“It’s quite important to know that you are heard.”

Jenny’s post about metrics (and Lucy’s quotation of it) have been rattling around in my head for months now. In my mind that post links back to something that Avery Alder said on twitter many, many years ago, in response to a wave of scolding directed at allies who purportedly “wanted a cookie” for taking part in social justice activism. I can no longer access the original wording. What I recall is that Avery acknowledged that of course such work is worth doing regardless of reward. And then she added: but so what if I still want a cookie? I like cookies!

Jenny again, deliberately out of context, because it fits other contexts too:

First of all, so? And second of all, right, exactly.

Mads feeding a goat from a bag. The goat ate the bag.

I like cookies too. And I’m a human, a social mammal whose development rests largely on the attention and response of other members of my species. It is important for humans that sometimes someone gives you a cookie. It is important to know that you are heard.

Analytics software offers numbers you can’t trust about visits you can’t see, which is not the same as being heard—in fact I think it might be the opposite. The illusion of attention contorts people into shapes that are not good for them. (I don’t even need to mention any prominent software platforms by name here, do I?)

I don’t use my degree in the dramatic arts for all that much, these days, but I am often grateful for what I learned in completing it. One of the things that Patrick Kagan-Moore said to me, the night before our play debuted, has stuck with me for 25 years. “We rehearse for months,” he said, “so we can try to find the right shape for the performance, and the first time you get a laugh from a crowd—” He snapped his fingers. “—they will train you, like that. You’ll do it the exact same way every show, trying to get that to happen again.”

Live performance is a hot medium, where response arrives quickly: snap, chimp, gauge. Writing online, and off social media, is a cold medium. That’s why the warmth of a good response matters so much.

Lighted artwork from the ruin pub at Szimpla Kert, in Budapest, with an old speaker box facing the lens and a speech bubble above it saying

Sometimes I like to reach into my mental pocket and offer up chestnuts—I know I already used one food metaphor, stay with me—which I cannot promise will contain any meat. One such chestnut is that email is the infrastructure of the web. (In my grouchier moments, I say “failure state” instead.)

Infrastructure is what you fall back onto when a superstructure cannot support the load placed upon it. There are a million diagrams of the technical stack that underlies HTTP, and none of them includes a layer called “email.” But it is there, invisible, at the root of every auth request. And as direct communication over the web has been captured by those who do not wish good things for you or me, email remains the fallback there too: a crummy foundation that yet resists collapse.

When the web promised that you could subscribe directly to the words and work of people you found interesting, then broke that promise for extractive purposes, email newsletters sprang up to fit the popular demand to Just See The Goddamn People You Follow In Chronological Order God Dammit. Email is not well fit for this purpose, any more than it is for supporting the rest of the internet. The things you want to savor from your favorite writers get buried among “the to-do list that grows without your consent” (credit to Sumana). But it kind of works. And things that kind of work are what we have, online, these days.

A photo from San Nicolas in Aruba, with a gaping abandoned doorway showing overgrown weeds behind it, and the words

Newsletters are blogs. Email kind of works as a way of both delivering and responding to blogs. I agree with Erin’s newsletter that writing letters is a wonderful practice too. And I don’t mean to dismiss the charm of a good comment, for blogs with comments! Comments are how I met Will, after all. But letters require physical acquaintance, and comments are a kind of public performance in their own right. Email is something else still.

The other day I had a question that was bugging me, and I looked up the relevant figure on Wikipedia. Wikipedia told me that he has a blog—a delightful blog about sailing in retirement, unrelated to the matter I had in mind. But that blog had an about page with an email address, so I wrote an email, and got a response right away.

From: Brendan (xorph@xorph.com)
To: ken@kensblog.com

Hello Mr. Williams! I’ve always wondered, why did you choose “on-line” for the original company name “On-Line Systems?” Was it derived from the idea of making software to be accessed on a mainframe through a terminal, or did the term mean something different to you at the time?

Thanks! Hope your seagoing adventures this year are wonderful.

—Brendan J

From: Ken Williams (ken@kensblog.com)
To: Brendan

You nailed it. Yes – I was doing freelance contract work on mainframe computers, specializing in large computer networks (literally on-line systems). When I started Sierra I kept the name I had been using for my contracting.

When we started getting larger I realized someone already owned the name and had to change our company name.

-Ken W

From: Brendan (xorph@xorph.com)
To: ken@kensblog.com

It’s so satisfying to have a clear answer to that after all these years. Thank you so much!

From: Ken Williams (ken@kensblog.com)
To: Brendan

🙂👍

The exchange was months ago, but I continue to enjoy the pleasant feeling of this tiny conversation. I have other emails I have received in years past that I keep close in my heart, just because they caught me at a good moment with a kind word. Even without much social media in my life, I do talk to people in other ways online, via Izzzzi and Peach and sometimes (sigh) Discord. But a few lines of thoughtful outreach, one to one, carry a warmth and weight of meaning that is singular.

I’ve taken a lot of photos over the last couple of decades. In doing so I have learned that I’m not particularly adept in most genres. Landscape and street photography don’t come naturally to me, posed portraiture remains elusive, and things like sports or wildlife photography are far beyond my abilities. What I like shooting most are candids. They require at least a little skill, a little preparation, a watchful eye, and luck: I shoot a dozen for every picture that turns out the way I want it. But there is nothing like that moment of resolution, when I see on a screen that taking the shot has succeeded.

A photo doesn’t really make a moment permanent. Our photos are ephemeral, just like our selves. They still matter. Ephemeral connections, one to one, are the material we use to construct meaning in our own stories. You and I were born in a time when there is no other choice but to find our lives shaped by emails. So pick a shape you like, and put something in it that you want to see again.

My wife and my mother, laughing together.

A very small dog named Chauncy blepping with his paw on my knee.

My partner Hannah in monochrome, obscured by a lens flare.

Sophie and Erin sitting in the sand and smiling, probably at Kat's beach birthday.

Erin at Bit Bash in 2015, lit entirely in blue.

Ayo and Stephen, in a kitchen and monochrome, having a totally not posed conversation.

A small dog peeking nervously out from behind a Miller Lite rainbow pride flag.

Chris, in a red room, weary in 2008.

Kat at a distance, leaning down to peer through a hole in a fence.

A cluster of balloons escaping into the sky.

Notes from the New Normish

Hi, we’re alive and fine. My privilege is as evident as ever, as my daily routine of isolation with Kat resembles what Maria called “an extended snow day,” mostly but not entirely without snow. I hurt for the sick and grieving; I worry for the essential and vulnerable; I watch Bon Appetit and experiment with vegan baking; I do my internet job and I watch out my window and wait. Here are some things that have held my interest in the last little while.

  1. As mentioned in asides, I read too much about menswear online and off these days. My favorite habit is to bargain-hunt for clothes from Japan on eBay, prance around the living room in them to aggravate Kat, and then secret them away so I can buy more. But the emergent result is that I’ve learned a lot about things I might have disdained ten years ago. I don’t have any special interest in James Bond, for instance, but Matt Spaiser’s blog about the tailoring of the films has taught me a ton about men’s fashion in the last sixty years. His post on how Cary Grant’s suit in North by Northwest (1959) went on to influence Bond’s costuming is a great example of the dry clarity of his writing.
  2. It seems like I’ve never written about Porpentine Charity Heartscape here before, which is strange, as her work has loomed large in my view and admiration for… seven years? Eight? Her work in writing and game design blends the sweet, the filthy, the transgender and transhuman, the pure and the skin-crawlingly cute in a way I find singular in every sense. If that sentence doesn’t hint at some content warnings, then I hope this one does. But that boundary is very much worth braving if you are so emotionally equipped. Her recent story “Dirty Wi-Fi” on Strange Horizons is a good introduction to her prose and perspective.
  3. Despite my limited dabbling in microelectronics, I can’t follow many of the technical specifics in this review of process and call for aid on a final, perfect Super Nintendo emulator. But the SNES was a system that still informs my design and aesthetic sensibilities, twenty-seven years later, and I respect the author’s work very much. The most striking quote to me:

    “I can tell you why this is important to me: it’s my life’s work, and I don’t want to have to say I came this close to finishing without getting the last piece of it right. I’m getting older, and I won’t be around forever. I want this final piece solved.”

    What an extraordinary thing it seems, to me, to know what your life’s work is. I hope one day I do.

The Great Brendan Hunt

Link to the big picture of my route.

So, when I got the aforementioned iPad at a delicious Moroccan dinner with Kara’s family, I thought I had had a lovely thirtieth birthday and now all that nonsense was over with. She and I had planned to go get lunch and see Meek’s Cutoff with our friend Arlie yesterday, and I thought that would be a neat Saturday. When we parked near the theater downtown, though, she kept insisting we had to go meet Arlie at Pioneer Square a few blocks away. Okay, I thought, whatever.

Except when we got there, I saw someone else I recognized. Hey neat, I thought, Kellie’s here too! And so are a lot of our other friends! Wow, this is a weird coincidence. Why are they holding signs and shouting at me?

Kara had been planning a giant pervasive game involving everyone we know–even utilizing international design services–for a month behind my back. I was completely unaware of this until well after she started explaining the rules. It was basically a version of Journey to the End of the Night, except during the day, and also the only person being chased was me. I had to run around, getting the signatures of people stationed at five different checkpoints on the “happy” side of my birthday card. Each checkpoint had a small safe zone around it, but outside those, everyone else would be chasing me down; if they tagged me they got to sign the “unhappy” side of the card, and the person who did so most often got a prize. (Spoilers: no he didn’t.)

Herein follows the narrative of my desperate attempt to evade my relentless, sadistic friends. You can follow along on the big map I drew. It’s color-coded by time: my route to the first checkpoint is in blue, then red, then green, then orange.

We started in Pioneer Square, where I took off in an attempt to get a head start before I had completely finished reading the handout. THIS WOULD BE IMPORTANT LATER. I circled around down off the bottom border of the map and made my way up along Naito Parkway to the first checkpoint, the fountain at Saturday Market. I got into the safe zone just ahead of Kellie, in plenty of time to get my card signed by Tony and Mandy, then successfully lost any pursuers in the crowd.

Unfortunately, in doing so, I also dropped the card and couldn’t find it even after repeatedly retracing my steps. I ended up paying three bucks at the Market for a little card with an engraving of a cat holding a fish on it just so I could continue the game. I headed up to a good place to take the measure of the second checkpoint, the Chinese Gardens, and even from blocks away I could see a cluster of chasers just waiting for me.

“Aha!” I thought, as the stealthy Matthew Schuler walked right up and tagged me from behind. “I have clearly tricked these poor saps into thinking I will hit each checkpoint in order, which is not required by these rules that I have not read all the way through! I’ll just skip up to checkpoint 4 now and double back after they get bored and wander off. Good thing I have limitless endurance and it is not hailing!”

I was wrong about many of these things.

I actually used the hail as cover to get into the fourth checkpoint, the Blue Room at Powell’s Books, cleverly evading the nonexistent people I was convinced were waiting at THAT entrance. I then wandered around the Blue Room for ten minutes, wondering where the hell my signatory was, before Susan finally deigned to arrive and inform me that the window for her checkpoint had yet to open.

“Window?” I said.

“Did you read the rules?” she said.

I had already missed my chance to hit checkpoint 2, by dint of sheer idiocy, but I had maybe enough time to still make it to checkpoint 3 if I really hustled. This is why the red segment on the map is the longest one! I did hustle, and made it to the ticketing counter at Portland Union Station with a minute to spare, though my desperate, wheezing jog meant that I had no time for stealth and got ambushed by a whole group of fuckers in the driveway.

I threw off most of them by sneaking out a side entrance and hiding behind a bus, but just as I was thinking I’d sneak up the stairs to the Broadway Bridge and take that back down into the Pearl, I saw Matt Nolan tripping eagerly down them. I was still very annoyed at having my tag-count increased fivefold at the entrance, and I decided right there that Matt was NOT going to get me. No way! ALL I HAD TO DO WAS RUN INFINITELY FAR.

You will note that after the point labelled “MATT ATTACK” on the map, the green line travels around to the far side of the bridge entrance ramp, then up it, across traffic, to the top, back down, and into the Post Office. I only got that far because Matt was lugging a giant bag and a belly full of Indian food, and because I hid in the passport office with my gut sucked in and the lady at the postal counter heeded my desperate finger-to-lips silence gesture. I probably should have gotten arrested.

Anyway I left the post office, now running late for my RETURN VISIT to checkpoint 4, and immediately got tagged by Arlie, plus Matt finally caught up just outside the door to Powell’s. So much for all that. Despite my pulling moves which might humbly be described as “Bourneian” within the confines of Powell’s, I got tagged repeatedly in there too before I finally got Susan to sign my stupid card, and Grace (whom I hadn’t even met before!) pursued me doggedly through Whole Foods and in front of more speeding cars. It was only then that it occurred to me that Kara really should have gotten everyone to sign a waiver.

I limped up across the overpass, got ambushed, and lost the card AGAIN, though this time when I backtracked I actually did find it. That didn’t keep me from getting tagged like a brick wall on a street named after a civil rights activist, particularly by Jonathan (whom I’d faked out earlier) and Matt, who were out for blood. Not even sneaking through a parking garage under a building could throw them off. I finally staggered up to the fifth checkpoint outside the stadium with minutes to spare, and everybody got Oreo cupcakes and went back to a bar for beers and war stories.

I measured that route against the scale on Google Maps and, by that rough math, I ran about fifty-six thousand kilometers altogether. I was tired and the leg I pulled last week was throbbing. I had also lost the game by every measure possible. It was awesome! Thanks to Laura, Amy, Arlie, Jonathan, Matt, Matthew, Matthew, Harry, Harry, Grace, John, Casey, Kim, Greg, Susan, Marie, Mandy, Tony, Jeremy, Holly, Kevan, anybody else I forgot, and especially Kara for pulling off the most ridiculous tailored birthday stunt I can imagine.

I am thirty now

Hand modeling by Kara.

There are two things in that picture. One of them is a FREAKING IPAD. Kara and her family got it for me for my birthday because they are ridiculous. I am still figuring out what it is for (besides giving me yet another platform on which to play Worms), but I already know that a) Flipboard is amazing and b) an iPad makes a much, much better laptop-analog than my poor phone. I’m typing this on it right now!

The other thing in the picture is a card from my Uncle John and Aunt Dana. I’ve told you about UJ’s birthday cards before, but this one is something else. You should click on this high-res version to get a better look.

Cross-section.

It’s covered in names from that thing I did for a while, which my aunt and uncle have always supported to an unwarranted degree. I can’t remember whether I told them I was bringing the project to a close, but I think I must have to get such a perfect gift! I’m framing it.

I started writing this on Friday evening, thinking that my awesome birthday was pretty much over, but I was mistaken. The entry immediately following this will elaborate.

The lower-case I is symbolic

There was a time when I liked romantic comedy films. Yes, it’s true! Despite my status as a burly exemplar of stoic masculinity, I once enjoyed the mixture of clever dialogue and bittersweet tension one might see employed by an early-period Bullock, Roberts or Ryan. Then, in the late nineties, romantic comedy went right down the shitter. In a mere five years, we went from While You were Sleeping and The Truth About Cats and Dogs to Legally Blonde and Kate and Leopold. Kate and Leopold, Liz Lemon.

Things have not improved since. The men are shrill, the women are boorish, the scripts are assembled from plot coupons and the banter is a nonsense collection of zero-liners. I saw The Proposal on an airplane a year and a half ago and I’m still angry about it.

But hey! Around the same time that came out, a lady named Jac Schaeffer triple-threatened an indie movie called (unfortunately) TiMER. It has the one girl from Buffy in it, it got a tiny distribution deal, nobody saw it and it holds a 58% rating on Rotten Tomatoes. It’s also the best romantic comedy I’ve seen in over a decade. Kara found it streaming on Netflix, and I offer the following three reasons to watch it if you like this kind of thing:

  • It passes Bechdel
  • If stuck in an elevator with the characters, I would not murder all of them inside five minutes
  • It posits a semi-science-fictional plot mechanic and actually explores some of its ramifications

I realize those bars are low enough to skate over, but I am not trying to damn with faint praise: it’s a fun movie and I was still thinking about it two days later. Its premise is that you can get a timer implanted in your arm. If your One True Love also has a timer, the two will automagically calculate the day you meet and start counting down to it. This is a big honking metaphor for a dominant cultural narrative applied to women, but the movie has the grace to hang a lampshade on that and then pull the Asimov trick and wonder how this can go wrong: one character has a blank timer and is on a crusade to get other people implanted, one has twenty years of waiting to look forward to, one has a timer go off way too soon, one gets a fake timer on the Internet, one has it painfully removed. And the ending isn’t as easy as you’re thinking!

Basically, this is a movie with smart jokes and kissing and it does a better job of exploring the conflict between free will and predestination than the Wachowskis did. My only improvement would be to put more than one nonwhite character in it, and also feed everyone involved a damn sandwich. (And not have the main character be named Oona. Hey, maybe Jac Schaeffer is a Wachowski.) Doubly recommended if you’re one of the nerds who liked Machine of Death.

“Who’s the agent in charge to get my sister-in-law into bed these days.”

In the grand tradition of Dada Everything, and appropriately via Adam Parrish, comes Josh Millard’s Previously, on the X-Files… It’s fun! In a few minutes of hitting refresh to perform my valuable human function of sorting random nonsense from random inspiration, I was able to generate some pretty great stuff, like Dana Lebowski, Scully’s Terrible Realization and Scully/Langly: Dance Remix. But the best part about it is that the transcripts from which it draws seem to include a great many standalone ellipses, which work beautifully in the context of textual noise. Besides creating these amazing awkward moments, you also get tense standoffs and very confused Mulders and this spectacular failure to communicate.

Someone make one of these for Next Generation now please yes.

How the HELL did it take me this long to find out about Hyperbole and a Half? Allie Brosh is the best humor columnist alive and she’s been doing it for years and nobody ever told me! (Until Leigh tweeted about it. Thanks, Leigh!) I cannot get through one of her posts without doing the weird crying soundless death-rattle laugh thing that always bothers my roommates, and lately “go to the motherfucking BANK like an ADULT” has been my private mantra when I’m trying to make myself do difficult things.

More cooking stuff

I have these two recipes in text files on my desktop, which is dumb because I can’t see my desktop when I need to use them and I am separated from my desktop by three hours and a mountain range. Both are extremely healthy and require a sophisticated palate to appreciate.

Dirty Chicken
(so named by Kara & co on True Blood night; brought to us from Kentucky by Monica)

1 cup shredded or cubed mozzarella
1/2 cup cheap ranch dressing
1/2 cup hot wing sauce (yes, you can buy this in bottles at Safeway)
8 oz cream cheese
1 10-12 oz can chicken (like canned tuna, only… it’s chicken)

Mash up in a glass or ceramic bowl. Microwave for three or four minutes, stirring every minute. Eat with chips. Serves party.


This next one is what I made for months when I wanted potatoes until I discovered an amazing secret recipe for perfect french fries, which I am not going to link to because it is too awesome. MY THIRD-BEST POTATO RECIPE: I HEREBY BEQUEATH IT.

Boiled Fried Potatoes

About 8-10 new potatoes, either Yukon gold or red
3 Tbsp butter
Kosher salt
1 Tbsp thyme
1/2 tsp white pepper
Water

You need a seasoned cast-iron skillet for this because otherwise they’ll stick like demons.

Mash up a tablespoon of the salt and the thyme with a mortar and pestle. Scrub the potatoes and chop them into 2-3 little discs per potato, cutting off the ends so both sides have an exposed surface. Place the potatoes in a single layer on the skillet, add just enough water to cover them, turn the burner to medium-high and add the mixed salt and thyme and the butter. Then wait for the water to all boil off.

When it’s gone–you will know because the tenor of the hissing sound has changed and the bubbles look different–turn the heat down to medium. Continue to fry the potatoes, flipping once and moving the interior potatoes to the sides of the pan once the first side is golden and crusty. When both sides are golden and crusty, add more salt and pepper, then eat. This serves about two hungry people.

NOTE: You can substitute olive oil for the butter but it’s not as bad for you.