Category: Family

I am thirty now

Hand modeling by Kara.

There are two things in that picture. One of them is a FREAKING IPAD. Kara and her family got it for me for my birthday because they are ridiculous. I am still figuring out what it is for (besides giving me yet another platform on which to play Worms), but I already know that a) Flipboard is amazing and b) an iPad makes a much, much better laptop-analog than my poor phone. I’m typing this on it right now!

The other thing in the picture is a card from my Uncle John and Aunt Dana. I’ve told you about UJ’s birthday cards before, but this one is something else. You should click on this high-res version to get a better look.

Cross-section.

It’s covered in names from that thing I did for a while, which my aunt and uncle have always supported to an unwarranted degree. I can’t remember whether I told them I was bringing the project to a close, but I think I must have to get such a perfect gift! I’m framing it.

I started writing this on Friday evening, thinking that my awesome birthday was pretty much over, but I was mistaken. The entry immediately following this will elaborate.

Bruce

These days I carry around most of the information in the world in my pocket. Ten years ago I was still thrilled to have my dorm-room connection and a Dell desktop. But a few years before that, I didn’t have anything you could really call the Internet. Instead I had Bruce.

Bruce was my eldest cousin, fifteen years my senior, and I revered him. I was interested in sci-fi and fantasy books; Bruce knew about them. I liked board games; Bruce won them all. He had the sharpest wit I have ever encountered, but he was also unfailingly kind, and I never heard him use it to be cruel to anyone.

That included me, even at my most juvenile and annoying, when he spent a while living in our basement and attending classes at EKU. Remembering those days now, I would have been unable to stand me. Bruce listened, and laughed at my jokes, and gave me things.

That was another thing about him: he was never attached to material possessions, and generous with them almost to the point of carelessness. At one point he gave me what must have been nearly his entire collection of gaming books, obviously something in which he’d invested years and hundreds of dollars. He was offhand about it, as if he’d found an odd thing I might like in his pocket.

I treasured those books. For years I could reliably be found in a corner paging through a banged-up hardback with monsters on the cover, spending far more time reading them than actually playing, and blissful to be doing so. I’m sure I didn’t thank him enough, but I hope he saw how much they meant to me.

But if Bruce helped doom me to geekdom, he also rescued me. I was undersized for a long time, and at one point I lagged so far behind the curve that Mom was consulting growth-specialist doctors. When he heard about that, Bruce took a long look at me, then told me to finish my dinner every night instead of leaving most of it on the plate. I listened, and that was when my growth spurt finally hit.

It shames me to say that Bruce and I drifted apart. He waited most of his life for a kidney transplant, and got one, only to have his body reject it a few years later; his health was never the same after that, and his illness frightened me (I had another male role model who got very sick, you see). We had political differences, and the geographical distance between us grew as well. But his patience, kindness and generosity never changed.

I didn’t find the time to see Bruce on my most recent trip back to Kentucky, a few weeks ago, and I will spend the rest of my life regretting that.

When somebody you love dies you’re supposed to put together all the good words you can about him, and assemble an image for your memory that omits their shortcomings and sharp edges. But I can’t do that, because I see now that I was always the one coming up short. All my memories of my cousin are of a man who was better to me than I ever deserved.

I’m sorry, Bruce. I miss you.

More cooking stuff

I have these two recipes in text files on my desktop, which is dumb because I can’t see my desktop when I need to use them and I am separated from my desktop by three hours and a mountain range. Both are extremely healthy and require a sophisticated palate to appreciate.

Dirty Chicken
(so named by Kara & co on True Blood night; brought to us from Kentucky by Monica)

1 cup shredded or cubed mozzarella
1/2 cup cheap ranch dressing
1/2 cup hot wing sauce (yes, you can buy this in bottles at Safeway)
8 oz cream cheese
1 10-12 oz can chicken (like canned tuna, only… it’s chicken)

Mash up in a glass or ceramic bowl. Microwave for three or four minutes, stirring every minute. Eat with chips. Serves party.


This next one is what I made for months when I wanted potatoes until I discovered an amazing secret recipe for perfect french fries, which I am not going to link to because it is too awesome. MY THIRD-BEST POTATO RECIPE: I HEREBY BEQUEATH IT.

Boiled Fried Potatoes

About 8-10 new potatoes, either Yukon gold or red
3 Tbsp butter
Kosher salt
1 Tbsp thyme
1/2 tsp white pepper
Water

You need a seasoned cast-iron skillet for this because otherwise they’ll stick like demons.

Mash up a tablespoon of the salt and the thyme with a mortar and pestle. Scrub the potatoes and chop them into 2-3 little discs per potato, cutting off the ends so both sides have an exposed surface. Place the potatoes in a single layer on the skillet, add just enough water to cover them, turn the burner to medium-high and add the mixed salt and thyme and the butter. Then wait for the water to all boil off.

When it’s gone–you will know because the tenor of the hissing sound has changed and the bubbles look different–turn the heat down to medium. Continue to fry the potatoes, flipping once and moving the interior potatoes to the sides of the pan once the first side is golden and crusty. When both sides are golden and crusty, add more salt and pepper, then eat. This serves about two hungry people.

NOTE: You can substitute olive oil for the butter but it’s not as bad for you.

Attention conservation notice

I know I’m kind of harping on this, but I remain really upset and angry about the Citizens United decision, and it would appear I am not alone. Public Citizen and three other organizations have launched Free Speech for People, a campaign to fix the problem, constitutionally or otherwise. Even if you don’t feel like signing their petition or throwing some money at them, they’ve got a blog that I hope will be a good clearinghouse for news on the fight.

Uncle John has made the case that requiring full disclosure of corporate campaign spending would be a good compromise solution–that transparency would allow voters to simply turn away from candidates if they didn’t like where their money was coming from. I respect that opinion, but I really couldn’t disagree more.

We already have disclosure requirements that the decision didn’t affect, and they haven’t yet solved anything. Disclosure didn’t keep Max Baucus from getting the tiller on health care reform after taking four million dollars from the health care industry. It didn’t keep Mitch McConnell from taking three hundred thousand from coal and then, coincidentally, fighting to keep mine owners from having to measure mercury discharge. It’s already a shock when an entrenched politician manages to say a few stern words about a regressive, destructive industrial backer; actual voting that way is unheard of. Doesn’t that indicate our ingrained acceptance that our representatives’ ballots are already purchased?

About half the people who voted against Obama didn’t believe he was born in the United States. A quarter of those, in turn, believed that he was born in Hawaii, but that Hawaii was not a state. What does that mean? That people don’t vote on passive facts; they vote on what they hear and see. Money isn’t speech, it’s volume, and when you turn the volume up too high, it distorts.

My sister got married!

I have to write about that, but first I have to pull some wedding pictures off the camera, which is way over there.

So instead, a quick navel-gaze: according to fan mail and a vague sense of the Ommatidia Facebook community, my writing tends to attract people who are a) very clever and gifted and b) much, much younger than me. Like, around a decade younger than me, because a lot of them are in late high school or early college.

Does this say something about the genre-trappings of the stories, the methods by which fandom propagates, or just the appeal of the format? The hoary journalistic trope to fall back on here is a bunch of rumbling about Kids These Days and Short Attention Spans and Nothing Longer than a Text Message, but I am resisting that because it’s dumb.

I suspect the reason is simpler: many of my favorite books are YA novels, because those are the best ones to read if you like stories where people do stuff and things happen. I write stories that I think I would like, and the influence of YA authors is heavy upon them. By definition, then, they appeal to young adults.

I think that is awesome. I wonder how long I can keep getting away with it?

Speaking of decades and youth, I’ve been a fan of Erika Moen’s for almost ten years now, since Scott Thigpen linked to Vera Brosgol who in turn linked to her. (Man, look at the arc of those three careers alone!) Erika just ended DAR, her autobiographical webcomic; it was sometimes explicit, always brutally honest, and very, very funny over its six-year run. I’ll miss reading it.

But I’m very excited about her new projects, in part because one of them is a graphic novel that I’m scripting! This is the most exciting thing that has ever happened! Erika broke the news first, and I’m not going to give too many more details than she did: it’s called Grimm, it’s YA, and it will probably run around six to eight “issues.” Not sure yet whether she’ll be posting a weekly page or one whole arc at a time a la Octopus Pie. Very sure that it is going to be great!

Three things make a roundup

In which I already break a promise

I know I said I wasn’t going to tell you every time we updated the podcast–I reserve that for spamming Facebook and Twitter–but seriously, you gotta listen to episode ten. One of the not-so-secret purposes behind the inception of the Hour of Knowledge was to help Stephen build a demo reel for his voice acting career, and this week’s show is a glorious vocal achievement. Even after engineering the audio (which means listening to every show, in chunks, about six hundred times), I still can’t make it through his half-improvised monologue without cracking up.

And Mom, this one doesn’t have any cusses!

Brendan painstakingly imitates a Photoshop filter, third in a series

I will probably never love another episode of television as much as I love Battlestar Galactica, season 3, episode 9, “Unfinished Business.” And not just because it has images like this:

GET UP.  We're just getting STARTED.

I’ve spent at least the last year and a half (actually, more like seven years, since my undergrad Drawing I class) being obsessed with this limited-tone art style. I called it “rotoscoping” once, and Lisa and Will jumped on me because there’s no animation involved, so I have to admit that it’s actually what people call “tracing.” But selective tracing.

As was likely very obvious to anyone in my family, and as I only realized yesterday, my playing around with tone is blatantly derived from my uncle John’s painting and wood engraving work, especially his portraits of my grandfather (which he often combines with layered collage). Mr. Olmos there has some features similar to his, like the disappearing eyes which Ian and I inherited. I hope I get to look that craggy eventually. Right now people are still asking me what my major is, despite the obvious gray in my hair.

I almost forgot to mention that this is the first thing I’ve ever inked with the brushes I bought in 2003, and although it was a lot slower than my usual pens, I completely get why cartoonists get so excited about it now. There’s a feeling of dynamic control over the line weight that you just can’t get with pens, even the brush pen with which I inked a lot of later Xorph strips. (Not that there are actually any distinct lines in the finished images below. Good.)

So I made a picture and it’s a wallpaper if you want it: the images below link to 1600×1200 and 1600×1000 (widescreen) jpegs. There’s also a browser-sized version if you just want to zoom in a bit.

Adama at standard ratio, with logo.

Adama at normal ratio, no logo.

PS Can Battlestar Galactica be back on now plz

Update 2008.01.26 0001 hrs: Naturally, UJ has a much more cogent post on the subject (the art, not Battlestar), along with one of the portraits I was talking about.