My Uncle John brings news of Sigurdur Petursson’s official food supplier.
Category: John Dixon
My cousin Bruce came home Friday, for the first time since his kidney failed and he suffered acute pancreatitis. The survival rate for the severity of his illness is, they say, almost as bad as it gets. Bruce is a statistic (the only good kind).
I am ashamed to admit that while I wrote to Bruce, I never made time to visit him in the hospital in Indianapolis. My life experience has taught me to dislike and fear hospitals; I know that’s nothing next to what Bruce must feel now. I’m just glad he’s home.
I’m glad to say that Bruce’s condition is improving. My uncle John is closer to the situation and has more info, so I’ll direct you to his journal instead of just repeating his entries.
John and Jon
I finally convinced one of my relatives to get a blog! My uncle John, about whom I’ve written before, has already started things off on the right foot with a post about how bad for you blogging can be. I wholly support this!
I’m hosting somebody else’s blog now! This makes me really excited!
Well, actually I host two: Jon, King of Former Roommates, started his songwriting journal back in December and then forgot about it. You’re fired, Brasfield! Hand over your badge!
I should go ahead and make the co-opted Crummy Standing Offer here: If you are part of my family (and this includes more than just my relatives) and you want a place to keep a journal, I will gladly host you.
My uncle John provides justification for the backwards locomotion I witnessed yesterday. It’s an interesting site, but I haven’t yet found where they talk about the dangers of, you know, not being able to see where you’re going.
I love my microfiber pants. They make me feel like karate.
In a convincing segue, I googled for kendo+Louisville this morning and found out that my new school has an aikido club, which is really interesting. I was always a little jealous of how good Ian got at aikido while he was in Richmond, and I would have liked to go to classes with my uncle John if I’d had the money and time in Danville. For ten bucks a month in grad school, though, I might just be able to do it. Anybody else want to go along?
This is how I graduate: the only Centre commencement in living memory on which it has rained, in alphabetical order yet in the middle of the pack, ending up shivering in the library halfway to the auditorium, which was in neither the sunny nor rainy day plans. Our baccalaureate speaker was a fervent liberal and our keynote speaker a stolid conservative; hackles were raised at each and both. I tried to dry the rain off my glasses and found that polyester robes don’t soak up much.
My apartment has been messily slaughtered, furniture shoved and stolen and hidden mold revealed. One more time I’m the last one to move out. The walls are bare, and most of what I own is in piles on the floor. I’ll never live with Jon or Amanda or David again.
I said goodbye and soon to many, many people, and went to my uncle’s house to see Ken, Jon and Emily one more time and to be astounded by the generosity of my family. I fell asleep sitting up before we came back here. I’m going to pack all night and leave in the morning, which I was explicitly told not to do.
Those of you who know me from my first Governor’s Scholars Program will be gratified to know, I hope, that I brought an umbrella onstage with me at the ceremony. As we were leaving, I ended up facing the wrong way and didn’t notice I was supposed to be moving for several long seconds after the rest of my row had gone. I jumped and cursed onstage (at my own commencement) and scrambled out. I was so flustered I forgot the umbrella.
On my way out to meet my family I stood for a few minutes on the stage in Weisiger. That was the first place I found myself on the first day of GSP, here at Centre; I stood in the dark, having come in out of the rain, and wrote about quiet stages on a chalkboard. Later that night, Milton Reigelman would point it out in his opening convo speech, and I would feel a strange mix of shame and pride at having something I’d written read.
This is how I graduate: I am bone-deep nothing-left weary, and I have miles to go before I sleep. I know my time here is done and I am satisfied with it, and I’m ready and willing and glad to go. I’m hurt and hollow, childish and scared. I want desperately to put off the deep wrench I’m feeling, because it means I’m really leaving home.
Yesterday morning, my uncle John got up at some ridiculous hour and ran fifty kilometers. Fifty kilometers. Then he kept walking until he had done fifty miles. Then he went home, had something to eat and went to an unusual retrospective of his work.
Uncle John makes custom birthday cards, and has done so since he was a teenager. A few weeks ago, my aunt Dana started sending letters to friends and family asking to borrow any cards we might have saved. Of course, everybody had saved everything–you don’t get a personal work of art in the mail and throw it away when you’re done.
They got enough cards to fill four rooms full of shelves (and they had leftovers). During the day it was an exhibition for clients; that night, when I got there, it was food and a jazz band and my uncle’s fiftieth birthday party.
It was one of the best gallery shows I’ve ever seen. The sheer volume of work and creativity and originality was humbling and inspiring and it still stuns me a little to think that I own at least a dozen of those original pieces myself.
I think it was my tenth birthday when I got the foldout card. It was a huge battle scene my uncle had drawn and then left half-empty, inviting me to fill in the rest. It was perfect. It was one of the best presents I’ve ever received, and I could probably redraw it from memory.
I was a weird little kid, and if I’d been born to different parents I probably would have been a Ritalin poster child.The only things that could get me to sit still for ten minutes were a big fat fantasy book or a chance to draw with my uncle. I didn’t quite get all the genes that give him his talent, or maybe his dedication–he did better stuff at fifteen than I can hope for now–but everything I love about sequential art comes from trading panels with him on “Captain Zero” and “The Adventures of Petey.” That this site exists as more than a blog is due to him.
A dozen cards, a million comic strips. Happy birthday, Uncle John, and thanks for all my presents.