Category: Avery Alder

Composition

Nineteen years ago my friends got together, led by Maria (hi Maria), and chipped in to buy me my first single-lens reflex camera: a Canon Digital Rebel.

Myself in a mirror, at a plant shop in San Francisco, early 2016.I’d played with cameras since I was a kid, but until that year, I never had a solid understanding of what to do with them. Coming to that understanding took many years of developing taste for what I liked in pictures, and then more time studying the techniques involved, but mostly what I needed was a good way to experiment. My goofy webcam selfies aside, the time between taking a photo and looking at it had always been measured in weeks and dollars. But things changed once I could just snap, and chimp, and gauge what I had wanted against what I got. I needed feedback to learn.

Self-portrait in shadow, reflected in shattered glass, somewhere on a Tube Walk in London.I’ve written about this in the past and I don’t want to keep retelling the same stories. But before I had a camera in my hand, I had no patience for the act of looking around me. It was only learning how to frame, evaluate light, and search for details to isolate that unlocked the pleasure of observation. After a while, I didn’t even need the camera to enjoy it! And now I prefer to shoot on film anyway, so the quick feedback loop is long gone. But the process of learning shaped me, and I still hold that shape.

My shadow, on the wall of a castle in Ireland, wearing a silly hat.Photography changed my world by making any moment, anywhere, into something I could interact with. You should email a blogger today.

“It’s quite important to know that you are heard.”

Jenny’s post about metrics (and Lucy’s quotation of it) have been rattling around in my head for months now. In my mind that post links back to something that Avery Alder said on twitter many, many years ago, in response to a wave of scolding directed at allies who purportedly “wanted a cookie” for taking part in social justice activism. I can no longer access the original wording. What I recall is that Avery acknowledged that of course such work is worth doing regardless of reward. And then she added: but so what if I still want a cookie? I like cookies!

Jenny again, deliberately out of context, because it fits other contexts too:

First of all, so? And second of all, right, exactly.

Mads feeding a goat from a bag. The goat ate the bag.

I like cookies too. And I’m a human, a social mammal whose development rests largely on the attention and response of other members of my species. It is important for humans that sometimes someone gives you a cookie. It is important to know that you are heard.

Analytics software offers numbers you can’t trust about visits you can’t see, which is not the same as being heard—in fact I think it might be the opposite. The illusion of attention contorts people into shapes that are not good for them. (I don’t even need to mention any prominent software platforms by name here, do I?)

I don’t use my degree in the dramatic arts for all that much, these days, but I am often grateful for what I learned in completing it. One of the things that Patrick Kagan-Moore said to me, the night before our play debuted, has stuck with me for 25 years. “We rehearse for months,” he said, “so we can try to find the right shape for the performance, and the first time you get a laugh from a crowd—” He snapped his fingers. “—they will train you, like that. You’ll do it the exact same way every show, trying to get that to happen again.”

Live performance is a hot medium, where response arrives quickly: snap, chimp, gauge. Writing online, and off social media, is a cold medium. That’s why the warmth of a good response matters so much.

Lighted artwork from the ruin pub at Szimpla Kert, in Budapest, with an old speaker box facing the lens and a speech bubble above it saying

Sometimes I like to reach into my mental pocket and offer up chestnuts—I know I already used one food metaphor, stay with me—which I cannot promise will contain any meat. One such chestnut is that email is the infrastructure of the web. (In my grouchier moments, I say “failure state” instead.)

Infrastructure is what you fall back onto when a superstructure cannot support the load placed upon it. There are a million diagrams of the technical stack that underlies HTTP, and none of them includes a layer called “email.” But it is there, invisible, at the root of every auth request. And as direct communication over the web has been captured by those who do not wish good things for you or me, email remains the fallback there too: a crummy foundation that yet resists collapse.

When the web promised that you could subscribe directly to the words and work of people you found interesting, then broke that promise for extractive purposes, email newsletters sprang up to fit the popular demand to Just See The Goddamn People You Follow In Chronological Order God Dammit. Email is not well fit for this purpose, any more than it is for supporting the rest of the internet. The things you want to savor from your favorite writers get buried among “the to-do list that grows without your consent” (credit to Sumana). But it kind of works. And things that kind of work are what we have, online, these days.

A photo from San Nicolas in Aruba, with a gaping abandoned doorway showing overgrown weeds behind it, and the words

Newsletters are blogs. Email kind of works as a way of both delivering and responding to blogs. I agree with Erin’s newsletter that writing letters is a wonderful practice too. And I don’t mean to dismiss the charm of a good comment, for blogs with comments! Comments are how I met Will, after all. But letters require physical acquaintance, and comments are a kind of public performance in their own right. Email is something else still.

The other day I had a question that was bugging me, and I looked up the relevant figure on Wikipedia. Wikipedia told me that he has a blog—a delightful blog about sailing in retirement, unrelated to the matter I had in mind. But that blog had an about page with an email address, so I wrote an email, and got a response right away.

From: Brendan (xorph@xorph.com)
To: ken@kensblog.com

Hello Mr. Williams! I’ve always wondered, why did you choose “on-line” for the original company name “On-Line Systems?” Was it derived from the idea of making software to be accessed on a mainframe through a terminal, or did the term mean something different to you at the time?

Thanks! Hope your seagoing adventures this year are wonderful.

—Brendan J

From: Ken Williams (ken@kensblog.com)
To: Brendan

You nailed it. Yes – I was doing freelance contract work on mainframe computers, specializing in large computer networks (literally on-line systems). When I started Sierra I kept the name I had been using for my contracting.

When we started getting larger I realized someone already owned the name and had to change our company name.

-Ken W

From: Brendan (xorph@xorph.com)
To: ken@kensblog.com

It’s so satisfying to have a clear answer to that after all these years. Thank you so much!

From: Ken Williams (ken@kensblog.com)
To: Brendan

🙂👍

The exchange was months ago, but I continue to enjoy the pleasant feeling of this tiny conversation. I have other emails I have received in years past that I keep close in my heart, just because they caught me at a good moment with a kind word. Even without much social media in my life, I do talk to people in other ways online, via Izzzzi and Peach and sometimes (sigh) Discord. But a few lines of thoughtful outreach, one to one, carry a warmth and weight of meaning that is singular.

I’ve taken a lot of photos over the last couple of decades. In doing so I have learned that I’m not particularly adept in most genres. Landscape and street photography don’t come naturally to me, posed portraiture remains elusive, and things like sports or wildlife photography are far beyond my abilities. What I like shooting most are candids. They require at least a little skill, a little preparation, a watchful eye, and luck: I shoot a dozen for every picture that turns out the way I want it. But there is nothing like that moment of resolution, when I see on a screen that taking the shot has succeeded.

A photo doesn’t really make a moment permanent. Our photos are ephemeral, just like our selves. They still matter. Ephemeral connections, one to one, are the material we use to construct meaning in our own stories. You and I were born in a time when there is no other choice but to find our lives shaped by emails. So pick a shape you like, and put something in it that you want to see again.

My wife and my mother, laughing together.

A very small dog named Chauncy blepping with his paw on my knee.

My partner Hannah in monochrome, obscured by a lens flare.

Sophie and Erin sitting in the sand and smiling, probably at Kat's beach birthday.

Erin at Bit Bash in 2015, lit entirely in blue.

Ayo and Stephen, in a kitchen and monochrome, having a totally not posed conversation.

A small dog peeking nervously out from behind a Miller Lite rainbow pride flag.

Chris, in a red room, weary in 2008.

Kat at a distance, leaning down to peer through a hole in a fence.

A cluster of balloons escaping into the sky.

It’s actually “Twitters Brendan”

When I was a kid I had asthma. Growing up largely fixed that, but I still got attacks when I went running in cold weather; since running is the only exercise I enjoy or have ever been good at, I got into the habit of slacking off as the weather got colder. In late fall, for many years, I’d slip into a comfortable lethargy, stop caring about what I ate or how much I moved, and gain a bunch of weight that I’d then try to work off in the spring.

After I started recognizing this pattern I wanted to change it. Because the only motivation I understand is self-mockery on the Internet, last September I made a new Twitter account, WinterBrendan. I’d post as him when I caught myself in moments of sloth, gluttony and self-loathing. He hasn’t actually written that much, which is a good thing! It kind of worked, and I ate a lot better and worked out more (aided by the fact that I figured out how to run without asthma, which deserves its own post).

But WinterBrendan was only the beginning.

Within two weeks of his appearance, SOMEONE WHO SHALL NOT BE NAMED created SpringBrendan, which is the worst thing that has ever happened. SpringBrendan is a machine gun of incredibly lewd jokes, which, well, fine, except all those jokes have my face on them and people instinctively believe I am writing them. The worst part is that he’s fucking hilarious. The only thing worse than people scolding you for coming up with horrible things is people praising you for coming up with horrible things when you did not, and indeed could not.

There are apparently people who still don’t believe I don’t write SpringBrendan. Look! Here! I AM NOT SPRINGBRENDAN. YOU CAN TELL BECAUSE HE IS FUNNY, AND LIKES HIMSELF.

Unfortunately everyone else likes him too. Around the time this was going on, I realized I was coming up on my ten thousandth tweet. Because my friends (and their friends, and total strangers) seemed to enjoy seeing my face plastered on any old garbage, I took a grumpy few hours and wrote my first Twitter client, RealBrendan. It was pretty simple: a text box that hooked up to my actual account and posted whatever you typed. My 9,999th tweet was a link to it, and my 10,000th was “Go.” Then I went to lunch with a friend.

When I got back I was in Twitter jail.

As soon as people realized it was legit, they had unleashed a hideous torrent of raw, anonymous Internet. I once thought of my followers as a carefully curated selection of clever, thoughtful people with taste; now I know better. RealBrendan only went silent when it hit the ceiling for allowable-tweets-per-hour, which turns out to be 128. I got a lot of texts along the lines of “are you okay???” and “WHAT ARE DOING, TURN OFF,” and one person even figured out how to send DMs as me. Exciting! (If you authorize the Exquisite Tweets app, you can read a complete archive of the horror.)

I revoked the app and was allowed back on Twitter the following morning. I did feel a certain sick fascination with what had happened the day before, so I tinkered with the machinery so that it would maintain a queue and post at a more reasonable rate, then hooked it up to its own new account. Once people figured out there was no more immediate gratification, the torrent dropped to a trickle, but now there’s this kind of anonymous group-fiction thing going and it’s kind of fun.

Because ideas are unkillable, there are other accounts as well, and once again I DO NOT CONTROL ANY OF THEM. Summer called them Brendan-shards, which prompted me to start thinking of them as my Horcruxes, because it would be awfully hard to track them all down and also each one represents a horrific murder. They are GrampaBrendan, JoelBrendan and BrendansMcdald, and I strongly encourage you not to follow any them. Or the other ones. Or the actual BrendanAdkins, really.

Please RT.

Stories We Tell, The

My dear friend Joe Mcdaldno–writer, game designer, and fascinating Renaissance human–was kind enough to interview me about Anacrusis for his nascent radio show/podcast, The Stories We Tell. This marks the third podcast to feature me, and my second time on Canadian radio. Soon, listening to my nasal drone trail off in the middle of half-baked jokes will be completely unavoidable!

Incidentally, the term I can’t think of at around 16:45 is syllepsis (and more generally zeugma).

My friend Joe is committing some thoughtcrime

And he’s doing a Kickstarter thing to fund the print run. It’s a game called Perfect, and it’s one of the best, most effective story games I’ve ever played: a Clockwork Orange-meets-Fahrenheit 451-meets-actual Victorian evil premise that the mechanics support to a startling degree. Playing it, you find yourself alternately drawn toward becoming a violent enemy of the state, and seduced by power like a guard in the Stanford prison experiment. It’s a nasty game, and I really, really like it. Joe talks more about it here.

If you’re interested by this kind of thing, you should chip in $5! If Joe meets his goal, you get a PDF of the game, and if he doesn’t, you get your money back (well, technically, it never even leaves your account).

Thanks to everybody who commented on the project management software entry, by the way

A few weeks ago I attended my second Go Play Northwest, and as before, it was one of the best weekends of my year. I played a lot of games, and wrote up reports on some of them, including Attack of the Crimson Apes (with Danger Patrol), Steam Tank versus Marble Army (with Principia), and Saga of the Goblin Headbag (with Lady Blackbird). I also ran a game of Rubble (discussed), and played my second game of Mythender (discussed, although it may not make any sense). I played just enough of a game of Anima Prime to make me want more.

Finally, I played in a game of The Shab-al-Hiri Roach adapted to take place on Wall Street in 1986, which was very funny and which we will never discuss again.

I did manage to go the entire weekend without playing a single game with Jackson Tegu or Joe McDonald, which, I mean, what the hell guys. They were (along with John Aegard and the Richmond-Smiths) two of my most potent catalysts in getting involved with the Pacific Northwest gaming scene, and now they’ve retreated back to their frozen Canadia. This will be rectified, gentlemen!

GPNW alone is enough to make me reconsider moving to Seattle every year. Then I try to get anywhere in its blighted hellscape of streets and quickly discard that notion.

Go Play Northwest Con Report: Day One

PLAYING GAMES IS COMPLETELY AWESOME. Today I playtested a version of Agon hacked into Shadowrun and, even more successfully, a Dragonball Z-meets-epic-level-D&D-as-run-with-Beast Hunters game by Ryan Macklin called Mythender.

Just one day has made me actually want to go back and finish writing Welcome to the New World, the RPG I half-completed in 2005, not to mention the real-time tactical combat game I get really excited about every ten minutes and then get distracted before I write any ideas down. It’s like, oh. Is this why people go to cons?