There was a moment in time when, thanks to a kind reader named Allison, this blog got its updates syndicated to a Livejournal account. People there could see my offsite posts integrated into their friend-feed and even post comments. It is hard to convey just how dominant LJ was in early Web 2.0 if you weren’t there for it, but that feed was significant avenue of audience. I’ve never been much for the threaded-comment model of interaction, but I did enjoy them on the LJ feed, especially because the syndicated posts existed in an ephemeral 20-slot buffer and would vanish once they got pushed out. This was back when 20 blog posts was a matter of weeks for me, not years. I want to backspace now and turn those numerals into spelled-out numbers but I am going to move on to the next paragraph instead.
It was these ancient territories wherein I came to know a delightful person named Will (probably, we’ll address that later) O’Neil, and learned to place great store in his taste, talent for prose, and thoughtful regard. Because I have not yet pressed my luck too far on this concept, I asked him some emails! I then edited and rearranged them to such a degree that a postscript became an antescript. Each of our hyperlinks are our own, almost; all photo credits to my kindred spirit.
(This isn’t actually prompted by a question, it’s the postscript I just mentioned above.)
On the subject of kindred spirits, I shared your Scott Pilgrim meme with Jojo when you first messaged me about this project, and she replied, “Is your friend Brendan… you?”
There’s ONLY ONE WAY TO BE SURE, Jojo. (See below.)
Hello. I can no longer find evidence of this amid the decay of the indexed internet, but once upon a time, I believe you titled yourself “a walking SQL injection test.” Did you withdraw that epithet from circulation because you stopped destroying SQL, or because you stopped walking, or is it just that my failing memory is vulnerable to injections itself?
I went to school with someone who became a software penetration tester, and he once told me that he liked to use Irish names when testing web forms because it was a plausibly deniable way of testing a web form for vulnerabilities. If they didn’t handle them well it was an indication that the form might be exploitable. But the main reason I recall calling myself this was that there was a period of time where I seemed to keep breaking websites.
Do you remember the early-ish wild-west “Web 2.0” days of Facebook? Where there were all those apps and plugins you could install? I used to have a heck of a time with those. You’re trying to jump on the same fad as all your friends but then all you get is “check the manual that corresponds to your MySQL server version for the right syntax to use near ‘Neil'”.
For years when flying certain airlines I’d have to go up to the desk instead of checking in at the little touchscreen kiosk because the keyboards wouldn’t have an apostrophe. Please enter your name exactly as it appears on your passport. Ok sorry but not that character. You know?
Do I know? Certainly I believe. I myself have merely labored under a set of names that are consistently misheard by one letter or, in the wake of my wedding, three. I do want to challenge you to write a short story based on The Right Syntax To Use Near Neil, but this is an interview, not a duel. We both know which of us can actually duel people.
But your use of the term “kiosk” reminds me of my very favorite sentence in all of fiction, which is of course a William Gibson original. Do you have a cellar-door sentence or phrase or fragment yourself that you turn over and over in your mind like a careworn stone? If not, where would you look for one? You can’t use mine.
The first one that leaps to mind is also a Gibson original: Odile, in Spook Country, gnomically pronouncing “see-bare-espace”. Aside from it being a fun set of syllables to turn over in your mind, the notion of cyberspace everting is something I’ve been coming back to more and more over the past few years. I remember firmly thinking when that novel came out that it was too big a reach, and that the internet would always be a different space. But now I’m not so sure.
You and I became internet friends over a shared love of microfiction, and yes, I am going to link to your semi-decommissioned story blog unless you delete it before this interview is published. I still think of it, and the way you sketched out your ideas, with fondness and curiosity. So wait, do you prefer Hey Will (like your domain name) or Hey William (like your about page)? Or Hey Bill (as you seem to address yourself on Instagram)? Or some secret fourth thing?
I still have extremely fond memories of crafting those tiny stories, and it’s weird to re-read them now and only half-remember the things that were going on in my life at the time that inspired them. Fun fact: this one is an extremely transparent reference to the tumblr I maintained devoted to my friend Hayden, who was a supporting actor in a short-lived fantasy television show, and from whom I deliberately and carefully kept my authorship for several years.
A lot of the stories I wrote were me putting things that were happening in my life into a different set of clothes and making them dance, so I’m afraid that if I tried to pick it up again I’d inevitably just be writing allegories for my ethical wrestling with LLMs. But maybe I should anyway.
Something that has lived rent free in my head for what is now many many years is from The Chosen Ones – “I reject all nicknames that do not reduce aggregate syllable count“. William, I suppose, is a comparatively nicknameable name, and I recite this to myself mentally whenever someone asks “hey so haha does anyone call you Billiam?”. The best one was probably the first, though – my brother, as he was learning to speak, used to refer to me as “Woe”. I found this very appropriate during my angsty teenage years.
When I was growing up, the only people who called me Will were my immediate family, and everyone else called me William. But at some point in my early twenties, someone asked me “Do you prefer William, or Will?” and I said, “Will’s fine.” and suddenly that was that. At my First Proper Web Development Job I purchased that domain as a joke because it seemed for a while like every complicated debugging question would come to me led by a comparatively innocuous “Hey, Will…”
(This is the same job where one of our customers was from the finance company William O’Neil + Co, who replied, baffled, to my initial onboarding email assuming that we had messed up a mail merge somehow)
Two of my grandparents were also nicknamed Bill, so I suppose it is somehow genetic. But the real reason that Bill happened because at university I did two things: 1, I grew a beard, and 2, perhaps more critically, I managed to surround myself with a community of professional and professional-aspiring theatremakers. I started helping out in shoestring productions as a lighting designer and operator, mainly to have something to do with my time that didn’t involve spending all of my waking hours in a computer lab. A director I was working with suggested that Bill was an appropriate nickname for a grumpy, bearded lighting tech, and suddenly I was Bill to a specific constellation of people in my life. It felt very nice to have a core group of friends who had a special name for me, and for a few years I tried to protect that by being very careful how I introduced myself to people. I think it was because it felt like some kind of weird circle of trust where if someone unworthy knew me as Bill the magic would suddenly collapse.
This did eventually happen — specifically, that I had a falling out with someone and felt like as a result I should be able to rescind their calling me Bill — but by the time it did I think I had grown into the name enough that I just had to lean into it.
Now I live in Sydney and, aside from two friends I’ve known for as long as I’ve known you, nobody here has ever known me as anything else. So maybe that’s the answer. But I don’t think I’ve actually answered your question, have I?
If I was going to grade you on whether you answered the questions, then I should have asked more cogent ones to begin with. I only ever took one lighting design class in college myself, but I really enjoyed it, and it might have been the zenith of my theatrical career. Are there things you notice, or things that bother you, about light that are informed by your technical experience? (I like to complain that social media video ring lights give people eerie snake pupils and someone should have just told them all about standard two-point setups instead.)
Something I think I’ve been able to appreciate more deeply, as someone who has pointed lights at people and surfaces before, is the work of James Turrell.
I’m sure someone who doesn’t understand anything about light could still certainly marvel at or appreciate his work. But having seen far enough behind the curtain to be aware of the kind of work that would have to be involved to create some of his pieces, makes me feel like I understand them in a different way than if I had never pointed a light at a surface before myself.
The way that his Ganzfeld series of works light a space so evenly that it makes your skin look uncanny when you’re standing in it is something that images can’t really prepare you for. It’s like IKB. Even something as conceptually simple as his projection pieces, where a two dimensional shape thrown into a corner feels like a window into a three-dimensional space, have a magic to them that evades being photographed.
Part of the reason I first went to Japan was actually to see two of his Sky Space works (there’s one in Kanazawa, and another on Naoshima, at the Chi Chu art museum). Going to the one in Canberra while the sunset light show was happening was something we used to do quite regularly when I lived there, and sitting there looking up at the sky as it slowly darkens is the closest I’ve ever come to having what I’d call a religious experience.
Unlike you, I never studied the blade, but I’m glad to know that we have each taken up our own embroidery projects as we enter our salt-and-pepper years. My focus has largely been cross stitch, as well as some visible mending on the pairs of drawstring pants (*trousers) that accommodate me in forgiving ways. Meanwhile I have gleaned from your mirror self-portraits that you can pull off the Cary Grant natural-waist silhouette with panache and aplomb, a feat I’ve never yet managed. Where do you get your clothes? Can I have some?
Something I appreciate about crafts like embroidery, leathercraft, and hand-tool woodworking is that the feedback you get on your increasing skill and capability is immediate and obvious. The first time you do it probably isn’t great, but each additional stitch or swipe of the handplane gives you immediate feedback and shows you how you’re getting incrementally better, or what adjustment you need to make in order to get there. As a javascript developer I never really had a good handle on the pace at which I was improving; as a manager of developers, now, even less so. I think I enjoy these kinds of hobbies because I don’t get that kind of feedback in my professional life.
Both of my partners are very capable seamstresses, and find a similar joy in the process of making their own clothes. Maybe that’s what I should try my hand at next. But so far I’ve resisted adding yet another hobby to the pile.
Sidebar: something tangentially embroidery-related which I hope will tickle your particular sensibilities is a website that Hera and I both used to find uproariously funny, called Embroidery Troubleshooting. It no longer exists except for the wayback machine snapshots, but for several years the consequences of those unclosed H3 tags were possibly one of my favourite things on the entire internet. Please let me know how far down you are able to scroll before you burst out laughing: for me, I struggle to get past “empty bobbin: replace” without at least smiling.
Anyway, the secret to my descent into the pocket of Big Pants was through a better understanding of my own queer identity and realising that I’d been spent much of my life styling myself to make myself as default and unremarkable as possible in order to not give any girls who might possibly think I was cute the impression that I might be gay. Obviously this is a silly thing to be concerned about in retrospect, but becoming more comfortable with who I am was a necessary first step to dressing how I wanted to dress. In Hackers (1995) terms, this was me realising that I could be Matthew Lillard rather than Jonny Lee Miller.
The Bill that only wore one kind of levis jeans and only owned one style of t-shirt would never have branched out into interesting pants, and certainly wouldn’t have taken up the offer from the very helpful shop assistant who said “you should try these on, even though they are technically from the Women’s section”. Suddenly, I’m being stopped in stores by people who want to tell me that my pants are cool. I didn’t even realise that this was something people did.
A brand I have been lately in love with is Front Office, who are based out of Melbourne. I have their Mid-Weight Portugal Trousers and they are probably one of my favourite things in my wardrobe. Ken also has a great youtube channel and newsletter where he talks about his design process – if you haven’t already come across this you should check it out.
First of all, yes, I think of Embroidery Troubleshooting (damn that would be a good character name) often, and with joy, and always associate it with you! Second, thank you for mentioning Hera and allowing me this segue.
Many, MANY years ago, before HBO even caught wind of them, you told me to listen to Flight of the Conchords, which was correct. Years later, you told me to read Hera Lindsay Bird, which was perhaps even more correct. Your instincts are so unerring in matters of lyrical taste that I also attributed to you my original interest in Frightened Rabbit, and then I think later I asked you about that and you gently told me that I made that up. What band or poet should I get into next?
Hera actually has a new US-published book out recently, Juvenilia, which this question reminds me to tell you about. The cover art is so good that I feel obliged to recommend it on that basis alone. She also edits the Friday Poem for the website The Spinoff where she also has an agony aunt column (Help me Hera) which is exceptional.
But the poet I would recommend to you next is my dear friend Freya Daly Sadgrove.
Here is Thin Air.
Here is Horse Polo Tongue Swallow:
When I tell you I love you I mean oh my god I mean holy fucking shit.
I mean, there you are,
your whole own thing.
When I tell you I love you I mean I
wanna get in the Magic School Bus and hoon around inside you.
As I’ve hinted here and there on this blog at times, Kat and I each have a romantic partner of our own in addition to our marriage with each other, but the story of how that happened is terribly prosaic: we went to some parties together, we each met someone and hit it off, we started dating them, we kept dating them, we love each other. Everyone involved is happily married, which is a sentence that could have a complex illegal meaning but in fact does not. Is your (plural) story simple or complicated? Can I ask what term (or terms) each of you use for your gender?
- Jojo: she/her.
- Vee: they/them; “she” occasionally but only in the abstract way that one might refer to a ship, or e.g. Shania Twain announcing “Let’s Go, Girls”.
- I’m a he/they but with the caveat that I still feel included when someone refers to a group that I’m with collectively as “ladies”.
Jojo and I had been together for over a decade when we decided to explore other relationships – driven mainly by being two bisexuals in a very heterosexual-looking relationship, and just generally wanting to be able to have the space to explore other experiences. Vee had been a mutual friend of ours for many years, but it wasn’t until I moved home to Wellington in 2019 that we had the opportunity to understand that there was something deeper there and start to explore it. What sounds simple but was in retrospect quite unlikely was that Jojo and I managed to meet people, start dating them, and fall in love, both on very similar timeframes. I think that certainly made it easier to navigate than if it had been one and then the other, because we were both working out what it meant for us all at once.
The one wrinkle is that the person Jojo met was in Sydney, and so for Pandemic-related reasons she ended up moving back there permanently pretty much as soon as the Australian border reopened. This meant that for much of my relationship with Vee, my relationship with Jojo was a long-distance one, and we each ended up building our own separate lives together with new people. So now even though we’re living in the same city again, I don’t live with the partner I have the longest association with. But we rent an office space together that we both work remotely from, and live about a ten minute walk from each other, which means we still get plenty of ambient time together.
While this arrangement has worked out very well for me, personally, I occasionally have friends reach out to me asking how they might also make it work, and it brings me no joy to say that the correct thing for those people to have done each and every time was to just break up.
Will, or possibly William/Bill depending on your earlier answer [NOTE: FIX THIS], why is it that I have been hoping to meet you since the strange days of the nascent millennium and yet we’ve (I’ve) never made it happen? I don’t expect you to have an answer to this, I just want to voice it plaintively, because I consider you such a lovely person from my distant perspective and kindred spirits are rare and life is short. You know?
I’m very glad to hear that you feel this way because I feel very much the same, and I’m glad to consider you a friend.
Okay great. By the law of verbal traps, this means you and yours have to come meet up with me in Japan in the autumn of 2027 and finally discover all the tiny ways in which you and I might detest one another in person. Kat and I did a brisk two-week trip earlier this year and I am already desirous of return. What do you say, Kamakura? Takehara? Takayama? Or somewhere else?
Deal.
I’d played with cameras since I was a kid, but until that year, I never had a solid understanding of what to do with them. Coming to that understanding took many years of developing taste for what I liked in pictures, and then more time studying the techniques involved, but mostly what I needed was a good way to experiment. My goofy webcam selfies aside, the time between taking a photo and looking at it had always been measured in weeks and dollars. But things changed once I could just snap, and chimp, and gauge what I had wanted against what I got. I needed feedback to learn.
I’ve written about this in the past and I don’t want to keep retelling the same stories. But before I had a camera in my hand, I had no patience for the act of looking around me. It was only learning how to frame, evaluate light, and search for details to isolate that unlocked the pleasure of observation. After a while, I didn’t even need the camera to enjoy it! And now I prefer to shoot on film anyway, so the quick feedback loop is long gone. But the process of learning shaped me, and I still hold that shape.
Photography changed my world by making any moment, anywhere, into something I could interact with. You should email a blogger today.
