{"id":8577,"date":"2017-02-19T13:22:37","date_gmt":"2017-02-19T17:22:37","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=8577"},"modified":"2017-08-12T11:37:18","modified_gmt":"2017-08-12T15:37:18","slug":"eros-manet-in-nobis","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/8577","title":{"rendered":"Eros manet in nobis . . ."},"content":{"rendered":"

\u201cI love the abstract, delicate, profound, vague, voluptuously wordless sensation of living ecstatically.\u201d
\n\u2014 Ana\u00efs Nin
\n <\/p><\/blockquote>\n

I have to admit that I am weary of seeing the output of collage artists who glean from pornographic content and assemble images that generally fail to rise above the source material. It is a lazy way to shock at best and a mere trafficking in human objectification at worst. That being said, I do have a sincere regard for erotic minimalism, present throughout the full century of collage as an expressive medium. Needless to say, contemporary artists have kept the tradition alive \u2014 especially in Europe \u2014 and the best examples require no additional verbal explanation.
\n <\/p>\n

\"Alter<\/a><\/p>\n

Nicola Kloosterman<\/a><\/em><\/strong> | Netherlands<\/p>\n

\"Franz<\/a><\/p>\n

Franz Falckenhaus<\/a><\/em><\/strong> | Poland<\/p>\n

\"Beatrice<\/a><\/p>\n

Beatrice Squitti<\/a><\/em><\/strong> | Italy<\/p>\n

\"Dance<\/a><\/p>\n

Una Gildea<\/a><\/em><\/strong> | Ireland<\/p>\n

\"Mother<\/a><\/p>\n

Erin Case<\/a><\/em><\/strong> | Michigan, USA<\/p>\n

\"Miriam<\/a><\/p>\n

Miriam T\u00f6lke<\/a><\/em><\/strong> | Germany<\/p>\n

\"Wim<\/a><\/p>\n

Wim Maes<\/a><\/em><\/strong> | Belgium<\/p>\n

\"Eduring<\/a><\/p>\n

Deborah Stevenson<\/a><\/em><\/strong> | Maine, USA<\/p>\n

\"Multimedia<\/a><\/p>\n

Alexander D\u2019Haese<\/a><\/em><\/strong> | Belgium<\/p>\n

\"Waldemar<\/a><\/p>\n

Waldemar Strempler<\/a><\/em><\/strong> | Germany<\/p>\n

\"Odeur<\/a><\/p>\n

Katrien De Blauwer<\/a><\/em><\/strong> | Belgium<\/p>\n

\"Gro\u00dfwerden<\/a><\/p>\n

Kerstin Deinert<\/a><\/em><\/strong> | Germany<\/p>\n

\"Jaroslav<\/a><\/p>\n

Jaroslav S\u030ckojec<\/a><\/em><\/strong> | Czech Republic<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cI love the abstract, delicate, profound, vague, voluptuously wordless sensation of living ecstatically.\u201d \u2014 Ana\u00efs Nin   I have to admit that I am weary of seeing the output of collage artists who glean from pornographic content and assemble images that generally fail to rise above the source material. It is a lazy way to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[235,228,1,226,205,234,224,82,233,225,78,231,227,232,229],"tags":[],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/8577"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=8577"}],"version-history":[{"count":10,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/8577\/revisions"}],"predecessor-version":[{"id":9509,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/8577\/revisions\/9509"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=8577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=8577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=8577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}