{"id":5179,"date":"2015-06-22T09:09:41","date_gmt":"2015-06-22T13:09:41","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=5179"},"modified":"2015-07-01T23:40:41","modified_gmt":"2015-07-02T03:40:41","slug":"its-a-trip-collage-man","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/5179","title":{"rendered":"It\u2019s a trip collage, man . . ."},"content":{"rendered":"<blockquote><p>\u201cIt is the limitation of means that determines style, gives rise to new forms and makes creativity possible.\u201d<br \/>\n\u2013 Georges Braque<\/p><\/blockquote>\n<p>From the first decision an artist makes when confronting a blank format, available options are eliminated. As contradictory as it may sound, writers, designers, musicians, dancers, visual artists \u2014 all of us find fertile ground in restriction. Working within limitations, self-imposed or otherwise, is always at the heart of the creative process. One of my preferred journal experiments is a variation I call the \u201ctrip collage.\u201d Mind you, this has absolutely nothing to do with psychotropic escapades. However, I do periodically \u201cexpand my consciousness\u201d of the medium with an exercise based on limited ingredients. When on holiday or outside the studio, I produce a small collage only with the elements immediately available at hand. Litter, junk mail, discarded packaging, or <a href=\"http:\/\/www.xorph.com\/jadixon\/archives\/3135\" target=\"_blank\">the detritus of a particular environment<\/a> will become the instruments of a miniature orchestration. Even within this constraint, choices about what to use and what to ignore will govern the approach, and the interesting relationship between spontaneity and intuitive judgment can be observed.<br \/>\n&nbsp;<\/p>\n<p><a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2015\/06\/Dixon_TripCollage_2015a.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2015\/06\/Dixon_TripCollage_2015a.jpg\" alt=\"Journal experiment ~ John Andrew Dixon\" title=\"a \u201ctrip collage\u201d journal experiment ~ J A Dixon\" width=\"333\" height=\"400\" class=\"alignleft size-full wp-image-5136\" srcset=\"https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2015\/06\/Dixon_TripCollage_2015a.jpg 666w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2015\/06\/Dixon_TripCollage_2015a-300x360.jpg 300w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/a><\/p>\n<p style=\"font-size: 88%; line-height: 133%; margin-top: 433px; margin-bottom: 44px; color: gray; padding-left: 30px;\" align=\"left\"><strong><em>results of a \u201ctrip collage\u201d exercise<\/em><\/strong><br \/>\njournal experiment by J A Dixon<br \/>\n5.5 x 6.75 inches<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cIt is the limitation of means that determines style, gives rise to new forms and makes creativity possible.\u201d \u2013 Georges Braque From the first decision an artist makes when confronting a blank format, available options are eliminated. As contradictory as it may sound, writers, designers, musicians, dancers, visual artists \u2014 all of us find fertile [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[160,52,16,18,68,35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/5179"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=5179"}],"version-history":[{"count":9,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/5179\/revisions"}],"predecessor-version":[{"id":5261,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/5179\/revisions\/5261"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=5179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=5179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=5179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}