{"id":3239,"date":"2013-12-22T18:20:28","date_gmt":"2013-12-22T22:20:28","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=3239"},"modified":"2014-01-28T21:02:39","modified_gmt":"2014-01-29T01:02:39","slug":"cadenza-forte","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/3239","title":{"rendered":"Cadenza Forte"},"content":{"rendered":"<blockquote><p>\u201cOnce you establish yourself as an artist, heaven forbid you change the formula too much. Paradoxically, this goes even for artists who \u2018broke molds\u2019 on the way up. The German powerhouse painter Gerhard Richter has gotten away with working in many different styles. But the case of 20th-century French chameleon Francis Picabia is a warning. He\u2019s been dead since 1953, and he\u2019s still paying for the fact that his art didn\u2019t look the same from decade to decade.\u201d<br \/>\n\u2014 Jen Graves<\/p><\/blockquote>\n<p>Pre-Christmas sales have accelerated, and there is enough time for local folks to surprise someone with a collage miniature under the tree. <em>Cadenza Forte<\/em> found a home after six and a half years. The buyer said he wanted an example of my \u201cclassic style.\u201d<\/p>\n<p>Hmmm\u2026 I need to turn that over in my mind for a bit.<br \/>\n&nbsp;<\/p>\n<p><a href=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2013\/12\/Dixon_CadenzaForte.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2013\/12\/Dixon_CadenzaForte.jpg\" title=\"Cadenza Forte ~ J A Dixon\" width=\"300\" height=\"390\" class=\"alignleft size-full wp-image-3241\" srcset=\"https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2013\/12\/Dixon_CadenzaForte.jpg 600w, https:\/\/www.xorph.com\/jadixon\/wp-content\/uploads\/2013\/12\/Dixon_CadenzaForte-300x390.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"font-size: 88%; line-height: 133%; margin-top: 427px; margin-bottom: 7px; color: gray; padding-left: 30px;\" align=\"left\"><strong><em>Cadenza Forte<\/em><\/strong><br \/>\ncollage artifact by J A Dixon<br \/>\n16 x 20 inches<\/p>\n<p style=\"font-size: 88%; line-height: 133%; margin-top: 7px; margin-bottom: 44px; color: #CC3333; padding-left: 30px;\" align=\"left\">\u2022&nbsp; S O L D<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cOnce you establish yourself as an artist, heaven forbid you change the formula too much. Paradoxically, this goes even for artists who \u2018broke molds\u2019 on the way up. The German powerhouse painter Gerhard Richter has gotten away with working in many different styles. But the case of 20th-century French chameleon Francis Picabia is a warning. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[118,18,111],"tags":[],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/3239"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=3239"}],"version-history":[{"count":10,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/3239\/revisions"}],"predecessor-version":[{"id":3325,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/3239\/revisions\/3325"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=3239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=3239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=3239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}