{"id":11641,"date":"2018-12-22T19:50:56","date_gmt":"2018-12-22T23:50:56","guid":{"rendered":"http:\/\/www.xorph.com\/jadixon\/?p=11641"},"modified":"2020-01-27T14:29:03","modified_gmt":"2020-01-27T18:29:03","slug":"cut-post","status":"publish","type":"post","link":"https:\/\/www.xorph.com\/jadixon\/archives\/11641","title":{"rendered":"Cut & Post"},"content":{"rendered":"

The Edinburgh Collage Collective<\/a> has made a splash in the international collage scene over the past couple years, and it closed out 2018 with its Cut & Post<\/a><\/em><\/strong> project. The Collective and collage artist Mark Murphy<\/a>, along with guest jurists, collaborated to select a group of finalists from postcard-based collage artworks submitted from around the world in order to produce a limited edition set of collector cards. Organizers told Kolaj Magazine<\/em><\/a> that they \u201cfeatured a wide range of submitted works on social media and showcased as many postcard collages as possible, demonstrating the diverse visual responses and interpretations.\u201d According to the publication, \u201cthe project joins a list of strategies collage artists are using to curate and disperse collage outside of the gallery exhibition format.\u201d With over 1400 individual pieces of work electronically submitted, the project sponsors admit to being \u201ccompletely overwhelmed by the response.\u201d There is talk of exploiting the body of accumulated images beyond the original scope of the open submission.<\/p>\n

Below are five experimental pieces that I created for the submission. I also included two previous collage artworks with postcard ingredients among the total seven image files that I sent to Edinburgh for consideration, but none of them made the project\u2019s \u201cfirst cut.\u201d I shall keep my fingers crossed and look ahead to new initiatives from a city shaping up to be a world center for the medium. (More about that next year!)
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Five experimental post cards that I submitted to the \u2018Cut & Post\u2019 project that was based in Edinburgh, Scotland<\/em><\/p>\n

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The Edinburgh Collage Collective has made a splash in the international collage scene over the past couple years, and it closed out 2018 with its Cut & Post project. The Collective and collage artist Mark Murphy, along with guest jurists, collaborated to select a group of finalists from postcard-based collage artworks submitted from around the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[160,52,18,54,94,86,482],"tags":[],"_links":{"self":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11641"}],"collection":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/comments?post=11641"}],"version-history":[{"count":10,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11641\/revisions"}],"predecessor-version":[{"id":12044,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/posts\/11641\/revisions\/12044"}],"wp:attachment":[{"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/media?parent=11641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/categories?post=11641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xorph.com\/jadixon\/wp-json\/wp\/v2\/tags?post=11641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}